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AB100 es un encuentro de música, artes visuales y creación colectiva concebido con motivo del 50.º cumpleaños de los músicos Aaron y Bryce Dessner. El programa reúne en Donostia / San Sebastián y Biarritz a artistas, escritores y colaboradores cuyas trayectorias se han cruzado a lo largo de los años, celebrando los vínculos de amistad, el intercambio artístico y los procesos creativos compartidos.

Durante el fin de semana se sucederán conciertos, performances, encuentros y propuestas de artes visuales en diferentes espacios de ambas ciudades. Tabakalera se suma al programa con la proyección de A Lot of Sorrow, de Ragnar Kjartansson, una película-performance de seis horas protagonizada por The National, y con Voices Within, una instalación de esculturas sonoras de Ludmilla Balkis realizada en colaboración con Bryce Dessner y Julien Chaillou.

Estas esculturas no están en silencio

Ocultas en el interior de cada pieza de cerámica, las voces de mujeres transforman las obras en recipientes de respiración, memoria y resonancia. Escuchar se vuelve tan importante como mirar mientras el público recorre un paisaje sonoro cambiante, modelado por la distancia, el movimiento y los propios recipientes. La cerámica contiene lo inmaterial y ofrece a la voz un espacio físico, mientras las voces animan las esculturas desde su interior. En conjunto, exploran la presencia y la ausencia, invitándonos a practicar una escucha atenta como forma de percibir mundos invisibles.

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Este programa tiene como objetivo principal proporcionar acompañamiento en procesos artísticos y de creación, tanto técnico como conceptual.
\n 

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Una exposición de Carla Filipe y Taxio Ardanaz.

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Carla Filipe (Oporto, 1973) es una artista multidisciplinar cuya obra examina de forma crítica las intersecciones entre el arte, la política y la memoria colectiva. Estudió Escultura en la Facultad de Bellas Artes de la Universidad de Oporto, donde también obtuvo un máster en Prácticas Artísticas Contemporáneas. Filipe fue cofundadora de los espacios artísticos independientes Salão Olímpico (2003-2005) y Projecto Apêndice (2006) en Oporto.

Su obra ha sido expuesta en importantes instituciones, entre ellas la Fundación Serralves (Oporto), el MAAT – Museo de Arte, Arquitectura y Tecnología (Lisboa), el Museu Coleção Berardo (Lisboa), el MNAC – Museu Nacional de Arte Contemporânea do Chiado (Lisboa), la Kunsthalle Lissabon (Lisboa) y el SESC Pompeia (São Paulo). A nivel internacional, ha participado en la 32.ª Bienal de São Paulo (2016), la 13.ª Bienal de Estambul (2013), la 4.ª Bienal Industrial de Arte Contemporáneo de los Urales (Rusia, 2017) y Manifesta 8 (Murcia - Cartagena, 2011). Otras exposiciones destacadas incluyen La Réplica Infiel en el CA2M (Madrid), Les Urbaines en el MCBA (Lausana) y Le lynx ne connaît pas de frontières en la Fondation Ricard (París).

Filipe ha recibido varias becas y residencias, entre ellas una beca de la Fundación Calouste Gulbenkian para una residencia en Acme Studios (Londres, 2009), AIR Antwerpen (Bélgica, 2014), la residencia de la Fundación Robert Rauschenberg (Florida, EE. UU., 2015), Krinzinger Projekte (Viena, 2017) y Peacock & The Worm (Aberdeen, Escocia, 2023). Sus obras forman parte de importantes colecciones públicas

Filipe recibió el Premio FLAD de Dibujo en 2023 y, en 2024, el premio a la mejor exposición de artes plásticas por «In My Own Language I am Independente» en el Museo de Serralves, otorgado por la SPA (Sociedad Portuguesa de Autores).

