Francisco López konpositore eta audioartistak Criaturas Sónicas aurkeztuko du azaroaren 7an, mundu osoko ingurune natural eta artifizialetan egindako grabazioetatik sortutako esperientzia murgiltzailea. Kanal anitzeko soinu inguratzailearen bidez eta begiak estalita, publikoa soinu-mundu abstraktuetan barneratuko da; haietan, soinua espazio eta indar fisiko bihurtzen da, esperientzia paregabe, transzendental eta norberaren esploraziora irekia sortuz.
“Entzutea pasarte liluragarrien sekuentzia baten bidez zuzenduta [...], haren soinu-ingurunean dagoen guztiak sortzetiko asmo dramatikoaren distira du” (The New York Times).
“Francisco López konpositore/audio-artista nazioartean ezaguna da iluntasuneko bere performance murgiltzaileen intentsitateagatik, aberastasunagatik eta soinu-xehetasun maila sinestezinagatik. Francisco Lópezek hamarkadak daramatza mundu osoko entzuleak liluratzen kanal anitzeko surround-sistemak eta ikusleen begietarako bendak erabiltzen dituzten soinu-esperientziekin (egoera “harrotasunez monomedia” deitzen duena). Planeta osoan zehar egindako jatorrizko ingurumen-grabazio natural zein artifizial ugaritik abiatuta sortuak, ez dira soinu-paisaiak, baizik eta soinu-mundu birtual ez-errepresentazionalak (“ez errealitate birtual, baizik eta birtualtasun erreala”). Soinu-mundu horietan garatzen du entzuleak bere esperientzia, hain zuzen soinuek berek —espazio gisa eta indar fisiko dinamiko gisa sentitzen direnak— murgiltzearen arauak eta parametroak definitzen dituzten ingurunean. Soinu-birtualtasuneko mundu horien konplexutasunagatik eta sofistikazioagatik ospe mitikoa sortuta, Lópezek soinua erabiltzen du esperientzia transzendentalerako eta esplorazio indibidualera irekitako medium gisa: soinu-bizipen aparta.” (Pedro Higueras, Estudios Sonom).
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Soinu-sorkuntzaren eta giro-grabazioekin egindako lanaren arloan berrogei urte baino gehiagoko bidea egin du, eta aldi horretan soinu-unibertso guztiz pertsonala eta ikonoklasta garatu du, munduaren entzute sakonean oinarrituta.
Ehundaka soinu-instalazio egin ditu, baita landa-grabazio bidezko proiektuak eta kontzertuak/performanceak ere, hirurogeita hamar herrialdetan baino gehiagotan, auditorium, museo, galeria eta nazioarteko jaialdi nagusiak barne, adibidez: Auditorio Nacional de Música (Madril), PS1 Contemporary Art Center (New York), Musée d 'Art Moderne (Paris), International Film Festival (Rotterdam), Festival des Arts (Brusela), EMPAC (Troy, AEB), Darwin Fringe (Darwin, Australia), Institute of Contemporary Art (Londres), Museo de Arte Moderno de Buenos Aires, Museu d’Art Contemporani de Barcelona, Center of Contemporary Art (Kita-Kyushu, Japonia), Museo Nacional Centro de Arte Reina Sofía (Madril), eta Expo Dubaiko Espainiako pabilioia (Arabiar Emirerri Batuak).
Bere soinu-lanak mundu osoko mila artistarekin baino gehiagorekin egindako zuzeneko eta estudioko kolaborazioak barne hartzen ditu, baita komisariotza-proiektu zuzenduak ere. 450 diskoetxe eta editore baino gehiagok argitaratu dituzte bere lanak.
Nazioarteko aitorpenen artean, Lopezek bost aldiz jaso du Ars Electronica (Austria) jaialdi ospetsuaren ohorezko aipamena, eta soinu-antologia onenaren Qwartz Award (Frantzia) saria irabazi du.
https://franciscolopez.bandcamp.com
http://www.franciscolopez.net
Joerei, estiloei edo/eta formatoei buruzko desadostasunak alde batera utzi eta Tabakaleran elkartzeko gonbitea egiten dizuegu; artista, musikari, koreografo, olerkari eta bestelako egileen lanen inguruan elkar-topatzeko.
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