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An inmersive instalation by Oliver Laxe. 

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HU /هُو Dance as if No One Were Watching You is an installation conceived specifically for the Museo Reina Sofía by filmmaker Oliver Laxe (1982), which is being presented at Tabakalera in a new spatial arrangement.

\n\n

This project is linked to the creative process of the film Sirāt (Jury Grand Prix, Cannes 2025). While the Islamic term sirāt designates the bridge that crosses over hell toward paradise, in Arabic HU /هُو refers to the primordial sonic manifestation of the deity. The subtitle of the piece comes from a verse by Rūmī (1207–1273), the Persian mystic and scholar whose work explored transcendence and the dissolution of the self into the divine through music, dance, poetry and prayer. In HU /هُو we enter a territory where the search for transcendence is grounded in the immanence of the dancing, remembering body and in the appearance of the sacred within natural, architectural and sonic landscapes.

\n\n

The installation consists of a pyramid of loudspeakers drawn from the rave milieu rises in the space, emitting a sustained vibration devoid of melodic variation, alongsidethree projections depicting desert landscapes governed by an implacable sun, inhabited by temples and loudspeakers among which human figures dance. Filmed a decade ago in Iran, these architectures were built according to sacred patterns and proportions intended to make perceptible the threshold between the material world and the subtle one. The sound work by Kangding Ray approaches, through the structural materiality of sound itself, its mystery and its inherent immateriality.

\n\n

Through fades and superimpositions, HU /هُو constructs a visual grammar that accentuates the spectral condition of the image and evokes a physical, sensory and synaesthetic experience that seeks to reenchant the world.

\n\n

 

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Born in Paris in 1982, Oliver Laxe is the son of Galician emigrants. When he was six years old, his family returned to Galicia. After studying film in Barcelona, he moved to Tangier, Morocco, where he self-produced and shot Todos vós sodes capitáns [You All Are Captains], which won the FIPRESCI Prize at the Cannes Directors’ Fortnight in 2010.

\n\n

In 2016, he received the Grand Prix at the Cannes Critics’ Week for Mimosas, shot in the Atlas Mountains. After returning to Galicia, he directed O que arde [Fire Will Come], filmed in the heart of the Ancares, which won the Jury Prize in the Un Certain Regard section at the 2019 Cannes Film Festival. Fifteen years after his first premiere at Cannes, and having screened films and won awards in all its sections, Laxe made his Competition debut in 2025 with Sirāt. The film, which won the Jury Prize at the Cannes Film Festival, has cemented its international success, earning widespread acclaim from both critics and the industry, as well as multiple nominations for the Academy Awards, the Golden Globes and the Goya Awards. 

\n\n

In addition to his work as a filmmaker, Laxe is a member of the Ser Association, an initiative based in Os Ancares that promotes the revitalisation of rural areas through cultural, agricultural and community development projects. He also promotes rural development strategies linked to heritage restoration and repopulation, working closely with local development groups. 

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An installation by Mikel R. Nieto and Illart Alkorta featuring a colony of frogs.

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Sound artist, independent researcher, and occasional curator.

\n\n

Nieto’s research focuses on the study of the various sociocultural and political aspects inherent in the act of listening. He works with field recordings, transforming them into a radical phonographic practice and theory. He understands the act of listening as a political act for artistic creation and the creation of specific sound situations, aiming to give rise to critical thinking. 

\n\n

His work is based on the study of the act of listening as a gesture for contemporary artistic creation, showcasing its sociocultural and political aspects and questioning its ethical and aesthetic limits. He is currently researching the relationship between music, sound, and the act of listening with existential finitude, impermanence, and death. 

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He teaches “Deep Listening and Soundscape Recording” in the Master in Sound Art at the University of Barcelona.

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An exhibition by Carla Filipe and Taxio Ardanaz.

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HU /هُو. Bailad como si nadie os viera (Dance as if no one were watching you) is an installation by Oliver Laxe inspired on the creative world of his film Sirāt

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Born in Paris in 1982, Oliver Laxe is the son of Galician emigrants. When he was six years old, his family returned to Galicia. After studying film in Barcelona, he moved to Tangier, Morocco, where he self-produced and shot Todos vós sodes capitáns [You All Are Captains], which won the FIPRESCI Prize at the Cannes Directors’ Fortnight in 2010.

\n\n

In 2016, he received the Grand Prix at the Cannes Critics’ Week for Mimosas, shot in the Atlas Mountains. After returning to Galicia, he directed O que arde [Fire Will Come], filmed in the heart of the Ancares, which won the Jury Prize in the Un Certain Regard section at the 2019 Cannes Film Festival. Fifteen years after his first premiere at Cannes, and having screened films and won awards in all its sections, Laxe made his Competition debut in 2025 with Sirāt. The film, which won the Jury Prize at the Cannes Film Festival, has cemented its international success, earning widespread acclaim from both critics and the industry, as well as multiple nominations for the Academy Awards, the Golden Globes and the Goya Awards. 

\n\n

In addition to his work as a filmmaker, Laxe is a member of the Ser Association, an initiative based in Os Ancares that promotes the revitalisation of rural areas through cultural, agricultural and community development projects. He also promotes rural development strategies linked to heritage restoration and repopulation, working closely with local development groups. 

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An exploration of the two cultural lifelines of Debris Stevenson, the sonic-seam between Bass Culture and Neuroqueerness.

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Debris Stevenson is a playwright, grime-poet, multi-disciplinary artist, neurodivergent academic and professional raver whose work explores the intersectional, unexpected, and unjust.

\n\n

Debris has been writing, moving and making for 20 years, she’s performed in over 30 countries, designed academic poetry modules at The University of Nottingham and raised over £300K with her community interest company The Mouthy Poets where she taught thousands of young people from Nottingham to across the world. 

\n\n

Debris’ debut grime-musical POET IN DA CORNER (Royal Court) toured nationally in 2020. Her play MY BROTHER’S A GENIUS (Theatre Centre, Theatre Sheffield, National Youth Theatre) toured schools and theatres nationally in spring 2026. And her co-adaption of CYRANO DE BERGERAC (Royal Shakespeare Company) alongside Simon Evans, starring Adrian Lester will transfer to London’s West End (Noël Coward Theatre) this summer after a sell out 5* run at the RSC.

\n\n

Debris is currently completing a fully funded practice-based PhD studentship titled ‘The Write to Rave’ on the intersection between grime, storytelling and neurodivergence at Oxford
\nBrookes University. 

\n\n

When Debris isn’t writing, creating or studying she can be found dancing at carnivals, parties and prides around the world for the likes of Red Bull Music Academy, The Heatwave and sometimes, just for fun. 

\n\n

www.debrisstevenson.com
\n@debrisstevenson

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