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En esta presentación, Francisco López recorrerá los principales elementos que han marcado su práctica creativa sonora durante los últimos cuarenta años. Se centrará especialmente en dos ámbitos alejados de las formas tradicionales de aprendizaje musical y sonoro: la red internacional independiente home-music network, surgida a finales de los años setenta, y los ambientes sonoros del “mundo real”, principalmente los procedentes de la naturaleza.

A partir de su propia trayectoria, López situará estas influencias en un contexto social e histórico más amplio y analizará el importante papel que han desempeñado durante las últimas décadas en el desarrollo de una extensa comunidad internacional de creadores sonoros.

Su trabajo con grabaciones ambientales se aleja de las formas más clásicas de entender las “grabaciones de campo” (field recordings) o los “paisajes sonoros” (soundscapes). Su objetivo no es reproducir o representar los sonidos de un lugar, sino utilizarlos como punto de partida para crear nuevas experiencias sonoras. Esta forma de trabajar entiende los sonidos como realidades con entidad propia y propone una manera más directa y profunda de relacionarse con ellos, más allá de aquello que representan o del lugar del que proceden.

Esta búsqueda de nuevas experiencias sonoras también implica repensar los sistemas de sonido y los espacios en los que se escucha. Frente al escenario tradicional, que sitúa la atención en quien interpreta, López propone experiencias inmersivas en las que el sonido ocupa el centro. En el ámbito de la música electrónica y experimental, prescindir del escenario permite desplazar la atención del intérprete hacia el propio sonido y transformar una experiencia principalmente contemplativa en otra más envolvente e inmersiva.

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Francisco López es reconocido internacionalmente como una de las figuras más relevantes de la música experimental y el audio arte. 

Su trayectoria en el ámbito de la creación sonora y del trabajo con grabaciones ambientales abarca un período de más de cuarenta años, durante los cuales ha desarrollado un universo sonoro absolutamente personal e iconoclasta, basado en una escucha profunda del mundo. 

Ha realizado cientos de instalaciones sonoras, proyectos con grabaciones de campo y conciertos/performances en más de setenta países, incluyendo los principales auditorios, museos, galerías y festivales internacionales, tales como: Auditorio Nacional de Música (Madrid), PS1 Contemporary Art Center (Nueva York), Musée d’Art Moderne (París), International Film Festival (Rotterdam), Festival des Arts (Bruselas), EMPAC (Troy, EEUU), Darwin Fringe (Darwin, Australia), Institute of Contemporary Art (Londres), Museo de Arte Moderno de Buenos Aires, Museo de Arte Contemporáneo de Barcelona, Center of Contemporary Art (Kita-Kyushu, Japón), Museo Nacional Centro de Arte Reina Sofía (Madrid), Pabellón de España en Expo Dubai (Emiratos Árabes Unidos), etc. 

Su obra sonora incluye colaboraciones en directo y en estudio, así como proyectos comisariados y dirigidos, con más de mil artistas de todo el mundo. Sus trabajos han sido editados por más de 450 compañías discográficas y editoras. 

Entre otros reconocimientos internacionales, López ha recibido en cinco ocasiones la mención honorífica del prestigioso festival Ars Electronica (Austria) y es el ganador de un Qwartz Award (Francia) a la mejor antología sonora.

https://franciscolopez.bandcamp.com
http://www.franciscolopez.net

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Una exposición de Carla Filipe y Taxio Ardanaz.

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Carla Filipe (Oporto, 1973) es una artista multidisciplinar cuya obra examina de forma crítica las intersecciones entre el arte, la política y la memoria colectiva. Estudió Escultura en la Facultad de Bellas Artes de la Universidad de Oporto, donde también obtuvo un máster en Prácticas Artísticas Contemporáneas. Filipe fue cofundadora de los espacios artísticos independientes Salão Olímpico (2003-2005) y Projecto Apêndice (2006) en Oporto.

Su obra ha sido expuesta en importantes instituciones, entre ellas la Fundación Serralves (Oporto), el MAAT – Museo de Arte, Arquitectura y Tecnología (Lisboa), el Museu Coleção Berardo (Lisboa), el MNAC – Museu Nacional de Arte Contemporânea do Chiado (Lisboa), la Kunsthalle Lissabon (Lisboa) y el SESC Pompeia (São Paulo). A nivel internacional, ha participado en la 32.ª Bienal de São Paulo (2016), la 13.ª Bienal de Estambul (2013), la 4.ª Bienal Industrial de Arte Contemporáneo de los Urales (Rusia, 2017) y Manifesta 8 (Murcia - Cartagena, 2011). Otras exposiciones destacadas incluyen La Réplica Infiel en el CA2M (Madrid), Les Urbaines en el MCBA (Lausana) y Le lynx ne connaît pas de frontières en la Fondation Ricard (París).

Filipe ha recibido varias becas y residencias, entre ellas una beca de la Fundación Calouste Gulbenkian para una residencia en Acme Studios (Londres, 2009), AIR Antwerpen (Bélgica, 2014), la residencia de la Fundación Robert Rauschenberg (Florida, EE. UU., 2015), Krinzinger Projekte (Viena, 2017) y Peacock & The Worm (Aberdeen, Escocia, 2023). Sus obras forman parte de importantes colecciones públicas

Filipe recibió el Premio FLAD de Dibujo en 2023 y, en 2024, el premio a la mejor exposición de artes plásticas por «In My Own Language I am Independente» en el Museo de Serralves, otorgado por la SPA (Sociedad Portuguesa de Autores).

