El Acuerdo es resultado de un proceso de creación colectiva centrado en las mujeres y sus experiencias en contextos de migración y transformación.
\n\nTras varios meses de encuentros, investigación y creación en Tabakalera desarrollados en el marco de la residencia destinada a los proyectos de mediación promovida por el Centro, la artista Argentina Gabily Anadón y la Asociación Entre Orillas presentan una pieza abierta que explora el cuerpo como territorio de encuentro, lenguaje y posibilidad de pensarnos juntas.
\n\nEste encuentro se propone como un ejercicio de ciudadanía cultural, donde el arte se activa como herramienta de transformación y producción de sentido colectivo. Un espacio en el que las participantes se afirman como sujetas políticas, capaces de enunciar, crear y disputar sus propias narrativas. Desde la práctica del arte útil, abrimos un lugar para imaginar otras formas de estar juntas y de intervenir en lo común.
\n\nAl finalizar, compartiremos un conversatorio de cierre en el espacio de artistas, como oportunidad para abrir el diálogo, intercambiar reflexiones y compartir la experiencia del proceso.
\n\nEl proceso de mediación del proyecto ha sido coordinado por la artista Argentina Gabily Anadón y la Asociación Entre Orillas, en la persona de Betania Mendoza.
\n\nComposición sonora: Fabián Kesler.
\nMujeres: Izaro Mariez, Isabel Muñoz Galvis, Isabel Pereyra, Lina Gutiérrez, Andrea Gutiérrez, Verónica Lucero, Ruth Mariño, Sandra González Vasquez, Luz Represa García, Agostina Pirola, Ainara Román Teixeira, Adriana Santillo Piskun.
\nEste proceso se ha desarrollado en el contexto de las residencias de mediación 2025-26 por la asociación entre orillas y la artista Gabily Anadón.
Through her project “El Acuerdo” (The Agreement), artist Gabily Anadón investigates different ways of generating new tools for social construction through the implementation of her artistic practices.
\n\nHer work incorporates transdisciplinarity as a form of creation, understanding the importance of diverse forms of communication as possible bridges for developing different lines of thought. Since 2007, her research has been articulated between the performing arts, which base their work on bodily discourses, and other areas linked to the humanities or social sciences, generating a space that enables the relationship between bodily discourses and nominal discourses.
\n\nHer research projects, video dance productions, and works focus on generating questions that address the links between politics and the body, the body and the law, the body and violence, the body and community, dictatorship and the body, and alienation and culture in dance practice. She seeks to reconstruct the historiography of a socialized dancing corporeality, inscribed in history and tradition.
\n\nSince 2015, the artist has co-directed the Movimiento en Foco project and festival, where “el acuerdo” was born and where her latest productions have been staged. Likewise, after creating the Interdisciplinary Dance and Politics program in Buenos Aires, Argentina, in 2008, she works in collaboration with different associations and foundations, as is the case in this project, which she carries out in conjunction with the Entre Orillas Association.
\n\n
\n
The Association was founded with the firm conviction that ART is a transformative tool capable of fostering solidarity, cooperation, and the comprehensive development of individuals and communities.
\n\nWe start from a perspective that integrates the artistic, the pedagogical, and the social, understanding that art is not only a form of individual expression, but also a powerful collective tool for raising awareness of issues, healing social wounds, and building more just and humane alternatives.
\n\nIn a global context marked by inequalities, social conflicts, and environmental crises, we believe it is essential to create spaces for encounter, reflection, and action through artistic practices that promote social justice, equity, and respect for human rights.
\n
Space to experiment together.
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\n\nSu cuerpo ha cambiado. Su mirada también. La danza se ha convertido en su manera de habitar el espacio sin miedo, de confiar en el suelo, en el ritmo y en quienes la rodean. Cree en una danza que no excluye, que no exige perfección y que abraza la diversidad de cuerpos y experiencias. Bailar, para ella, es volver a casa.
\n\nComenzó con las danzas vascas en Udaberria eskola, luego exploró la danza moderna en Tarima Danza y continuó con danza contemporánea en la escuela Noralai, todo ello en Vitoria. Hoy en día baila country con el grupo Basque Country Line Dancers. Durante tres años ha participado en el programa Imaginarios Posibles junto a Inés Aubert en el Centro Cívico Hegoalde, donde, de alguna manera, comenzó la magia.
\n\nActualmente imparte clases de expresión corporal para personas ciegas o con discapacidad visual en Retina Araba Begisare, centradas en la confianza en el cuerpo, el movimiento y el equilibrio.
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\n\nEn el ámbito audiovisual ha protagonizado los largometrajes Armugan (2019) y Los cantos de Ekai (2023). En teatro, fue protagonista de la obra Reset (2022). En 2023 publicó su primera novela de ficción, Una quimera de vida, ampliando su práctica artística hacia el ámbito literario.
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\n\nHer work incorporates transdisciplinarity as a form of creation, understanding the importance of diverse forms of communication as possible bridges for developing different lines of thought. Since 2007, her research has been articulated between the performing arts, which base their work on bodily discourses, and other areas linked to the humanities or social sciences, generating a space that enables the relationship between bodily discourses and nominal discourses.
\n\nHer research projects, video dance productions, and works focus on generating questions that address the links between politics and the body, the body and the law, the body and violence, the body and community, dictatorship and the body, and alienation and culture in dance practice. She seeks to reconstruct the historiography of a socialized dancing corporeality, inscribed in history and tradition.
\n\nSince 2015, the artist has co-directed the Movimiento en Foco project and festival, where “el acuerdo” was born and where her latest productions have been staged. Likewise, after creating the Interdisciplinary Dance and Politics program in Buenos Aires, Argentina, in 2008, she works in collaboration with different associations and foundations, as is the case in this project, which she carries out in conjunction with the Entre Orillas Association.
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The Association was founded with the firm conviction that ART is a transformative tool capable of fostering solidarity, cooperation, and the comprehensive development of individuals and communities.
\n\nWe start from a perspective that integrates the artistic, the pedagogical, and the social, understanding that art is not only a form of individual expression, but also a powerful collective tool for raising awareness of issues, healing social wounds, and building more just and humane alternatives.
\n\nIn a global context marked by inequalities, social conflicts, and environmental crises, we believe it is essential to create spaces for encounter, reflection, and action through artistic practices that promote social justice, equity, and respect for human rights.
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