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Esta proyección es parte del seminario KOOPERATIBA. Documentar la vida. Sesión presentada por Ángel Calvo Ulloa, comisario de la exposición KOOPERATIBA. 

Numax presenta… Joaquim Jordà, España, 1980, 102’

En 1977, los propietarios de la empresa catalana Numax, S. A. anuncian su intención de cerrarla y la sociedad entra en suspensión de pagos. Un grupo de trabajadores de Numax comienza a organizarse y consiguen recuperar la producción de manera autogestionada. Después de dos años luchando por sacarla adelante, decididos a cambiar sus vidas y abandonar la cadena de producción, le piden a Joaquim Jordà que les haga una película que retrate esta experiencia. Reúnen las 600.000 pesetas de la caja de resistencia y la Asamblea de Trabajadores de Numax produce Numax presenta.

*es la digitalización de un Betacam SP, con una resolución  PAL (720x576). 

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Ángel Calvo Ulloa (Lalín, 1984) es comisario y escritor. Licenciado en Historia del Arte por la USC y Máster en Arte Contemporáneo: Creación e investigación por la UVigo. Ha sido co-comisario, junto con Marta Mestre, de O Fantasma da Liberdade / Anozero Bienal de Coimbra 2024.  

Entre sus últimos proyectos curatoriales cabe destacar Jordi Teixidor. No-res, en la Sala Alcalá 31 (Madrid); Juan Uslé. Ese barco en la montaña, en Museo Reina Sofía (Madrid); ¿Adónde irá el pájaro que no vuele?, en La Casa Encendida (Madrid); Humores y Espesores, de Rodríguez-Méndez, en el CA2M (Móstoles); El sueño de la cólcedra, de Teresa Lanceta, en el Museo Patio Herreriano (Valladolid); Siron Franco: Pensamento insubordinado (Trabalhos, 1961-2023), en MAC Goiàs (Brasil); Anidar en el gesto: unas estanterías de Alberto, en Fundación Cerezales Antonio y Cinia (Cerezales del Condado, León); Autoconstrucción. Piezas sueltas. Juego y experiencia, de Antonio Ballester Moreno, en Artium (Vitoria-Gasteiz); Complexo Colosso, CIAJG (Guimarães) o, junto a Nuria Enguita, Habitación. El Archivo F.X., las chekas psicotécnicas de Laurencic y la función del arte, de Pedro G. Romero, en CA2M (Madrid), MNAC (Barcelona) y La Nau (Valencia). Desde 2011 ha comisariado también en instituciones como Caixaforum (Barcelona), MARCO (Vigo), CCEMx (Ciudad de México), Fundación Luis Seoane (A Coruña), Tabacalera (Madrid), Centro Párraga (Murcia) o EACC (Castellón), entre otras.

En 2020, en coautoría con Juan Canela, publicó el libro Desde lo curatorial. Conversaciones, experiencias y afectos, dentro de la Colección Paper, de Consonni.

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Sesiones de cine que dialogan con las diferentes exposiciones.

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Cincuenta años después, aquel paso truncado de El Desencanto por San Sebastián vuelve a revisarse. 

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Albertina Carri es una figura fundamental del cine latinoamericano actual. Se caracteriza por la versatilidad en los géneros y materiales que aborda. Dirigió las películas No quiero volver a casa, Los rubios, Géminis, La rabia, Cuatreros, Las hijas del fuego y ¡Caigan las rosas blancas! con las que participó de los festivales de Cannes, Berlín, Toronto, Venecia, San Sebastián, La Habana y Rotterdam, entre muchos otros. La obra de Carri se va transformando en función de la elaboración de sus temas, recursos y medios. Así reorganiza materiales fílmicos desde los que se sumerge en las potencias del sonido y el movimiento en instalaciones audiovisuales: Cine puro, Punto impropio y Animales puros, son algunas de ellas. De este  mismo modo incorpora a su producción la escritura, tanto en poesía como en prosa. Publicó Los rubios: Cartografía de una película, Retratos ciegos, Lo que aprendí de las bestias, Las posesas y Cine vivo.

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La Gestapo busca en Casablanca al líder checo y héroe de la Resistencia Victor Laszlo. Su única esperanza es Rick Blaine, antiguo amante de su mujer, Ilsa.