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Licenciado en Bellas Artes por la Universidad del País Vasco, ha ampliado su formación con artistas y comisarios como Julie Mehretu, Esther Ferrer, Itziar Okariz, Andrés Duque, Miroslaw Balka o Peio Aguirre.

\n\n

Su obra gira en torno a las tensiones que se producen entre ideología, representación y memoria, explorando, desde de la pintura, la instalación o el archivo fotográfico, las huellas físicas de proyectos políticos truncados y otras formas de resistencia colectiva. Este interés le ha llevado a trabajar en contextos atravesados por el conflicto como el Kurdistán Iraquí, Cuba, China o México.

\n\n

Su obra está presente en diversas colecciones públicas y privadas, y ha sido expuesta en instituciones como Tabacalera (Madrid), Museo de Navarra, Academia de España en Roma, San Telmo Museoa (Donostia), CIAJG (Guimarães) o galerías como Carreras Múgica (Bilbao), Pelaires (Palma de Mallorca), Nordés (Santiago de Compostela) y Espacio Enhorabuena (Madrid).
\n 

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Ángel Calvo Ulloa (Lalín, 1984) es comisario y escritor. Licenciado en Historia del Arte por la USC y Máster en Arte Contemporáneo: Creación e investigación por la UVigo. Ha sido co-comisario, junto con Marta Mestre, de O Fantasma da Liberdade / Anozero Bienal de Coimbra 2024.  

Entre sus últimos proyectos curatoriales cabe destacar Jordi Teixidor. No-res, en la Sala Alcalá 31 (Madrid); Juan Uslé. Ese barco en la montaña, en Museo Reina Sofía (Madrid); ¿Adónde irá el pájaro que no vuele?, en La Casa Encendida (Madrid); Humores y Espesores, de Rodríguez-Méndez, en el CA2M (Móstoles); El sueño de la cólcedra, de Teresa Lanceta, en el Museo Patio Herreriano (Valladolid); Siron Franco: Pensamento insubordinado (Trabalhos, 1961-2023), en MAC Goiàs (Brasil); Anidar en el gesto: unas estanterías de Alberto, en Fundación Cerezales Antonio y Cinia (Cerezales del Condado, León); Autoconstrucción. Piezas sueltas. Juego y experiencia, de Antonio Ballester Moreno, en Artium (Vitoria-Gasteiz); Complexo Colosso, CIAJG (Guimarães) o, junto a Nuria Enguita, Habitación. El Archivo F.X., las chekas psicotécnicas de Laurencic y la función del arte, de Pedro G. Romero, en CA2M (Madrid), MNAC (Barcelona) y La Nau (Valencia). Desde 2011 ha comisariado también en instituciones como Caixaforum (Barcelona), MARCO (Vigo), CCEMx (Ciudad de México), Fundación Luis Seoane (A Coruña), Tabacalera (Madrid), Centro Párraga (Murcia) o EACC (Castellón), entre otras.

En 2020, en coautoría con Juan Canela, publicó el libro Desde lo curatorial. Conversaciones, experiencias y afectos, dentro de la Colección Paper, de Consonni.

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Cada mes invitamos a una persona a que prepare una sesión relacionada con la exposición de arte contemporáneo de Tabakalera.

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Walker es una instalación compuesta por tres piezas audiovisuales y obra gráfica, concebida para Tabakalera por el aclamado cineasta taiwanés Tsai Ming-Liang.

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Tsai Ming-Liang, nacido en Malasia en 1957, estrenó su ópera prima, Rebels of the Neon God, en la Berlinale de 1992. Su segundo largometraje, Vive L’ amour (1994), ganó el León de Oro en el Festival de Cine de Venecia, mientras que The River (1996) recibió el Premio del Jurado en Berlín, consolidando así su posición como uno de los directores más destacados del cine contemporáneo.

\n\n

En 2009, Face se convirtió en la primera película producida e incluida en la colección del Museo del Louvre dentro del programa Le Louvre s'offre aux cineastes. En 2023, Tsai recibió el premio Pardo Alla Carriera (Leopardo de Honor) en el Festival de Cine de Locarno por su distinguida trayectoria en el cine. 

\n\n

En los últimos años, el cineasta también ha sido objeto de atención en el mundo del arte, con participaciones en diversas exposiciones y festivales de arte, así como por proponer ideas tan estéticas como el «Cine esculpido a mano» o «La eliminación de los procesos industriales de la creación artística». Desde que inició en 2012 la serie Walker, ha realizado doce cortometrajes que se han proyectado en festivales y galerías de arte de todo el mundo. 

\n\n

Más allá del cine, sigue creando obras teatrales y exposiciones de arte. Su obra The Monk from Tang Dynasty (El monje de la dinastía Tang) estuvo de gira durante una década (2014-2024), y A Quest, una exposición en colaboración con el Centro Pompidou, supuso un hito en la trayectoria artística del director. En su Taiwán natal, ha promovido los conceptos de «El museo de arte como cine» y «La forma de visionado concebida por el autor», introduciendo nuevos modos de ver cine como forma de contrarrestar la comercialización excesiva del mercado cinematográfico.

\n\n

La obra de Tsai Ming-Liang ha dado forma a una de las propuestas artísticas más singulares de la cultura contemporánea, presentando la vida en su forma más auténtica.

\n\n

 

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