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David Toop, Makoto Oshiro y Rie Nakajima actuarán como trío, activando el espacio con sus movimientos, sonidos y objetos. No habrá escenario, ni sensación de centro, ni frontera entre el público y los intérpretes. El lugar será una caja de resonancia o un espacio de juego en el que todos nos sentimos mutuamente.

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Rie Nakajima es una escultora afincada en Londres. Crea sonidos mediante una combinación de dispositivos motorizados y objetos cotidianos en el contexto de instalaciones y performances.

\n\n

Su obra existe en la frontera entre la escultura y la música, abierta al azar y a la influencia de otras personas. La improvisación está en el centro de su trabajo.

\n\n

Su primera gran exposición individual tuvo lugar en IKON Gallery, en Birmingham, en 2018. También ha trabajado con Museo Vostell Malpartida (Cáceres), Annely Juda Gallery (Londres), Association de Le Cyclop (Milly-la-Forêt), STUK (Lovaina), ShugoArts (Tokio), Donaueschinger Music Festival (Donaueschingen), Cafe OTO (Londres) y muchos otros. La colaboración es una parte esencial de su práctica, con colaboradores habituales como Pierre Berthet, Angharad Davies, Yuko Shiraishi, David Cunningham, Max Eastley, David Toop y Akira Sakata.

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David Toop lleva desde 1970 desarrollando una trayectoria que traspasa las fronteras del sonido, la escucha, la música y los materiales, y que abarca la interpretación de música improvisada, la escritura, los talleres, el sonido electrónico, la grabación de campo, la comisaría de exposiciones, la fabricación de instrumentos, las instalaciones de arte sonoro y la ópera. Ha escrito nueve libros muy aclamados y ha publicado numerosos álbumes en solitario y en colaboración. Actualmente trabaja en dúo —Moreskinsound— con la artista de movimiento Ania Psenitsnikova.

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Makoto Oshiro es un performer  y artista afincado en Tokio y Berlín.

\n\n

Su medio principal es el sonido, pero también combina otros elementos, como la luz, la electricidad y el movimiento de objetos. En sus actuaciones en directo, utiliza herramientas e instrumentos de fabricación propia basados en dispositivos electrónicos, materiales cotidianos y objetos de desecho. Su trabajo de instalación aborda el sonido como un fenómeno físico y auditivo y se centra en características como la vibración y la interferencia. También es miembro del grupo de instalaciones y performances en directo The Great △ (夏の大△), junto con Takahiro Kawaguchi y Satoshi Yashiro, y dirige el sello discográfico Basic Function.

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https://www.instagram.com/ooooshiroooo/
\nhttps://basicfunction-releases.bandcamp.com/

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Una exposición individual dedicada a la obra de la artista franco-argelina Zineb Sedira.

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Zineb Sedira (París, 1963) estudió en Central Saint Martins, la Slade School of Fine Art y el Royal College of Art de Londres. Actualmente vive entre Londres, París y Argel. Su práctica abarca la fotografía, el cine y la instalación, con un enfoque particular en los archivos, especialmente los archivos cinematográficos, a través de los cuales cuestiona las narrativas históricas que contienen. Las historias y los recuerdos de su propia familia también han sido fundamentales en muchas de sus obras. Desde 2002, la artista ha expuesto regularmente en exposiciones individuales y colectivas y ha participado en varias bienales, entre ellas la Bienal de Venecia y la Bienal de Sharjah.

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\n\n

 

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Este programa tiene como objetivo principal proporcionar acompañamiento en procesos artísticos y de creación, tanto técnico como conceptual.
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Una instalación de Mikel R. Nieto e Illart Alkorta que tiene como protagonista a una colonia de ranas.

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Artista sonoro, investigador independiente y comisario ocasional.

\n\n

Sus investigaciones se centran en el estudio de los distintos aspectos socioculturales y políticos que residen en el acto de escucha. Trabaja con grabaciones de campo y las transforma en una práctica y teoría fonográfica radical. Entiende el acto de escucha como un acto político para la creación artística y de situaciones sonoras específicas con el objetivo de crear un pensamiento crítico. 

\n\n

Su obra parte del estudio del acto de escucha como gesto para la creación artística contemporánea mostrando los aspectos socioculturales y políticos del mismo cuestionando sus límites éticos y estéticos. Actualmente está investigando sobre la relación entre la música, el sonido y el acto de escucha con la finitud existencial, la impermanencia y la muerte. 

\n\n

Es profesor de “Deep Listening y registro del Paisaje Sonoro” en el Máster de Arte Sonoro de la Universidad de Barcelona.

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