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Keep the Lights On, Ira Sachs, USA, 2012, 101'

\n\n

Nominated for four Independent Spirit Awards, including Best Film, Best Director, and Best Actor (Thure Lindhardt), Keep the Lights On chronicles an emotionally and sexually charged journey of two men in New York City through love, friendship, and addiction. Documentary filmmaker Erik (Lindhardt) and closeted lawyer Paul (Zachary Booth) meet through a casual encounter, but soon find a deeper connection and become a couple. In an almost decade-long relationship defined by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries and dignity while being true to himself. Super 16mm.

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Every Saturday throughout July and August, we will be able to watch one of the nine feature films that currently make up his filmography.

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Artistic research project and community archive on forced migration, collective memory, and institutional counter-narratives.

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Nabil Aniss is a filmmaker whose practice explores the complex relations between political liberation, insurrection, and the mystical rituals of Morocco's Brotherhoods.

\n\n

Aniss whose filmmaking interweaves documentary, poetry, archival found material and his own shot images, which collectively explore the transformative power of sounds, movements, trances, and self-mutilation in shaping marginalised individuals into catalysts for sedition and liberation, awakening exhausted and fragmented diasporic bodies into a collective consciousness primed for political action.

\n\n

Through his work and research, he captures the politics of liberation through documenting Brotherhoods such as Gnawa, Hmadcha, Jilala, and Issawa—communities descended from West African enslaved people forcibly brought to Morocco.

\n\n

As a child, Aniss attended Gnawa rituals, where dance, music, trance, and self-mutilation intertwined suffering with the sacred.
\nHis video practice offers an intimate glimpse into the Brotherhoods' imaginaries, proposing an affective and conceptual framework where the anguish and sorrow of the oppressed individual become an aesthetic force that paves the way for liberation.

\n\n

 

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She works as an editor, teacher and archivist. From an early age her training was in the field of arts and social sciences. She studied at the Escuela Nacional de Experimentación y Realización Cinematográfica (ENERC), in Buenos Aires, Argentina and more recently at the Elias Querejeta Zine Eskola, in Donostia, Basque Country.
\nAs an editor, she has participated in multiple documentary projects, as well as experimental projects in collaboration with contemporary Argentinean artists.
\nIn 2019 she founded a documentary filmmaking workshop, ‘La Paloma’ in a Penitentiary Unit in the province of Buenos Aires.
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