Susan Meiselas is a documentary photographer based in New York. She is the author of Carnival Strippers (1976), Nicaragua (1981), Kurdistan: In the Shadow of History (1997), Pandora’s Box (2001), Encounters with the Dani (2003), Prince Street Girls (2016), A Room of Their Own (2017), Tar Beach (2020), Carnival Strippers Revisited (2022) and most recently, 44 Irving Street (2025).
\n\nMeiselas is well known for her documentation of human rights issues in Latin America. Her photographs are included in North American and international collections. In 1992 she was made a MacArthur Fellow and received a Guggenheim Fellowship (2015). Meiselas received the Henri Cartier Bresson Lifetime Achievement award, along with the Sony Outstanding Contribution to Photography Award in 2025, the first Women in Motion Award from Kering and the Rencontres d’Arles (2019), the Deutsche Börse Photography Foundation Prize (2019), and the Erich Salomon Award of the German Society for Photography (2022). Mediations, a survey exhibition of her work from the 1970s to present was initiated by the Jeu de Paume in Paris and traveled to Fundació Antoni Tàpies, the San Francisco Museum of Modern Art and the Instituto Moreira Salles in São Paulo, among others. Meiselas has been the President of the Magnum Foundation since 2007, with a mission to expand diversity and creativity in documentary photography.
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