Walker es una instalación compuesta por tres piezas audiovisuales concebida específicamente para Tabakalera por el aclamado cineasta taiwanés Tsai Ming-Liang (Sarawak, Malasia, 1957). El origen del proyecto se remonta a 2011, cuando el director colaboró con el actor Lee Kang-Sheng en la obra teatral Only You. Fascinado por una secuencia en la que el actor caminaba con extrema lentitud, Tsai decidió trasladar ese ritmo corporal a la pantalla, convirtiendo el cuerpo en un observador que recorre distintos lugares del mundo.
\n\nPara el cineasta, esta búsqueda de la lentitud conecta con la figura del monje chino Xuanzang, quien durante la dinastía Tang (entre los siglos VII y X), época considerada como la Edad de Oro de la civilización china, recorrió miles de kilómetros hasta la India en busca de escrituras budistas. Lee Kang-Sheng encarna una versión contemporánea de este monje: cabeza rapada, pies descalzos y túnica roja, el personaje camina a través del paisaje urbano en un ejercicio de introspección radical.
\n\nDesde 2012, la serie Walker ha crecido hasta sumar doce obras filmadas en diez ciudades —entre ellas, Taipéi, Hong Kong, Marsella, Tokio, París, Washington D. C. y San Sebastián—. Dust, la última filmación de la serie, realizada en San Sebastián durante el verano de 2025 con la colaboración de Tabakalera, se presenta en la sección Zabaltegi-Tabakalera del Festival de San Sebastián 2026. Este conjunto de filmaciones constituye, en definitiva, un viaje inacabable; un proceso de observación profunda que devuelve al mundo el valor perdido de la calma.
\n\nA través de las tres piezas de esta serie seleccionadas para para su exhibición en sala —No Form (2012), Walker (2012) y Journey to the West (2014)—, Tsai Ming-Liang nos invita a recorrer las calles de Hong Kong, Taipéi y Marsella desde una mirada contenida. Al hacer de la lentitud una virtud, el cineasta nos revela una manera distinta de afrontar la vida y de observar el entorno.
\n\nEste proyecto se enmarca en la línea expositiva de Tabakalera dedicada a explorar la intersección entre el arte contemporáneo y el cine.
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\n\nEn 2009, Face se convirtió en la primera película producida e incluida en la colección del Museo del Louvre dentro del programa Le Louvre s'offre aux cineastes. En 2023, Tsai recibió el premio Pardo Alla Carriera (Leopardo de Honor) en el Festival de Cine de Locarno por su distinguida trayectoria en el cine.
\n\nEn los últimos años, el cineasta también ha sido objeto de atención en el mundo del arte, con participaciones en diversas exposiciones y festivales de arte, así como por proponer ideas tan estéticas como el «Cine esculpido a mano» o «La eliminación de los procesos industriales de la creación artística». Desde que inició en 2012 la serie Walker, ha realizado doce cortometrajes que se han proyectado en festivales y galerías de arte de todo el mundo.
\n\nMás allá del cine, sigue creando obras teatrales y exposiciones de arte. Su obra The Monk from Tang Dynasty (El monje de la dinastía Tang) estuvo de gira durante una década (2014-2024), y A Quest, una exposición en colaboración con el Centro Pompidou, supuso un hito en la trayectoria artística del director. En su Taiwán natal, ha promovido los conceptos de «El museo de arte como cine» y «La forma de visionado concebida por el autor», introduciendo nuevos modos de ver cine como forma de contrarrestar la comercialización excesiva del mercado cinematográfico.
\n\nLa obra de Tsai Ming-Liang ha dado forma a una de las propuestas artísticas más singulares de la cultura contemporánea, presentando la vida en su forma más auténtica.
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\nDebris lleva 20 años escribiendo, actuando y creando; ha actuado en más de 30 países, ha diseñado módulos académicos de poesía en la Universidad de Nottingham y ha recaudado más de 300.000 libras a través de su empresa de interés comunitario, The Mouthy Poets, donde ha enseñado a miles de jóvenes desde Nottingham hasta todo el mundo.
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\nEl musical de grime debut de Debris, POET IN DA CORNER (Royal Court), realizó una gira nacional en 2020. Su obra MY BROTHER’S A GENIUS (Theatre Centre, Theatre Sheffield, National Youth Theatre) realizó una gira por colegios y teatros de todo el país en la primavera de 2026. Y su coadaptación de CYRANO DE BERGERAC (Royal Shakespeare Company), junto a Simon Evans y protagonizada por Adrian Lester, se trasladará al West End de Londres (Noël Coward Theatre) este verano tras una temporada con entradas agotadas y valoraciones de 5 estrellas en la RSC.
\n
\nActualmente, Debris está completando una beca de doctorado totalmente financiada y basada en la práctica titulada «The Write to Rave», sobre la intersección entre el grime, la narración y la neurodiversidad en la Universidad de Oxford Brookes.
\n
\nCuando Debris no está escribiendo, creando o estudiando, se la puede encontrar bailando en carnavales, fiestas y eventos del Orgullo por todo el mundo para organizaciones como Red Bull Music Academy y The Heatwave, y a veces, simplemente por diversión.
www.debrisstevenson.com
\n@debrisstevenson
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El origen del proyecto se remonta a 2011, cuando el director colaboró con el actor Lee Kang-Sheng en la obra teatral Only You. Fascinado por una secuencia en la que el actor caminaba con extrema lentitud, Tsai decidió trasladar ese ritmo corporal a la pantalla, convirtiendo el cuerpo en un observador que recorre distintos lugares del mundo. Para el cineasta, esta búsqueda de la lentitud conecta con la figura del monje chino Xuanzang, quien durante la dinastía Tang (entre los siglos VII y X), época considerada como la Edad de Oro de la civilización china, recorrió miles de kilómetros hasta la India en busca de escrituras budistas. Lee Kang-Sheng encarna una versión contemporánea de este monje: cabeza rapada, pies descalzos y túnica roja, el personaje camina a través del paisaje urbano en un ejercicio de introspección radical.Desde 2012, la serie Walker ha crecido hasta sumar doce obras filmadas en diez ciudades —entre ellas, Taipéi, Hong Kong, Marsella, Tokio, París, Washington D. C. y San Sebastián—. La última filmación de la serie, realizada en San Sebastián durante el verano de 2025 con la colaboración de Tabakalera, se presenta en la sección Zabaltegi-Tabakalera del Festival de San Sebastián 2026. Este conjunto de filmaciones constituye, en definitiva, un viaje inacabable; un proceso de observación profunda que devuelve al mundo el valor perdido de la calma.A través de las tres piezas de esta serie seleccionadas para para su exhibición en sala —Walker (2012), No Form (2012) y Journey to the West (2013)—, Tsai Ming-Liang nos invita a recorrer las calles de Hong Kong, Taipéi y Marsella desde una mirada contenida. Al hacer de la lentitud una virtud, el cineasta nos revela una manera distinta de afrontar la vida y de observar el entorno.Este proyecto se enmarca en la línea expositiva de Tabakalera dedicada a explorar la intersección entre el arte contemporáneo y el cine."},"tematicaTid":51,"yesterday":"2026-07-22","today":"2026-07-23"}},"staticQueryHashes":["1409045280","1472977592","1549843337","1600800028","1852898869","2684269349","2736526504","3122408510","3305536543","3493939040","3649515864","4040268713","63159454","847920557"]}