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Ángel Aso-Mollar (Monóvar, 1997) is a researcher in Artificial Intelligence whose work focuses on automated planning and control theory. His research addresses novel representation formalisms and the design of search algorithms capable of efficiently managing these structures. He has contributed to research lines that combine reinforcement learning, multi-agent systems, and robotics, with particular attention to decision-making models that integrate discrete and continuous decisions. He has published in internationally renowned conferences such as the International Joint Conference on Artificial Intelligence (Montreal, Canada, 2025), the International Conference on Automated Planning and Scheduling (Banff, Canada, 2024; Melbourne, Australia, 2025), and the International Conference on Tools with Artificial Intelligence (Washington, D.C., United States, 2025). He is currently a lecturer at the Universitat Politècnica de València and at the Universidad Internacional Menéndez Pelayo. He has delivered lectures at international institutions such as the Università degli Studi di Brescia (Italy). At present, he is a researcher affiliated with the Valencian Research Institute of Artificial Intelligence (VRAIN).

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Leonie Vidensky (1993) is a social scientist and data scientist whose practice operates at the intersection of health, food, and environmental systems. Her research focuses on how social and technological infrastructures shape everyday practices and modes of relating within complex ecologies of power. She has contributed to studies on nutrition from a gender perspective and collaborates with artists and filmmakers to bring scientific knowledge into dialogue with affect, narrative, and image.

\n\n

She supports artistic and documentary projects through contextual research, literature review, and data analysis, translating complex systems into accessible forms of storytelling. She also brings experience in experimental design and research-based game design, using interactive formats to explore social dynamics, processes of perception, and human–machine relationships. Her practice incorporates mathematical and statistical modelling, which she integrates into the evaluation of experiments, participatory interfaces, and computational systems.

\n\n

Her documentary collaborations with the Campo Abierto collective explore food, land, and labor from feminist and ecological perspectives. She is also the author of a cookbook examining socio-environmental conflicts surrounding food production in Catalonia, and she develops educational materials on urban food systems in collaboration with the urban planning office Malheur & Fortuna.

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She is a Madrid-born artist and researcher based in Donostia. She studied Journalism and Audiovisual Communication at Carlos III University of Madrid and later specialized in Curatorial Studies at Elías Querejeta Zine Eskola.

\n\n

Her research and artistic practice explores new forms of meaning and symbolic construction emerging from the interaction between the body, the internet and digital media, with particular emphasis on haziness and the dreamlike.

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Anna Halbleib (1991) is a filmmaker and visual artist working across moving image, spatial installation, and essayistic forms. Her practice explores how meaning and perception are constructed in a world increasingly mediated by technology and abstraction. Through a visual language that combines archival footage, AI-generated imagery, and observational video, she creates sensory visual essays that move between analysis and poetry, questioning what we see, how we see, and what remains outside the field of vision.

\n\n

In her recent work, she investigates the shared space between human and machine vision, examining how algorithms learn to see and how their aesthetic logic reshapes collective imagination. Through experimental creative processes and immersive audiovisual installations, she articulates feedback loops between human desire, computational logic, and the infrastructures of visual culture. Her work often unfolds as a dialogue between analogue and digital systems, the emotional and the technical, the human and the non-human, seeking to open up new ways of seeing.

\n\n

Her films have been screened at +Rain Film Festival (Barcelona), Festival ECRA (Rio de Janeiro), BAIFF Burano AI Film Festival (Venice), and the Gijón International Film Festival, among others. Her visual work has been exhibited at Artgenève (Geneva), Artivism Futures: Reimagining Human Rights Activism (London), and published in DNAmag (Mexico City)

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Ángel Aso-Mollar (Monóvar, 1997) is a researcher in Artificial Intelligence whose work focuses on automated planning and control theory. His research addresses novel representation formalisms and the design of search algorithms capable of efficiently managing these structures. He has contributed to research lines that combine reinforcement learning, multi-agent systems, and robotics, with particular attention to decision-making models that integrate discrete and continuous decisions. He has published in internationally renowned conferences such as the International Joint Conference on Artificial Intelligence (Montreal, Canada, 2025), the International Conference on Automated Planning and Scheduling (Banff, Canada, 2024; Melbourne, Australia, 2025), and the International Conference on Tools with Artificial Intelligence (Washington, D.C., United States, 2025). He is currently a lecturer at the Universitat Politècnica de València and at the Universidad Internacional Menéndez Pelayo. He has delivered lectures at international institutions such as the Università degli Studi di Brescia (Italy). At present, he is a researcher affiliated with the Valencian Research Institute of Artificial Intelligence (VRAIN).

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Miguel Rangil (Toledo, 1998) is an emerging new media artist and predoctoral researcher. His practice is articulated around working with algorithms, models, and datasets, as well as with text, images, and video, through which he explores contemporary artificial imaginaries and seeks to generate possible fictions through artistic practice. He is currently a predoctoral researcher at the Light Laboratory of the Universitat Politècnica de València (UPV).

\n\n

His work has been exhibited in a range of national and international venues, including Fundación Telefónica (Madrid, 2025), Galería Rosa Santos (València, 2025), CCCC (València), Ars Electronica Festival (Linz, Austria, 2023 and 2024), The Wrong Biennale (2023), Kunsthalle (Linz, 2023), Etopia Center for Art and Technology (Zaragoza, 2022), and Medialab Matadero (Madrid, 2022), among others.

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