Proyección de cinco cortometrajes para disfrutar en familia. Al término de la proyección, quien lo desee podrá participar en el taller para familias Kameleoiak gara! Cine, organizado por el área de Mediación de Tabakalera, con el objetivo de trabajar juntos temas y técnicas relacionadas con el cine. En esta sesión Camila Reyes Alberti será la invitada que impartirá los talleres.
\n\nTaller para niños y niñas a partir de 5 años.
\n\n\n\n
SINOPSIS
\n\nBats & Bugs, Lena von Döhoren, Alemania, 2026, 11'
\n\nEn lo profundo de la selva, todo parece seguir su curso habitual... hasta que un farol se enciende por la noche y sume a los animales en el caos. Innumerables insectos no pueden resistirse... Se sienten atraídos mágicamente por la luz y caen en un extraño trance. El inusual alboroto despierta a una familia de murciélagos: mientras los adultos aprovechan el brillante espectáculo para cazar, la pequeña cría de murciélago rescata a una luciérnaga, una mosca y una polilla. A la noche siguiente, el farol vuelve a brillar y el pequeño murciélago intenta por todos los medios proteger a los insectos del hechizo de la peligrosa luz. En el proceso se hiere, pero los pequeños animales acuden de inmediato en su ayuda: ¡Qué suerte!
\n\n\n\n
First flight, Adrián Jaffé, Alemania, 2025, 3'
\n\nTres crías de pájaro, un gran desafío: ¡su primer vuelo! Pero cuando las ranas comienzan su peculiar actuación, el cielo se convierte en un torbellino de improvisación: algunos pájaros dan vueltas, otros flotan en el aire y el resto simplemente espera que todo salga bien.
\n\n\n\n
Spin & Ella, An Vrombaut, Bélgica, 2022, 7'
\n\nA Ella y a su mejor amigo, Araña, les encanta usar su imaginación para dibujar telarañas juntos. Pero la cooperación creativa no siempre es fácil...
\n\n\n\n
Sloth, Julia Ocker, Alemania, 2018, 4'
\n\nEl perezoso quiere comprar un helado pero, por desgracia, es demasiado lento.
\n\n\n\n
Pond, Lena von Döhren, Eva Rust, Suiza, 2023, 9'
\n\nUn banco de arenques recorre el vasto océano adoptando formaciones fantásticas. Cuando unas gaviotas atacan de repente, un pequeño arenque se queda atrapado en una charca intermareal. Mientras busca desesperadamente una salida, descubre a muchas otras criaturas marinas. Ahora no hay tiempo para el miedo: solo uniendo sus fuerzas podrán defenderse de la gaviota hambrienta.
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\n\n
\nEs un músico con proyección internacional, primero con los grupos Kortatu y Negu Gorriak, y después en solitario. Comenzó a producir documentales en 2006. Aquel año fundó la productora musical y cinematográfica TALKA RECORDS & FILMS, y en ella ha trabajado como director, guionista, productor y creador de bandas sonoras originales.
\nHa recibido varios reconocimientos: en el Festival Amal de Galicia, al mejor documental, por su obra Checkpoint Rock; en el Festival In-Edit de Barcelona, al mejor documental, por la serie Next Music Station; una mención especial en el Krafta Doc International de Glasgow por el documental NOLA?; el premio a la mejor película de animación en el Festival Internacional de Monterrey, por la película Black is Beltza; y el premio al mejor diseño de sonido en los Premios Quirino de la Animación Iberoamericana, por la película anteriormente mencionada.
FILMOGRAFÍA – director y guionista:
\n2006 Bass-que Culture (documental)
\n2009 Checkpoint Rock. Música desde Palestina (documental)
\n2011 Next Music Station (11 documentales sobre música árabe)
\n2012 Zuloak (documental-mockumentary)
\n2013 No More Tour (documental), codirigido con Daniel Gomez
\n2015 NOLA? Irun meets New Orleans (documental)
\n2018 Black is Beltza (largometraje de animación)
\n2019 Beltza Naiz – making of (documental)
\n2022 Black is Beltza II: AINHOA (largometraje de animación)
\n2022 AINHOA – making of (documental)
\n2023 BIDASOA 2018-2023 (documental)
Proyecto de investigación artística y archivo comunitario sobre migración forzada, memoria colectiva y contranarrativas institucionales.
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\n\nSu cine entreteje el documental, la poesía, el material de archivo y las imágenes tomadas por él mismo, combinación mediante la cual el autor explora el poder transformador de los sonidos, los movimientos, los trances y la automutilación, una transformación que moldea a individuos marginados en catalizadores de la sublevación y la emancipación, y como resultado, cuerpos diaspóricos exhaustos y fragmentados despiertan en una conciencia colectiva, ya preparados para la acción política.
\n\nA través de su trabajo y su investigación, Aniss captura las políticas de liberación mediante la documentación de hermandades como las de los gnawa, los hmadcha, los jilala y los issawa, comunidades formadas por descendientes de personas originarias de África Occidental que fueron esclavizadas y traídas por la fuerza a Marruecos.
\n\nDurante su infancia, Aniss asistió a rituales gnawa, donde la danza, la música, el trance y la automutilación entrelazaban el sufrimiento con la sacralidad.
\n\nSu obra videográfica nos ofrece una mirada íntima a los imaginarios de las hermandades y propone un marco afectivo y conceptual donde la angustia y el dolor del individuo oprimido mutan en una fuerza estética que sienta las bases de la liberación.
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Trabaja como montajista, docente y archivista. Desde temprana edad su formación fue en el campo de las artes y las ciencias sociales. Estudió en la Escuela Nacional de Experimentación y Realización Cinematográfica (ENERC), en Buenos Aires, Argentina y más recientemente en Elias Querejeta Zine Eskola, en Donostia.
\n\nComo montajista ha participado en múltiples proyectos documentales, como también experimentales en colaboración con artistas contemporáneas argentinas.
\n\nEn 2019 fundó un taller de realización documental, “La Paloma” en una Unidad Penitenciaria de la provincia de Buenos Aires.
\n\nEn 2024 llevó a cabo un Laboratorio de memorias y archivos, en conjunto con la Asoc. Malen Etxea, en Zumaia, como parte de su TFM.
\n\nAdemás está involucrada en proyectos de investigación y conservación de películas argentinas y forma parte del colectivo de investigación Operación Retorno.
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