"},"cargo":"Artista","path":{"alias":"/carla-filipe","langcode":"es"},"relationships":{"media":{"internal":{"type":"media__image"},"relationships":{"imgSrc":{"uri":{"url":"/sites/default/files/2026-07/carla_filipe_2.jpeg"},"sizes":[{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":"https://cms.tabakalera.eus/sites/default/files/styles/breakpoint_1920/public/2026-07/carla_filipe_2.jpeg?itok=kakUmVX1","l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":"https://cms.tabakalera.eus/sites/default/files/styles/breakpoint_31360/public/2026-07/carla_filipe_2.jpeg?itok=RRyGEren","m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":"https://cms.tabakalera.eus/sites/default/files/styles/breakpoint_376/public/2026-07/carla_filipe_2.jpeg?itok=lTENTtV4","rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":"https://cms.tabakalera.eus/sites/default/files/styles/breakpoint_769/public/2026-07/carla_filipe_2.jpeg?itok=QMHhFU-i","s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":"https://cms.tabakalera.eus/sites/default/files/styles/thumb_rrss_large/public/2026-07/carla_filipe_2.jpeg?itok=YgixCub8","rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":"https://cms.tabakalera.eus/sites/default/files/styles/thumb_rrss_small/public/2026-07/carla_filipe_2.jpeg?itok=3XPke62_"}]}},"imgMetas":{"alt":""}}}},{"id":1206,"title":"Taxio Ardanaz","status":true,"descripcion":{"processed":"

Licenciado en Bellas Artes por la Universidad del País Vasco, ha ampliado su formación con artistas y comisarios como Julie Mehretu, Esther Ferrer, Itziar Okariz, Andrés Duque, Miroslaw Balka o Peio Aguirre.

\n\n

Su obra gira en torno a las tensiones que se producen entre ideología, representación y memoria, explorando, desde de la pintura, la instalación o el archivo fotográfico, las huellas físicas de proyectos políticos truncados y otras formas de resistencia colectiva. Este interés le ha llevado a trabajar en contextos atravesados por el conflicto como el Kurdistán Iraquí, Cuba, China o México.

\n\n

Su obra está presente en diversas colecciones públicas y privadas, y ha sido expuesta en instituciones como Tabacalera (Madrid), Museo de Navarra, Academia de España en Roma, San Telmo Museoa (Donostia), CIAJG (Guimarães) o galerías como Carreras Múgica (Bilbao), Pelaires (Palma de Mallorca), Nordés (Santiago de Compostela) y Espacio Enhorabuena (Madrid).
\n 

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Ángel Calvo Ulloa (Lalín, 1984) es comisario y escritor. Licenciado en Historia del Arte por la USC y Máster en Arte Contemporáneo: Creación e investigación por la UVigo. Ha sido co-comisario, junto con Marta Mestre, de O Fantasma da Liberdade / Anozero Bienal de Coimbra 2024.  

Entre sus últimos proyectos curatoriales cabe destacar Jordi Teixidor. No-res, en la Sala Alcalá 31 (Madrid); Juan Uslé. Ese barco en la montaña, en Museo Reina Sofía (Madrid); ¿Adónde irá el pájaro que no vuele?, en La Casa Encendida (Madrid); Humores y Espesores, de Rodríguez-Méndez, en el CA2M (Móstoles); El sueño de la cólcedra, de Teresa Lanceta, en el Museo Patio Herreriano (Valladolid); Siron Franco: Pensamento insubordinado (Trabalhos, 1961-2023), en MAC Goiàs (Brasil); Anidar en el gesto: unas estanterías de Alberto, en Fundación Cerezales Antonio y Cinia (Cerezales del Condado, León); Autoconstrucción. Piezas sueltas. Juego y experiencia, de Antonio Ballester Moreno, en Artium (Vitoria-Gasteiz); Complexo Colosso, CIAJG (Guimarães) o, junto a Nuria Enguita, Habitación. El Archivo F.X., las chekas psicotécnicas de Laurencic y la función del arte, de Pedro G. Romero, en CA2M (Madrid), MNAC (Barcelona) y La Nau (Valencia). Desde 2011 ha comisariado también en instituciones como Caixaforum (Barcelona), MARCO (Vigo), CCEMx (Ciudad de México), Fundación Luis Seoane (A Coruña), Tabacalera (Madrid), Centro Párraga (Murcia) o EACC (Castellón), entre otras.

