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Tarifa general

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Menor de 12 años

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Love Is Strange, Ira Sachs, Estados Unidos, 2014, 98 min

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Después de casi cuatro décadas juntos, Ben (John Lithgow) y George (Alfred Molina) finalmente contraen matrimonio en una idílica ceremonia de boda celebrada en Manhattan.

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Sin embargo, cuando George pierde su trabajo poco después, la pareja se ve obligada a vender su apartamento y, como víctimas del implacable mercado inmobiliario de la ciudad de Nueva York, deben vivir separados temporalmente hasta encontrar una nueva vivienda que puedan permitirse.

\n\n

Mientras George se muda con dos policías (Cheyenne Jackson y Manny Perez) que viven en el piso de abajo, Ben se instala en Brooklyn con su sobrino (Darren Burrows), la esposa de este (Marisa Tomei) y su temperamental hijo adolescente (Charlie Tahan), con quien Ben tiene que compartir una litera.

\n\n

Mientras intentan sobrellevar el dolor de la separación, Ben y George también deben enfrentarse a las tensiones generacionales y a las cambiantes dinámicas familiares derivadas de sus nuevas circunstancias de vida.

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A lo largo de julio y agosto, todos los sábados podremos ver uno de los nueve largometrajes que conforman, por el momento, su filmografía.

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Nest es el encuentro oficial de estudiantes de cine del Festival de San Sebastián. En esta sesión se mostrará una selección de diferentes \"making-offs\".

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Proyecto de investigación artística y archivo comunitario sobre migración forzada, memoria colectiva y contranarrativas institucionales.

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El cineasta Nabil Aniss explora a través de su obra las complejas relaciones entre la liberación política, la insurrección y los rituales místicos llevados a cabo por las hermandades de Marruecos.

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Su cine entreteje el documental, la poesía, el material de archivo y las imágenes tomadas por él mismo, combinación mediante la cual el autor explora el poder transformador de los sonidos, los movimientos, los trances y la automutilación, una transformación que moldea a individuos marginados en catalizadores de la sublevación y la emancipación, y como resultado, cuerpos diaspóricos exhaustos y fragmentados despiertan en una conciencia colectiva, ya preparados para la acción política.

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A través de su trabajo y su investigación, Aniss captura las políticas de liberación mediante la documentación de hermandades como las de los gnawa, los hmadcha, los jilala y los issawa, comunidades formadas por descendientes de personas originarias de África Occidental que fueron esclavizadas y traídas por la fuerza a Marruecos.

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Durante su infancia, Aniss asistió a rituales gnawa, donde la danza, la música, el trance y la automutilación entrelazaban el sufrimiento con la sacralidad.

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Su obra videográfica nos ofrece una mirada íntima a los imaginarios de las hermandades y propone un marco afectivo y conceptual donde la angustia y el dolor del individuo oprimido mutan en una fuerza estética que sienta las bases de la liberación.

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Trabaja como montajista, docente y archivista. Desde temprana edad su formación fue en el campo de las artes y las ciencias sociales. Estudió en la Escuela Nacional de Experimentación y Realización Cinematográfica (ENERC), en Buenos Aires, Argentina y más recientemente en Elias Querejeta Zine Eskola, en Donostia.

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Como montajista ha participado en múltiples proyectos documentales, como también experimentales en colaboración con artistas contemporáneas argentinas.

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En 2019 fundó un taller de realización documental, “La Paloma” en una Unidad Penitenciaria de la provincia de Buenos Aires.

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En 2024 llevó a cabo un Laboratorio de memorias y archivos, en conjunto con la Asoc. Malen Etxea, en Zumaia, como parte de su TFM. 

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Además está involucrada en proyectos de investigación y conservación de películas argentinas y forma parte del colectivo de investigación Operación Retorno.

\n\n

 

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