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\n\nParticipantes:
\n\nOier Aranzabal (ULU MEDIA)
\nVanesa Rodríguez (ULU MEDIA)
\nJuan Serrano (La No Ficción)
\nLaura Junco (actriz)
Guionista y creadora de formatos, gracias a su experiencia de 20 años trabajando en proyectos de contenido brandeado ha tenido acceso a crear distintos productos audiovisuales, desde spots hasta minidocumentales, pasando por fashion pills y microformatos de ficción y testimoniales. Los temas que más ha tratado son de responsabilidad social, arte, salud y ciencia.
\n\nEn 2023 colaboró en la serie documental “La Caja 198” sobre memoria y entorno rural. Actualmente trabaja en Ulu Creative (del grupo Ulu) creando proyectos branded y conectando ideas en audio con marcas en todo tipo de iniciativas.
\n\n"},"cargo":"Guionista y creadora de formatos","path":{"alias":"/vanesa-rodriguez","langcode":"es"},"relationships":{"media":{"internal":{"type":"media__image"},"relationships":{"imgSrc":{"uri":{"url":"/sites/default/files/2026-05/331556fc-a5ba-4d97-ad42-3fce04865941_-_vanesa_rodriguez_1.jpeg"},"sizes":[{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":"https://cms.tabakalera.eus/sites/default/files/styles/breakpoint_1920/public/2026-05/331556fc-a5ba-4d97-ad42-3fce04865941_-_vanesa_rodriguez_1.jpeg?itok=EbyAb-Rw","l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":"https://cms.tabakalera.eus/sites/default/files/styles/breakpoint_31360/public/2026-05/331556fc-a5ba-4d97-ad42-3fce04865941_-_vanesa_rodriguez_1.jpeg?itok=rNguHXVj","m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":"https://cms.tabakalera.eus/sites/default/files/styles/breakpoint_376/public/2026-05/331556fc-a5ba-4d97-ad42-3fce04865941_-_vanesa_rodriguez_1.jpeg?itok=VSQ_yzw5","rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":"https://cms.tabakalera.eus/sites/default/files/styles/breakpoint_769/public/2026-05/331556fc-a5ba-4d97-ad42-3fce04865941_-_vanesa_rodriguez_1.jpeg?itok=xsmjZMjG","s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":"https://cms.tabakalera.eus/sites/default/files/styles/thumb_rrss_large/public/2026-05/331556fc-a5ba-4d97-ad42-3fce04865941_-_vanesa_rodriguez_1.jpeg?itok=4Ig9gtvk","rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":"https://cms.tabakalera.eus/sites/default/files/styles/thumb_rrss_small/public/2026-05/331556fc-a5ba-4d97-ad42-3fce04865941_-_vanesa_rodriguez_1.jpeg?itok=dUIdFo_0"}]}},"imgMetas":{"alt":""}}}},{"id":13777,"title":"Oier Aranzabal","status":true,"descripcion":{"processed":"
1988, Barakaldo. Periodista, documentalista y diseñador sonoro. Conductor y director del podcast ‘Barruan Gaude’ (Estamos Dentro), nominado en el 2019 a los premios Rikardo Arregi de periodismo. También ha dirigido Artxipelagoa, ficción sonora que recibió la mención especial del jurado en los Premios Ondas 2023. Trabaja en Ulu Media como director creativo.
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\n\nHe participado en proyectos audiovisuales como Café con Aroma de Mujer, Emma Reyes, Pedro el escamoso, entre otros, experiencias que han ampliado mi lenguaje interpretativo y mi relación con distintas formas de narrar.
\n\nMi enfoque artístico nace de una exploración constante del cuerpo como herramienta expresiva. En ese proceso, me he formado también como maestra de yoga, con un YTT en India, integrando esta práctica a mi manera de crear y comunicar. El yoga ha sido clave para desarrollar una mayor conciencia corporal y para relacionarme con otros desde un lugar más presente y auténtico.
