Sesión organizada en colaboración con Kutxa fundazioa y presentada por Anne Morin, comisaria de la exposición Sally Mann. Macula et materia de Kutxa Fundazioa.
What remains: The Life and Work of Sally Mann , Steven Cantor, EEUU, 2005, 80’
Sally Mann, una de las fotógrafas más destacadas del mundo, crea obras que cuestionan los valores y las actitudes morales del público. Caracterizada por la revista Time como «la mejor fotógrafa de Estados Unidos», se dio a conocer internacionalmente por primera vez en 1992 con Immediate Family, una serie de fotografías complejas y enigmáticas de sus propios hijos. Steven Cantor plasmó esta obra y la polémica que generó en su premiado cortometraje Blood Ties.
WHAT REMAINS vuelve para seguir la creación de la nueva obra fundamental de Mann: una serie fotográfica que gira en torno a diversos aspectos de la muerte y la descomposición. Sally Mann, que nunca se anda con medias tintas, reflexiona sobre sus propios sentimientos ante la muerte mientras sigue explorando los límites de la fotografía contemporánea. La vemos en su hogar, en una granja de Virginia, rodeada de su marido y sus hijos ya adultos. Su disposición a revelar su proceso artístico a medida que se desarrolla nos abre en exclusiva las puertas de su mundo.
A lo largo de cinco años, WHAT REMAINS ofrece acceso sin restricciones a las múltiples etapas de la obra de Mann, regalándonos una mirada poco común a esta artista tan elocuente como brillante.
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Trabaja para revalorizar y dar mayor visibilidad a artistas y fotógrafos, comisariando distintas exposiciones: Berenice Abbott, Antonio López, Vivian Maier, Robert Doisneau, Jessica Lange, Jacques Henri Lartigue, Sandro Miller, Pentti Sammallahti y Margaret Watkins, entre otros. Ocasionalmente, también se reinventa como editora de libros de fotografía, habiendo publicado obras como Antonio López: Visionary Writing, Margaret Watkins: Black Light o Paul Alexandre: Slowness.
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Miembro del Consejo de Redacción de la revista Caimán. Cuadernos de cine, ha publicado artículos en diferentes medios como los diarios El Confidencial y El español, o las revistas El Cultural y Archivos de la Filmoteca y participado en numerosos libros.
Es profesor en la Universidad Camilo José Cela (Madrid) y en ECAM. Escuela de Cinematografía y del Audiovisual de la Comunidad de Madrid.
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