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Married Life, Ira Sachs, USA, 2007, 90'

\n\n

A strong blend of suspense, star-crossed romance, and wry comedy of manners, Married Life is an unconventional human drama about the irresistible power and utter madness of love. Harry (Chris Cooper) decides he must kill his wife Pat (Patricia Clarkson) because he loves her too much to let her suffer when he leaves her. Harry and his much-younger girlfriend Kay (Rachel McAdams) are head over heels in love, but his best friend Richard (Pierce Brosnan) wants to win Kay for himself. As Harry implements his maladroit plans for murdering his wife, the other characters are occupied with their own deceptions. Like Harry, they race towards their passions but trip over their scruples, seemingly well intended towards all, but truthful to none. Married Life is an uncommonly adult film that surprises and confounds expectations. While it plays with mystery, comedy, and intrigue, its ultimate concern is: \"What is married life?\"

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Every Saturday throughout July and August, we will be able to watch one of the nine feature films that currently make up his filmography.

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Artistic research project and community archive on forced migration, collective memory, and institutional counter-narratives.

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Nabil Aniss is a filmmaker whose practice explores the complex relations between political liberation, insurrection, and the mystical rituals of Morocco's Brotherhoods.

\n\n

Aniss whose filmmaking interweaves documentary, poetry, archival found material and his own shot images, which collectively explore the transformative power of sounds, movements, trances, and self-mutilation in shaping marginalised individuals into catalysts for sedition and liberation, awakening exhausted and fragmented diasporic bodies into a collective consciousness primed for political action.

\n\n

Through his work and research, he captures the politics of liberation through documenting Brotherhoods such as Gnawa, Hmadcha, Jilala, and Issawa—communities descended from West African enslaved people forcibly brought to Morocco.

\n\n

As a child, Aniss attended Gnawa rituals, where dance, music, trance, and self-mutilation intertwined suffering with the sacred.
\nHis video practice offers an intimate glimpse into the Brotherhoods' imaginaries, proposing an affective and conceptual framework where the anguish and sorrow of the oppressed individual become an aesthetic force that paves the way for liberation.

\n\n

 

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She works as an editor, teacher and archivist. From an early age her training was in the field of arts and social sciences. She studied at the Escuela Nacional de Experimentación y Realización Cinematográfica (ENERC), in Buenos Aires, Argentina and more recently at the Elias Querejeta Zine Eskola, in Donostia, Basque Country.
\nAs an editor, she has participated in multiple documentary projects, as well as experimental projects in collaboration with contemporary Argentinean artists.
\nIn 2019 she founded a documentary filmmaking workshop, ‘La Paloma’ in a Penitentiary Unit in the province of Buenos Aires.
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