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Nest is the official gathering for film students at the San Sebastián Film Festival. It is also the only section of the festival entirely dedicated to short film programming. But Nest is more than that: it is a meeting point, a small festival within the larger festival, a space to share knowledge, experiences, and a passion for cinema. After more than 20 years of history, it has become one of the festival’s most beloved projects.

\n\n

To close this cycle dedicated to the transmission of cinema, we present a special journey: a compilation of various behind-the-scenes works created over the years, showcasing what Nest has been, what it is, and what it will continue to be.

\n\n

Cualquier ventana en la que esté, Magdalena Orellana, 2020, 10'24''

\n\n

Notas sobre Nest, Paula González, 2021, 9'12''

\n\n

Diario Nest 2024, Mónica Cambra y Jan Baeta, 2024, 8'07''

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As of January 2026, the cinema becomes the classroom and the classroom becomes the cinema.  

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Artistic research project and community archive on forced migration, collective memory, and institutional counter-narratives.

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Nabil Aniss is a filmmaker whose practice explores the complex relations between political liberation, insurrection, and the mystical rituals of Morocco's Brotherhoods.

\n\n

Aniss whose filmmaking interweaves documentary, poetry, archival found material and his own shot images, which collectively explore the transformative power of sounds, movements, trances, and self-mutilation in shaping marginalised individuals into catalysts for sedition and liberation, awakening exhausted and fragmented diasporic bodies into a collective consciousness primed for political action.

\n\n

Through his work and research, he captures the politics of liberation through documenting Brotherhoods such as Gnawa, Hmadcha, Jilala, and Issawa—communities descended from West African enslaved people forcibly brought to Morocco.

\n\n

As a child, Aniss attended Gnawa rituals, where dance, music, trance, and self-mutilation intertwined suffering with the sacred.
\nHis video practice offers an intimate glimpse into the Brotherhoods' imaginaries, proposing an affective and conceptual framework where the anguish and sorrow of the oppressed individual become an aesthetic force that paves the way for liberation.

\n\n

 

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She works as an editor, teacher and archivist. From an early age her training was in the field of arts and social sciences. She studied at the Escuela Nacional de Experimentación y Realización Cinematográfica (ENERC), in Buenos Aires, Argentina and more recently at the Elias Querejeta Zine Eskola, in Donostia, Basque Country.
\nAs an editor, she has participated in multiple documentary projects, as well as experimental projects in collaboration with contemporary Argentinean artists.
\nIn 2019 she founded a documentary filmmaking workshop, ‘La Paloma’ in a Penitentiary Unit in the province of Buenos Aires.
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