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\n\n
\nEs un músico con proyección internacional, primero con los grupos Kortatu y Negu Gorriak, y después en solitario. Comenzó a producir documentales en 2006. Aquel año fundó la productora musical y cinematográfica TALKA RECORDS & FILMS, y en ella ha trabajado como director, guionista, productor y creador de bandas sonoras originales.
Ha recibido varios reconocimientos: en el Festival Amal de Galicia, al mejor documental, por su obra Checkpoint Rock; en el Festival In-Edit de Barcelona, al mejor documental, por la serie Next Music Station; una mención especial en el Krafta Doc International de Glasgow por el documental NOLA?; el premio a la mejor película de animación en el Festival Internacional de Monterrey, por la película Black is Beltza; y el premio al mejor diseño de sonido en los Premios Quirino de la Animación Iberoamericana, por la película anteriormente mencionada.
\n\nFILMOGRAFÍA – director y guionista:
\n2006 Bass-que Culture (documental)
\n2009 Checkpoint Rock. Música desde Palestina (documental)
\n2011 Next Music Station (11 documentales sobre música árabe)
\n2012 Zuloak (documental-mockumentary)
\n2013 No More Tour (documental), codirigido con Daniel Gómez
\n2015 NOLA? Irun meets New Orleans (documental)
\n2018 Black is Beltza (largometraje de animación)
\n2019 Beltza Naiz – making of (documental)
\n2022 Black is Beltza II: AINHOA (largometraje de animación)
\n2022 AINHOA – making of (documental)
\n2023 BIDASOA 2018-2023 (documental)
Artistic research project and community archive on forced migration, collective memory, and institutional counter-narratives.
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\n\nAniss whose filmmaking interweaves documentary, poetry, archival found material and his own shot images, which collectively explore the transformative power of sounds, movements, trances, and self-mutilation in shaping marginalised individuals into catalysts for sedition and liberation, awakening exhausted and fragmented diasporic bodies into a collective consciousness primed for political action.
\n\nThrough his work and research, he captures the politics of liberation through documenting Brotherhoods such as Gnawa, Hmadcha, Jilala, and Issawa—communities descended from West African enslaved people forcibly brought to Morocco.
\n\nAs a child, Aniss attended Gnawa rituals, where dance, music, trance, and self-mutilation intertwined suffering with the sacred.
\nHis video practice offers an intimate glimpse into the Brotherhoods' imaginaries, proposing an affective and conceptual framework where the anguish and sorrow of the oppressed individual become an aesthetic force that paves the way for liberation.
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She works as an editor, teacher and archivist. From an early age her training was in the field of arts and social sciences. She studied at the Escuela Nacional de Experimentación y Realización Cinematográfica (ENERC), in Buenos Aires, Argentina and more recently at the Elias Querejeta Zine Eskola, in Donostia, Basque Country.
\nAs an editor, she has participated in multiple documentary projects, as well as experimental projects in collaboration with contemporary Argentinean artists.
\nIn 2019 she founded a documentary filmmaking workshop, ‘La Paloma’ in a Penitentiary Unit in the province of Buenos Aires.
\nIn 2024 she carried out a Laboratory of memories and archives, in conjunction with the Malen Etxea Association, in Zumaia, as part of her TFM.
\nShe is also involved in Argentinean film research and preservation projects and is part of the research collective Operación Retorno.