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Tarifa general

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Menor de 12 años

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Proyección de la primera película del ciclo de retrospectiva de Ira Sachs. El mismo director estará presente para la presentación del film y posterior coloquio.

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Peter Hujar’s Day, Ira Sachs, EUA, 2025, 76'

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En diciembre de 1974, el fotógrafo Peter Hujar se reunió con la escritora Linda Rosenkrantz en el apartamento de ésta en el Upper East Side y le relató con todo detalle su día anterior. El proyecto de Rosenkrantz de escribir un libro sobre cómo emplean su tiempo los artistas nunca llegó a materializarse, pero aquel intercambio extraordinario cobra ahora vida en el fascinante nuevo filme de Ira Sachs, protagonizado por el magnético Ben Whishaw y Rebecca Hall. Del día a la noche, dentro y alrededor de un interior neoyorquino, el Hujar interpretado por Whishaw describe una sesión fotográfica tensa con Allen Ginsberg y una llamada telefónica de Susan Sontag, entre otras vivencias de su jornada. La ingeniosa puesta en escena de Sachs hace estallar las convenciones del biopic y convierte lo cotidiano en algo extraordinario, donde la agudeza e intensidad de Hujar vibran junto a la intimidad del instante compartido. Peter Hujar’s Day es una expresión pura de una época del Downtown neoyorquino que sigue viva en el imaginario colectivo, al tiempo que evoca con viveza la mente creativa de un artista singular. 

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A lo largo de julio y agosto, todos los sábados podremos ver uno de los nueve largometrajes que conforman, por el momento, su filmografía.

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Nest es el encuentro oficial de estudiantes de cine del Festival de San Sebastián. En esta sesión se mostrará una selección de diferentes \"making-offs\".

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Proyecto de investigación artística y archivo comunitario sobre migración forzada, memoria colectiva y contranarrativas institucionales.

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El cineasta Nabil Aniss explora a través de su obra las complejas relaciones entre la liberación política, la insurrección y los rituales místicos llevados a cabo por las hermandades de Marruecos.

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Su cine entreteje el documental, la poesía, el material de archivo y las imágenes tomadas por él mismo, combinación mediante la cual el autor explora el poder transformador de los sonidos, los movimientos, los trances y la automutilación, una transformación que moldea a individuos marginados en catalizadores de la sublevación y la emancipación, y como resultado, cuerpos diaspóricos exhaustos y fragmentados despiertan en una conciencia colectiva, ya preparados para la acción política.

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A través de su trabajo y su investigación, Aniss captura las políticas de liberación mediante la documentación de hermandades como las de los gnawa, los hmadcha, los jilala y los issawa, comunidades formadas por descendientes de personas originarias de África Occidental que fueron esclavizadas y traídas por la fuerza a Marruecos.

\n\n

Durante su infancia, Aniss asistió a rituales gnawa, donde la danza, la música, el trance y la automutilación entrelazaban el sufrimiento con la sacralidad.

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Su obra videográfica nos ofrece una mirada íntima a los imaginarios de las hermandades y propone un marco afectivo y conceptual donde la angustia y el dolor del individuo oprimido mutan en una fuerza estética que sienta las bases de la liberación.

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Trabaja como montajista, docente y archivista. Desde temprana edad su formación fue en el campo de las artes y las ciencias sociales. Estudió en la Escuela Nacional de Experimentación y Realización Cinematográfica (ENERC), en Buenos Aires, Argentina y más recientemente en Elias Querejeta Zine Eskola, en Donostia.

\n\n

Como montajista ha participado en múltiples proyectos documentales, como también experimentales en colaboración con artistas contemporáneas argentinas.

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En 2019 fundó un taller de realización documental, “La Paloma” en una Unidad Penitenciaria de la provincia de Buenos Aires.

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En 2024 llevó a cabo un Laboratorio de memorias y archivos, en conjunto con la Asoc. Malen Etxea, en Zumaia, como parte de su TFM. 

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Además está involucrada en proyectos de investigación y conservación de películas argentinas y forma parte del colectivo de investigación Operación Retorno.

\n\n

 

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