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Una instalación inmersiva de Oliver Laxe.

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HU /هُو . Bailad como si nadie os viera es una instalación concebida específicamente para el Museo Reina Sofía por el cineasta Oliver Laxe (1982) que se presenta en Tabakalera con un nuevo despliegue espacial.

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Este proyecto se vincula al proceso creativo de la película Sirāt (Gran Premio del Jurado en Cannes, 2025; seis galardones en los premios Goya 2026; dos nominaciones a los Premios Oscar 2026). Mientras que el término islámico sirāt designa el puente que cruza por encima del infierno en dirección al paraíso, en árabe HU /هُو es la manifestación sonora primigenia de la deidad. El subtítulo de la pieza procede de un verso de Rūmī (1207–1273), místico y erudito persa cuya obra exploró la trascendencia y la disolución del yo en la divinidad a través de la música, la danza, la poesía y el rezo. En HU /هُو nos adentramos en un territorio donde la búsqueda de una dimensión espiritual se encarna en la inmanencia del cuerpo que baila y recuerda.

\n\n

La instalación está compuesta por una pirámide de altavoces procedente del ecosistema rave que emite una vibración sostenida desprovista de variaciones melódicas y tres proyecciones que presentan paisajes desérticos sometidos al ritmo de un sol implacable, habitados por templos y altavoces entre los que bailan figuras humanas. Filmadas hace una década en Irán, estas arquitecturas fueron construidas siguiendo patrones y proporciones sagradas con el objetivo de hacer perceptible el umbral entre el mundo material y el mundo sutil. El trabajo sonoro de Kangding Ray aborda el sonido tanto en su dimensión material y estructural como en su cualidad inasible y misteriosa. 

\n\n

Mediante fundidos y superposiciones, HU /هُو construye una gramática visual que acentúa la condición espectral de la imagen y convoca una experiencia física, sensorial y sinestésica que busca un reencantamiento del mundo.

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Nacido en París en 1982, Oliver Laxe es hijo de emigrantes gallegos. Cuando tenía seis años, su familia regresó a Galicia. Tras estudiar cine en Barcelona, se trasladó a Tánger, Marruecos, donde autoprodujo y rodó Todos vós sodes capitáns [Todos vosotros sois capitanes], que obtuvo el Premio FIPRESCI en la Quincena de Realizadores de Cannes en 2010.

\n\n

En 2016, recibió el Gran Premio de la Semana de la Crítica en Cannes por Mimosas, rodada en las montañas del Atlas. Después de regresar a Galicia, dirigió O que arde [Lo que arde], filmada en el corazón de Os Ancares, que obtuvo el Premio del Jurado en la sección Un Certain Regard del Festival de Cannes en 2019. Quince años después de su primer estreno en Cannes, y tras haber proyectado y ganado premios en todas sus secciones, Laxe debutó en 2025 en Competición con Sirāt. Esta película, galardonada con el Premio del Jurado en el certamen francés, ha consolidado su éxito internacional, logrando un amplio reconocimiento de la crítica y la industria con múltiples nominaciones en los premios Oscar, Globos de Oro y Premios Goya. 

\n\n

Además de su labor como cineasta, Laxe forma parte de la Asociación Ser, una iniciativa que promueve desde Os Ancares la revitalización de zonas rurales a través de proyectos culturales vinculados al sector primario.  También impulsa estrategias de desarrollo rural ligadas a la recuperación patrimonial y la repoblación, colaborando estrechamente con grupos locales de desarrollo. 

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Este programa tiene como objetivo principal proporcionar acompañamiento en procesos artísticos y de creación, tanto técnico como conceptual.
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Una instalación de Mikel R. Nieto e Illart Alkorta que tiene como protagonista a una colonia de ranas.

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Artista sonoro, investigador independiente y comisario ocasional.

\n\n

Sus investigaciones se centran en el estudio de los distintos aspectos socioculturales y políticos que residen en el acto de escucha. Trabaja con grabaciones de campo y las transforma en una práctica y teoría fonográfica radical. Entiende el acto de escucha como un acto político para la creación artística y de situaciones sonoras específicas con el objetivo de crear un pensamiento crítico. 

