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An exploration of the two cultural lifelines of Debris Stevenson, the sonic-seam between Bass Culture and Neuroqueerness.

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This installation by the artist Debris Stevenson, invites the public to take part in a multisensory conversation—a journey along the steps of Tabakalera’s main staircase, in which they will be engaged through spoken improvisations, echolalia and vibrations. Stevenson has created an artwork that connects directly with her artistic practice, characterised by an exploration of the intersectional, the unexpected and the unjust, often prompting her audience to dance, ask questions and laugh. 

\n\n

Welcome to my multisensory polylogue; a crystalisation of ad-libs, stims,  and echolalia’s and ripples. Climb the steps, as I used to climb onto my bedroom windowsill – to stick my head out and hear the rain, smell the petrichor, feel the vibrations and reverberations of the trains. 

\n\n

Climb these stairs as teenagers scaled buildings to share strange sounds with one another, sounds the media assumed were some cover for crime or money or violence – but actually just made us feel heard. People drove hundreds of miles to catch the edges of our static, barely audible ad lids ad-libs, people recorded them on cassette tapes and shared them across boarder’s  post codes – so we could hear each other. In many ways the idea feels similar to the notion that Autists are telepathic, that they have their own Pirate Radio network only they can access – which is serendipitous (if not obvious) because many of the Godfathers that are essential to Bass Culture, like Skepta, Giggs, Doneo and more are now being diagnosed as neurodivergent.

\n\n

Debris Stenvenson

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Debris Stevenson is a playwright, grime-poet, multi-disciplinary artist, neurodivergent academic and professional raver whose work explores the intersectional, unexpected, and unjust.

\n\n

Debris has been writing, moving and making for 20 years, she’s performed in over 30 countries, designed academic poetry modules at The University of Nottingham and raised over £300K with her community interest company The Mouthy Poets where she taught thousands of young people from Nottingham to across the world. 

\n\n

Debris’ debut grime-musical POET IN DA CORNER (Royal Court) toured nationally in 2020. Her play MY BROTHER’S A GENIUS (Theatre Centre, Theatre Sheffield, National Youth Theatre) toured schools and theatres nationally in spring 2026. And her co-adaption of CYRANO DE BERGERAC (Royal Shakespeare Company) alongside Simon Evans, starring Adrian Lester will transfer to London’s West End (Noël Coward Theatre) this summer after a sell out 5* run at the RSC.

\n\n

Debris is currently completing a fully funded practice-based PhD studentship titled ‘The Write to Rave’ on the intersection between grime, storytelling and neurodivergence at Oxford
\nBrookes University. 

\n\n

When Debris isn’t writing, creating or studying she can be found dancing at carnivals, parties and prides around the world for the likes of Red Bull Music Academy, The Heatwave and sometimes, just for fun. 

\n\n

www.debrisstevenson.com
\n@debrisstevenson

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An installation by Mikel R. Nieto and Illart Alkorta featuring a colony of frogs.

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Sound artist, independent researcher, and occasional curator.

\n\n

Nieto’s research focuses on the study of the various sociocultural and political aspects inherent in the act of listening. He works with field recordings, transforming them into a radical phonographic practice and theory. He understands the act of listening as a political act for artistic creation and the creation of specific sound situations, aiming to give rise to critical thinking. 

\n\n

His work is based on the study of the act of listening as a gesture for contemporary artistic creation, showcasing its sociocultural and political aspects and questioning its ethical and aesthetic limits. He is currently researching the relationship between music, sound, and the act of listening with existential finitude, impermanence, and death. 

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He teaches “Deep Listening and Soundscape Recording” in the Master in Sound Art at the University of Barcelona.

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Oliver Laxe won the Jury Prize of Cannes 2025 for his film Sirât.

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