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Aurkezpen honetan, Francisco Lópezek azken berrogei urteetan bere soinu-sormenaren praktika markatu duten elementu nagusiak errepasatuko ditu. Bereziki, musika eta soinua ikasteko modu tradizionaletatik aldentzen diren bi esparrutan jarriko du arreta: hirurogeita hamarreko hamarkadaren amaieran sortutako nazioarteko home-music network sare independentean eta «mundu errealeko» soinu-inguruneetan, batez ere naturatik datozenetan.

Bere ibilbidetik abiatuta, Lópezek testuinguru sozial eta historiko zabalago batean kokatuko ditu eragin horiek, eta azken hamarkadetan mundu osoko soinu-sortzaileen komunitate zabal baten garapenean izan duten garrantzia aztertuko du.

Inguruneko grabazioekin egiten duen lana «landa-grabazioak» (field recordings) edo «soinu-paisaiak» (soundscapes) ulertzeko modu klasikoenetatik aldentzen da. Bere helburua ez da leku bateko soinuak erreproduzitzea edo irudikatzea, baizik eta soinu horiek abiapuntu gisa erabiltzea soinu-esperientzia berriak sortzeko. Lan egiteko modu horrek soinuak berezko izaera duten errealitate gisa ulertzen ditu, eta haiekin harreman zuzenagoa eta sakonagoa izatea proposatzen du, irudikatzen dutenaz edo jatorri duten lekuaz harago.

Soinu-esperientzia berriak bilatzeak soinua entzuteko erabiltzen diren sistemak eta espazioak birpentsatzea ere eskatzen du. Arreta interpretearengan jartzen duen agertoki tradizionalaren aurrean, Lópezek soinua erdigunean jartzen duten esperientzia murgiltzaileak proposatzen ditu. Musika elektronikoaren eta esperimentalaren esparruan, agertokia alde batera uzteak arreta interpretearengandik soinura eramatea ahalbidetzen du, eta nagusiki kontenplaziozkoa den esperientzia bat esperientzia inguratzaile eta murgiltzaile bihurtzea.

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Francisco López musika esperimentalaren eta audio-artearen figura garrantzitsuenetakoa da nazioartean.

Soinu-sorkuntzaren eta giro-grabazioekin egindako lanaren arloan berrogei urte baino gehiagoko bidea egin du, eta aldi horretan soinu-unibertso guztiz pertsonala eta ikonoklasta garatu du, munduaren entzute sakonean oinarrituta. 

Ehundaka soinu-instalazio egin ditu, baita landa-grabazio bidezko proiektuak eta kontzertuak/performanceak ere, hirurogeita hamar herrialdetan baino gehiagotan, auditorium, museo, galeria eta nazioarteko jaialdi nagusiak barne, adibidez: Auditorio Nacional de Música (Madril), PS1 Contemporary Art Center (New York), Musée d 'Art Moderne (Paris), International Film Festival (Rotterdam), Festival des Arts (Brusela), EMPAC (Troy, AEB), Darwin Fringe (Darwin, Australia), Institute of Contemporary Art (Londres), Museo de Arte Moderno de Buenos Aires, Museu d’Art Contemporani de Barcelona, Center of Contemporary Art (Kita-Kyushu, Japonia), Museo Nacional Centro de Arte Reina Sofía (Madril), eta Expo Dubaiko Espainiako pabilioia (Arabiar Emirerri Batuak). 

Bere soinu-lanak mundu osoko mila artistarekin baino gehiagorekin egindako zuzeneko eta estudioko kolaborazioak barne hartzen ditu, baita komisariotza-proiektu zuzenduak ere. 450 diskoetxe eta editore baino gehiagok argitaratu dituzte bere lanak. 

Nazioarteko aitorpenen artean, Lopezek bost aldiz jaso du Ars Electronica (Austria) jaialdi ospetsuaren ohorezko aipamena, eta soinu-antologia onenaren Qwartz Award (Frantzia) saria irabazi du.

https://franciscolopez.bandcamp.com
http://www.franciscolopez.net

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Carla Filipe (Oporto, 1973) diziplina anitzeko artista da, eta artearen, politikaren eta memoria kolektiboaren arteko elkarguneak modu kritikoan aztertzen ditu. Eskultura ikasi zuen Portoko Unibertsitateko Arte Ederren Fakultatean, eta Praktika Artistiko Garaikideen masterra ere lortu zuen. Filipe Salão Olímpico (2003-2005) eta Projecto Apêndice (2006) espazio artistiko independenteen sortzaileetako bat izan zen Porton.
\n
\nBere lana erakunde garrantzitsuetan erakutsi da, besteak beste, Fundación Serralves (Oporto), MAAT – Arte, Arkitektura eta Teknologia Museoa (Lisboa), Museu Coleção Berardo (Lisboa), MNAC – Museu Nacional de Arte Contemporânea do Chiado (Lisboa), Kunsthalle Lissabon (Lisboa) eta SESC Pompeia (São Paulo). Nazioartean, São Pauloko 32. biurtekoan (2016), Istanbulgo 13. biurtekoan (2013), Uraletako Arte Garaikideko 4. Industria Biurtekoan (Errusia, 2017) eta Manifesta 8an (Murtzia - Cartagena, 2011) parte hartu du. Beste erakusketa aipagarri batzuk La Réplica Infiel CA2M-en (Madril), Les Urbaines MCBA-n (Lausana) eta Le lynx ne connaît pas de frontières Fondation Ricard-en (Paris) dira.
\n
\nFilipek hainbat beka eta egoitza jaso ditu, horien artean Calouste Gulbenkian Fundazioaren beka bat Acme Studiosen (Londres, 2009), AIR Antwerpen (Belgika, 2014), Robert Rauschenberg Fundazioaren egoitza (Florida, AEB, 2015), Krinzinger Projekte (Viena, 2017) eta Peacock & The Worm (Aberdeen, Eskozia, 2023). Bere lanak bilduma publiko garrantzitsuen parte dira
\n
\nFilipek FLAD Marrazki Saria jaso zuen 2023an eta, 2024an, arte plastikoen erakusketarik onenaren saria Serralveseko Museoan \"In My Own Language I am Independente\" lanagatik, SPAk (Portugalgo Egileen Elkarteak) emana.