\n\nFuera del set, encuentro inspiración en la lectura, los viajes y el buceo, una de mis grandes pasiones y una forma de meditación en contacto con la naturaleza.
\n\nHoy, mi recorrido une la actuación, el cuerpo y la voz como canales de expresión, explorando nuevas formas de contar y conectar con otros.
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Tú me abrasas adapta “Espuma de mar”, ”, un capítulo de Dialoghi con Leucò de Cesare Pavese.
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\n\n
\nEs un músico con proyección internacional, primero con los grupos Kortatu y Negu Gorriak, y después en solitario. Comenzó a producir documentales en 2006. Aquel año fundó la productora musical y cinematográfica TALKA RECORDS & FILMS, y en ella ha trabajado como director, guionista, productor y creador de bandas sonoras originales.
\nHa recibido varios reconocimientos: en el Festival Amal de Galicia, al mejor documental, por su obra Checkpoint Rock; en el Festival In-Edit de Barcelona, al mejor documental, por la serie Next Music Station; una mención especial en el Krafta Doc International de Glasgow por el documental NOLA?; el premio a la mejor película de animación en el Festival Internacional de Monterrey, por la película Black is Beltza; y el premio al mejor diseño de sonido en los Premios Quirino de la Animación Iberoamericana, por la película anteriormente mencionada.
FILMOGRAFÍA – director y guionista:
\n2006 Bass-que Culture (documental)
\n2009 Checkpoint Rock. Música desde Palestina (documental)
\n2011 Next Music Station (11 documentales sobre música árabe)
\n2012 Zuloak (documental-mockumentary)
\n2013 No More Tour (documental), codirigido con Daniel Gomez
\n2015 NOLA? Irun meets New Orleans (documental)
\n2018 Black is Beltza (largometraje de animación)
\n2019 Beltza Naiz – making of (documental)
\n2022 Black is Beltza II: AINHOA (largometraje de animación)
\n2022 AINHOA – making of (documental)
\n2023 BIDASOA 2018-2023 (documental)
Proyecto de investigación artística y archivo comunitario sobre migración forzada, memoria colectiva y contranarrativas institucionales.
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\n\nSu cine entreteje el documental, la poesía, el material de archivo y las imágenes tomadas por él mismo, combinación mediante la cual el autor explora el poder transformador de los sonidos, los movimientos, los trances y la automutilación, una transformación que moldea a individuos marginados en catalizadores de la sublevación y la emancipación, y como resultado, cuerpos diaspóricos exhaustos y fragmentados despiertan en una conciencia colectiva, ya preparados para la acción política.
\n\nA través de su trabajo y su investigación, Aniss captura las políticas de liberación mediante la documentación de hermandades como las de los gnawa, los hmadcha, los jilala y los issawa, comunidades formadas por descendientes de personas originarias de África Occidental que fueron esclavizadas y traídas por la fuerza a Marruecos.
\n\nDurante su infancia, Aniss asistió a rituales gnawa, donde la danza, la música, el trance y la automutilación entrelazaban el sufrimiento con la sacralidad.
\n\nSu obra videográfica nos ofrece una mirada íntima a los imaginarios de las hermandades y propone un marco afectivo y conceptual donde la angustia y el dolor del individuo oprimido mutan en una fuerza estética que sienta las bases de la liberación.
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Trabaja como montajista, docente y archivista. Desde temprana edad su formación fue en el campo de las artes y las ciencias sociales. Estudió en la Escuela Nacional de Experimentación y Realización Cinematográfica (ENERC), en Buenos Aires, Argentina y más recientemente en Elias Querejeta Zine Eskola, en Donostia.
\n\nComo montajista ha participado en múltiples proyectos documentales, como también experimentales en colaboración con artistas contemporáneas argentinas.
\n\nEn 2019 fundó un taller de realización documental, “La Paloma” en una Unidad Penitenciaria de la provincia de Buenos Aires.
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