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Entrada gratuita

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Durante la época colonial, las comunidades colonizadas tenían prohibido por decreto utilizar el medio cinematográfico, lo que reprimió el desarrollo de sus imaginarios e impidió que sus historias se contaran a través de imágenes. Hoy, más de cincuenta años después de la independencia, ¿cómo podemos reapropiarnos de estas narrativas y sacar a la luz historias que se han silenciado con tanta frecuencia? 

\n\n

¿Cómo contribuyen la experiencia diaspórica y la historia de la inmigración a replantear la relación política e histórica con el país de origen?  

\n\n

Al adoptar el punto de vista de las cineastas, el debate se centrará en cómo su trayectoria vital ha moldeado sus perspectivas. También abordará cómo la mirada femenina —tradicionalmente ignorada— aporta claves valiosas sobre el discurso poscolonial y la producción cinematográfica como forma de resistencia.

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Sarah Mounia Kachiri es una cineasta y programadora de cine. Se formó en dirección en la escuela de cine independiente filmArche de Berlín y en la ESAV de Marrakech. Su trabajo explora la memoria del lugar y la transmisión intergeneracional.

\n\n

Su película The Holy Mountain se proyectó en el Festival Internacional MyFirstDoc de Túnez, en la Semana del Cine del Goethe-Institut en Marruecos, y en Mural Kurzfilm vol.3 en Berlín. En 2025, su película La Porte Bleue se exhibió en el espacio de arte Dar Bellarj en Marrakech como parte de su exposición anual. También es cofundadora del colectivo Film w Glissa, una plataforma dedicada a reflexionar sobre la forma cinematográfica y presentar películas independientes del Sur Global y su diáspora.

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Rim Mejdi es una cineasta y comisaria afincada en Marrakech. Su obra abarca el cine, la instalación, el teatro y la investigación artística. Explora temas relacionados con la memoria, la transmisión y las narrativas en torno a la espiritualidad, la naturaleza y lo más que humano. Además de su trabajo artístico, comisaría exposiciones, programas públicos y residencias. Ha dirigido y producido varios cortometrajes. Es cofundadora y comisaria de la plataforma cinematográfica SAAED Meetings. 

\n\n

 

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Estas actividades proponen un acercamiento a la creación contemporánea del Magreb y del Norte de África.

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Nicolas vive en una isla remota habitada solamente por mujeres y niños, en donde estos últimos son objeto de misteriosos y siniestros tratamientos médicos.

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