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Arte Ederretan lizentziaduna da Euskal Herriko Unibertsitatean, eta bere prestakuntza zabaldu egin du Julie Mehretu, Esther Ferrer, Itziar Okariz, Andrés Duque, Miroslaw Balka eta Peio Aguirre artista eta komisarioekin.
\n
\nIdeologiaren, irudikapenaren eta memoriaren artean sortzen diren tentsioen inguruan egiten du lan, eta pinturatik, instalaziotik edo argazki-artxibotik, proiektu politiko etenen arrasto fisikoak eta erresistentzia kolektiboko beste forma batzuk aztertzen ditu. Interes horrek bultzatuta, gatazkak zeharkatutako testuinguruetan lan egin du, hala nola Kurdistan Irakiarrean, Kuban, Txinan edo Mexikon.
\n
\nBere obra hainbat bilduma publiko eta pribatutan dago, eta hainbat erakundetan izan ditu erakusketak, hala nola Tabacaleran (Madril), Nafarroako Museoan, Erromako Espainiako Akademian, San Telmo Museoan (Donostia), CIAJGen (Guimarães) eta Carreras Múgican (Bilbo), Pelairesen (Palma), Nordesen (Santiago de Compostela) eta Espacio Enhorabuena (Madril) galerietan.

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\n\n

Ángel Calvo Ulloa (Lalín, 1984) komisarioa eta idazlea da. Artearen Historian lizentziatua (USC) eta Arte Garaikideko Masterra: Sorkuntza eta Ikerketa UVigon. O Fantasma da Liberdade/Anozero 2024ko Coimbrako Bienaleko komisarioa izan da, Marta Mestrerekin batera.
\n
\nBere azken proiektu kuratorialen artean Jordi Teixidor nabarmentzen da. No-res, Sala Alcalá 31 (Madril); Juan Uslé. Ese barco en la montaña, Reina Sofia Museoan (Madril); ¿Adónde irá el pájaro que no vuele?, La Casa Encendidan (Madril); Humores y Espesores, Rodriguez-Mendez, CA2Men (Mostoles); El sueño de la cólcedra, Teresa Lanceta, Patio Herreriano Museoan (Valladolid); Siron Franco: Pensamento insubordinado (Trabalhos, 1961-2023), MAC Goiàsen (Brasil); Anidar en el gesto: unas estanterias de Alberto, Antonio Cerezales eta Cinia Fundazioan (Cerezales del Condado, Leon); Autoconstrucción. Piezas sueltas. Antonio Ballester Morenoren Juego y experiencia, Artiumen (Vitoria-Gasteiz); Complexo Colosso, CIAJG (Guimarães) edo, Nuria Enguitarekin batera, Habitación. El Archivo F.X., las chekas psicotécnicas de Laurencic y la función del arte,, CA2Men (Madril), MNACen (Bartzelona) eta La Nauren (ValentziHabitación.a). 2011z geroztik, hainbat erakundetan komisario lanak egin ditu, besteak beste, Caixaforumen (Bartzelona), MARCOn (Vigo), CCEMx-en (Mexiko Hiria), Luis Seoane Fundazioan (A Coruña), Tabacaleran (Madril), Centro Párragan (Murtzia) eta EACCn (Castelló).
\n
\n2020an, Desde lo curatorial. Conversaciones, experiencias y afectos, liburua argitaratu zuen Juan Canelarekin batera. Consonniren Paper Bildumaren barruan.

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Zinemaz harago, antzezlanak eta arte-erakusketak sortzen jarraitzen du. The Monk from Tang Dynasty antzezlana (Tang dinastiako monjea) hamarkada batez taularatu zen (2014tik 2024ra), eta A Quest, Pompidou Zentroarekin lankidetzan egindako erakusketa, mugarri izan zen Tsairen ibilbide artistikoan. Taiwanen, bere jaioterrian, «Arte-museoa zinema gisa» eta «Egileak asmatutako ikusteko modua» kontzeptuak sustatu ditu. Horien bidez, zinea ikusteko modu berriak bultzatu ditu, merkatu zinematografikoaren gehiegizko komertzializazioari aurre egin asmoz.

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