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An exhibition by Carla Filipe and Taxio Ardanaz.

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Carla Filipe (b. 1973, Porto) is a multidisciplinary artist whose work critically examines the intersections of art, politics, and collective memory. She studied Sculpture at the Faculty of Fine Arts of the University of Porto, where she also earned a Master's in Contemporary Artistic Practices. Filipe was a co-founder of the independent art spaces Salão Olímpico (2003–2005) and Projecto Apêndice (2006) in Porto.

\n\n

Her work has been exhibited at major institutions, including the Serralves Foundation (Porto), MAAT – Museum of Art, Architecture and Technology (Lisbon), Museu Coleção Berardo (Lisbon), MNAC – Museu Nacional de Arte Contemporânea do Chiado (Lisbon), Kunsthalle Lissabon (Lisbon), SESC Pompeia (São Paulo). Internationally, she has participated in the 32nd Bienal de São Paulo (2016), the 13th Istanbul Biennial (2013), the 4th Ural Industrial Biennial of Contemporary Art (Russia, 2017) and Manifesta 8 (Murcia - Cartagena, 2011). Other key exhibitions include La Réplica Infiel at CA2M (Madrid), Les Urbaines at MCBA (Lausanne), and Le lynx ne connaît pas de frontières at Fondation Ricard (Paris).

\n\n

Filipe has been awarded several grants and residencies, including a Calouste Gulbenkian Foundation grant for a residency at Acme Studios (London, 2009), AIR Antwerpen (Belgium, 2014), the Robert Rauschenberg Foundation Residency (Florida, USA, 2015), Krinzinger Projekte (Vienna, 2017), and Peacock & The Worm (Aberdeen, Scotland, 2023). Her works are part of significant public and private collections, including the Serralves Foundation, MAAT/EDP Foundation, António Cachola Collection, Portuguese State Contemporary Art Collection (CACE), Centro de Arte Oliva, Foundation Leschot; PLMJ Foundation, among others.

\n\n

Filipe received the FLAD Drawing Award in 2023 and in 2024 the best visual arts exhibition award for In My Own Language I am Independente at the Serralves Museum, by SPA, the Portuguese Society of Authors.

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Pamplona 1978. Holding a degree in Fine Arts from the UPV/EHU, in recent years he has been developing his work in Italy (Royal Academy of Spain in Rome), Iraqi Kurdistan (Amna Suraka), Cuba (Artista x Artista), Austria (Kunsthaus Bregenz), Bilbao (BilbaoArte Foundation), and Mexico (Oficina de Arte). He has exhibited individually in Madrid at the Tabacalera Art Promotion, in Bilbao at the CarrerasMugica Gallery, in Havana at Artista x Artista, in Mexico City at Ateneo Español de México, and in Pamplona at El Sario, UPNA.
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\nTaixo is interested in artistic manifestations produced through specific historical processes of conflict to develop research based fundamentally on painting and its installation component.

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Ángel Calvo Ulloa (Lalín, 1984) is a curator and writer. He holds a degree in Art History from the USC and a Master's degree in Contemporary Art: Creation and Research from the UVigo. He has been co-curator, together with Marta Mestre, of O Fantasma da Liberdade / Anozero Biennial of Coimbra 2024.  

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His most recent curatorial projects include Jordi Teixidor. No-res, at Sala Alcalá 31 (Madrid); Juan Uslé. Ese barco en la montaña, at the Reina Sofía Museum (Madrid); ¿Adónde irá el pájaro que no vuele?, at La Casa Encendida (Madrid); Humores y Espesores, by Rodríguez-Méndez, at the CA2M (Móstoles); El sueño de la cólcedra, by Teresa Lanceta, at the Patio Herreriano Museum (Valladolid); Siron Franco: Pensamento insubordinado (Works, 1961-2023), at MAC Goiàs (Brazil); Nesting in the gesture: some shelves by Alberto, at the Cerezales Antonio y Cinia Foundation (Cerezales del Condado, León); Self-construction. Loose pieces. Juego y experiencia (Game and Experience), by Antonio Ballester Moreno, at Artium (Vitoria-Gasteiz); Complexo Colosso, CIAJG (Guimarães) or, together with Nuria Enguita, Habitación. The F.X. Archive, Laurencic's psychotechnical chekas and the function of art, by Pedro G. Romero, at CA2M (Madrid), MNAC (Barcelona) and La Nau (Valencia). Since 2011, he has also curated exhibitions at institutions such as Caixaforum (Barcelona), MARCO (Vigo), CCEMx (Mexico City), Fundación Luis Seoane (A Coruña), Tabacalera (Madrid), Centro Párraga (Murcia) and EACC (Castellón), among others.

\n\n

In 2020, co-authored with Juan Canela, he published the book Desde lo curatorial. Conversaciones, experiencias y afectos (From the Curatorial Perspective: Conversations, Experiences and Affections), part of Consonni's Paper Collection.

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Throughout the workshop, we will take a closer look at the proposal that artist Zineb Sedira presents in the exhibition.

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 A solo exhibition by French-Algerian artist Zineb Sedira.

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Zineb Sedira (Paris, 1963) studied at Central Saint Martins, the Slade School of Fine Art and the Royal College of Art, London. She currently lives between London, Paris and Algiers. Her practice spans photography, film, and installation, with a particular focus on archives, especially film archives, through which she interrogates the historical narratives they contain. The stories and memories of her own family have also been central to many of her works. Since 2002, the artist has exhibited regularly in both solo and group exhibitions and has participated in several biennials, including the Venice Biennale and the Sharjah Biennial.

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Sound artist, independent researcher, and occasional curator.

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Nieto’s research focuses on the study of the various sociocultural and political aspects inherent in the act of listening. He works with field recordings, transforming them into a radical phonographic practice and theory. He understands the act of listening as a political act for artistic creation and the creation of specific sound situations, aiming to give rise to critical thinking. 

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His work is based on the study of the act of listening as a gesture for contemporary artistic creation, showcasing its sociocultural and political aspects and questioning its ethical and aesthetic limits. He is currently researching the relationship between music, sound, and the act of listening with existential finitude, impermanence, and death. 

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He teaches “Deep Listening and Soundscape Recording” in the Master in Sound Art at the University of Barcelona.

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