\n\n

Su obra parte del estudio del acto de escucha como gesto para la creación artística contemporánea mostrando los aspectos socioculturales y políticos del mismo cuestionando sus límites éticos y estéticos. Actualmente está investigando sobre la relación entre la música, el sonido y el acto de escucha con la finitud existencial, la impermanencia y la muerte. 

\n\n

Es profesor de “Deep Listening y registro del Paisaje Sonoro” en el Máster de Arte Sonoro de la Universidad de Barcelona.

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Una exposición de Carla Filipe y Taxio Ardanaz.

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HU /هُو. Bailad como si nadie os viera es una instalación de Oliver Laxe surgida del universo creativo de su película Sirāt.

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Nacido en París en 1982, Oliver Laxe es hijo de emigrantes gallegos. Cuando tenía seis años, su familia regresó a Galicia. Tras estudiar cine en Barcelona, se trasladó a Tánger, Marruecos, donde autoprodujo y rodó Todos vós sodes capitáns [Todos vosotros sois capitanes], que obtuvo el Premio FIPRESCI en la Quincena de Realizadores de Cannes en 2010.

\n\n

En 2016, recibió el Gran Premio de la Semana de la Crítica en Cannes por Mimosas, rodada en las montañas del Atlas. Después de regresar a Galicia, dirigió O que arde [Lo que arde], filmada en el corazón de Os Ancares, que obtuvo el Premio del Jurado en la sección Un Certain Regard del Festival de Cannes en 2019. Quince años después de su primer estreno en Cannes, y tras haber proyectado y ganado premios en todas sus secciones, Laxe debutó en 2025 en Competición con Sirāt. Esta película, galardonada con el Premio del Jurado en el certamen francés, ha consolidado su éxito internacional, logrando un amplio reconocimiento de la crítica y la industria con múltiples nominaciones en los premios Oscar, Globos de Oro y Premios Goya. 

\n\n

Además de su labor como cineasta, Laxe forma parte de la Asociación Ser, una iniciativa que promueve desde Os Ancares la revitalización de zonas rurales a través de proyectos culturales vinculados al sector primario.  También impulsa estrategias de desarrollo rural ligadas a la recuperación patrimonial y la repoblación, colaborando estrechamente con grupos locales de desarrollo. 

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Una exploración de los dos pilares culturales de Debris Stevenson, la costura sónica entre la Bass Culture y la neuroqueeridad.

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Debris Stevenson es dramaturga, poeta de grime, artista multidisciplinar, académica neurodivergente y raver profesional, cuya obra explora la interseccionalidad, lo inesperado y la injusticia. 
\n
\nDebris lleva 20 años escribiendo, actuando y creando; ha actuado en más de 30 países, ha diseñado módulos académicos de poesía en la Universidad de Nottingham y ha recaudado más de 300.000 libras a través de su empresa de interés comunitario, The Mouthy Poets, donde ha enseñado a miles de jóvenes desde Nottingham hasta todo el mundo.
\n
\nEl musical de grime debut de Debris, POET IN DA CORNER (Royal Court), realizó una gira nacional en 2020. Su obra MY BROTHER’S A GENIUS (Theatre Centre, Theatre Sheffield, National Youth Theatre) realizó una gira por colegios y teatros de todo el país en la primavera de 2026. Y su coadaptación de CYRANO DE BERGERAC (Royal Shakespeare Company), junto a Simon Evans y protagonizada por Adrian Lester, se trasladará al West End de Londres (Noël Coward Theatre) este verano tras una temporada con entradas agotadas y valoraciones de 5 estrellas en la RSC.
\n
\nActualmente, Debris está completando una beca de doctorado totalmente financiada y basada en la práctica titulada «The Write to Rave», sobre la intersección entre el grime, la narración y la neurodiversidad en la Universidad de Oxford Brookes.
\n
\nCuando Debris no está escribiendo, creando o estudiando, se la puede encontrar bailando en carnavales, fiestas y eventos del Orgullo por todo el mundo para organizaciones como Red Bull Music Academy y The Heatwave, y a veces, simplemente por diversión.

\n\n

www.debrisstevenson.com
\n@debrisstevenson

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