En 2020, en coautoría con Juan Canela, publicó el libro Desde lo curatorial. Conversaciones, experiencias y afectos, dentro de la Colección Paper, de Consonni.

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HU /هُو. Bailad como si nadie os viera es una instalación de Oliver Laxe surgida del universo creativo de su película Sirāt.

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Nacido en París en 1982, Oliver Laxe es hijo de emigrantes gallegos. Cuando tenía seis años, su familia regresó a Galicia. Tras estudiar cine en Barcelona, se trasladó a Tánger, Marruecos, donde autoprodujo y rodó Todos vós sodes capitáns [Todos vosotros sois capitanes], que obtuvo el Premio FIPRESCI en la Quincena de Realizadores de Cannes en 2010.

\n\n

En 2016, recibió el Gran Premio de la Semana de la Crítica en Cannes por Mimosas, rodada en las montañas del Atlas. Después de regresar a Galicia, dirigió O que arde [Lo que arde], filmada en el corazón de Os Ancares, que obtuvo el Premio del Jurado en la sección Un Certain Regard del Festival de Cannes en 2019. Quince años después de su primer estreno en Cannes, y tras haber proyectado y ganado premios en todas sus secciones, Laxe debutó en 2025 en Competición con Sirāt. Esta película, galardonada con el Premio del Jurado en el certamen francés, ha consolidado su éxito internacional, logrando un amplio reconocimiento de la crítica y la industria con múltiples nominaciones en los premios Oscar, Globos de Oro y Premios Goya. 

\n\n

Además de su labor como cineasta, Laxe forma parte de la Asociación Ser, una iniciativa que promueve desde Os Ancares la revitalización de zonas rurales a través de proyectos culturales vinculados al sector primario.  También impulsa estrategias de desarrollo rural ligadas a la recuperación patrimonial y la repoblación, colaborando estrechamente con grupos locales de desarrollo. 

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Una exploración de los dos pilares culturales de Debris Stevenson, la costura sónica entre la Bass Culture y la neuroqueeridad.

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Debris Stevenson es dramaturga, poeta de grime, artista multidisciplinar, académica neurodivergente y raver profesional, cuya obra explora la interseccionalidad, lo inesperado y la injusticia. 
\n
\nDebris lleva 20 años escribiendo, actuando y creando; ha actuado en más de 30 países, ha diseñado módulos académicos de poesía en la Universidad de Nottingham y ha recaudado más de 300.000 libras a través de su empresa de interés comunitario, The Mouthy Poets, donde ha enseñado a miles de jóvenes desde Nottingham hasta todo el mundo.
\n
\nEl musical de grime debut de Debris, POET IN DA CORNER (Royal Court), realizó una gira nacional en 2020. Su obra MY BROTHER’S A GENIUS (Theatre Centre, Theatre Sheffield, National Youth Theatre) realizó una gira por colegios y teatros de todo el país en la primavera de 2026. Y su coadaptación de CYRANO DE BERGERAC (Royal Shakespeare Company), junto a Simon Evans y protagonizada por Adrian Lester, se trasladará al West End de Londres (Noël Coward Theatre) este verano tras una temporada con entradas agotadas y valoraciones de 5 estrellas en la RSC.
\n
\nActualmente, Debris está completando una beca de doctorado totalmente financiada y basada en la práctica titulada «The Write to Rave», sobre la intersección entre el grime, la narración y la neurodiversidad en la Universidad de Oxford Brookes.
\n
\nCuando Debris no está escribiendo, creando o estudiando, se la puede encontrar bailando en carnavales, fiestas y eventos del Orgullo por todo el mundo para organizaciones como Red Bull Music Academy y The Heatwave, y a veces, simplemente por diversión.

\n\n

www.debrisstevenson.com
\n@debrisstevenson

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