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Los paisajes, las estructuras urbanas y los fragmentos arquitectónicos actúan como testigos de las economías industriales, incrustándose material y narrativamente en el espacio, el tiempo y las dinámicas sociales. En mi trabajo abordo la industrialización de la región, en especial la extracción de minerales, situando al público en el papel de observadores reflexivos de los modos de explotación capitalista.

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La exposición consiste en una obra fílmica integrada en una instalación, estando ambas interconectadas desde el punto de vista topográfico e histórico. El proyecto se despliega en distintos medios y se puede entender como una experiencia cinematográfica expandida. Diversos fragmentos e imágenes fílmicas se entrelazan temporalmente para producir un despliegue afectivo de temporalidades estratificadas.

\n\n

Este enfoque se apoya en el concepto de Brian Massumi sobre la persistencia del afecto y permite percibir simultáneamente las dinámicas históricas y contemporáneas. Los paisajes industriales y sociales se entienden como «paisajes afectivos», donde las intensidades colectivas siguen latentes.

\n\n

El material, el cine y el espacio ponen de manifiesto esta persistencia del afecto e invitan a reflexionar sobre la temporalidad, la naturaleza, el trabajo y la historia social. El objetivo de la obra es transformar la percepción de nuestro entorno —sus espacios y estructuras— ofreciendo nuevas perspectivas.

\n\n

El anclaje histórico del proyecto, junto con el concepto de los paisajes afectivos, permite reflexionar sobre la historia industrial, los movimientos sociales y las condiciones ecológicas y económicas actuales.

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Max Grünauer es un artista visual de Berlín que explora las experiencias cinematográficas y sus resonancias sociales. Tras acabar la educación secundaria, trabajó en producciones cinematográficas en la Universidad de Televisión y Cine de Múnich y siguió formándose en dirección de largometrajes (como oyente) y en tecnologías de los medios en Múnich. En 2024, se graduó en Bellas Artes en la Academia de Bellas Artes de Núremberg. Su trabajo explora las intersecciones entre el afecto, la percepción y la espacialidad.

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HIRU BIT es uno de los proyectos seleccionados en la convocatoria Plaza_Co para la puesta en marcha de procesos de experimentación en comunidad.

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Proyecto seleccionado en la convocatoria Plaza_Co para la puesta en marcha de procesos de experimentación en comunidad. 
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