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En la bulliciosa jungla urbana de Taipéi, los vínculos humanos auténticos escasean.

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Javier H. Estrada es crítico, profesor y programador de cine. Master in Arts in History of Film and Visual Media (Birkbeck College. University of London).

Actualmente es codirector de SEMINCI. Semana Internacional de Cine de Valladolid. Ha sido jefe de programación del Festival de Cine Europeo de Sevilla, cofundador y jefe de programación de FILMADRID, miembro del comité de selección de DocumentaMadrid y del Festival Internacional de Cortometrajes de Oberhausen. 

Miembro del Consejo de Redacción de la revista Caimán. Cuadernos de cine, ha publicado artículos en diferentes medios como los diarios El Confidencial  y El español, o las revistas El Cultural y Archivos de la Filmoteca y participado en numerosos libros.

Es profesor en la Universidad Camilo José Cela (Madrid) y en ECAM. Escuela de Cinematografía y del Audiovisual de la Comunidad de Madrid.  

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Anne Morin (Rouen, Francia, 1973) es graduada por la École Nationale de Photographie d’Arles y la École Supérieure des Beaux-Arts de Montpellier. Trabajó para el festival PHotoEspaña entre 2001 y 2004, antes de asumir la dirección de diChroma Photography (Madrid), una empresa especializada en exposiciones fotográficas itinerantes internacionales, así como en el desarrollo y producción de proyectos culturales. diChroma colabora con museos e instituciones de renombre internacional. 

Trabaja para revalorizar y dar mayor visibilidad a artistas y fotógrafos, comisariando distintas exposiciones: Berenice Abbott, Antonio López, Vivian Maier, Robert Doisneau, Jessica Lange, Jacques Henri Lartigue, Sandro Miller, Pentti Sammallahti y Margaret Watkins, entre otros. Ocasionalmente, también se reinventa como editora de libros de fotografía, habiendo publicado obras como Antonio López: Visionary Writing, Margaret Watkins: Black Light o Paul Alexandre: Slowness.

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En 1977, los propietarios de la empresa catalana Numax, S. A. anuncian su intención de cerrarla y la sociedad entra en suspensión de pagos.

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Ángel Calvo Ulloa (Lalín, 1984) es comisario y escritor. Licenciado en Historia del Arte por la USC y Máster en Arte Contemporáneo: Creación e investigación por la UVigo. Ha sido co-comisario, junto con Marta Mestre, de O Fantasma da Liberdade / Anozero Bienal de Coimbra 2024.  

Entre sus últimos proyectos curatoriales cabe destacar Jordi Teixidor. No-res, en la Sala Alcalá 31 (Madrid); Juan Uslé. Ese barco en la montaña, en Museo Reina Sofía (Madrid); ¿Adónde irá el pájaro que no vuele?, en La Casa Encendida (Madrid); Humores y Espesores, de Rodríguez-Méndez, en el CA2M (Móstoles); El sueño de la cólcedra, de Teresa Lanceta, en el Museo Patio Herreriano (Valladolid); Siron Franco: Pensamento insubordinado (Trabalhos, 1961-2023), en MAC Goiàs (Brasil); Anidar en el gesto: unas estanterías de Alberto, en Fundación Cerezales Antonio y Cinia (Cerezales del Condado, León); Autoconstrucción. Piezas sueltas. Juego y experiencia, de Antonio Ballester Moreno, en Artium (Vitoria-Gasteiz); Complexo Colosso, CIAJG (Guimarães) o, junto a Nuria Enguita, Habitación. El Archivo F.X., las chekas psicotécnicas de Laurencic y la función del arte, de Pedro G. Romero, en CA2M (Madrid), MNAC (Barcelona) y La Nau (Valencia). Desde 2011 ha comisariado también en instituciones como Caixaforum (Barcelona), MARCO (Vigo), CCEMx (Ciudad de México), Fundación Luis Seoane (A Coruña), Tabacalera (Madrid), Centro Párraga (Murcia) o EACC (Castellón), entre otras.

En 2020, en coautoría con Juan Canela, publicó el libro Desde lo curatorial. Conversaciones, experiencias y afectos, dentro de la Colección Paper, de Consonni.

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