Ikusmira Berriak proiektuak garatzeko egonaldi-programa bat da, eta indar hartzen ari den talentua eta ikus-entzunezko sorkuntza babestu eta bultzatzeko xedea du.
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\n
\nIkusmira Berriak programa 2015. urtean jaio zen, Donostia Zinemaldiak, Tabakalera Kultura Garaikidearen Nazioarteko Zentroak eta Donostia 2016 Europako Kultura Hiriburuak elkarlanean antolatuta, Euskadiko Filmategiaren lankidetzarekin. 2018az geroztik, EQZE Elías Querejeta Zine Eskolarekin –prestakuntza, pentsamendu eta ikerketarako nazioarteko zentroarekin– batera antolatzen da. Gaur egun, programak bost egoitza eskaintzen ditu honako atalotan: nazioarteko zinemagileak, Espainiakoak, EAEkoak, EQZEkoak eta Nest atalekoak.
Aliantza naturala da, egonaldia Tabakaleraren eraikinean bertan gauzatzen baita. Tabakalera egitasmo bakarra da munduan; izan ere, eraikin bakarrean biltzen ditu kultura garaikidearen nazioarteko zentro bat, nazioarteko zinema-jaialdi bat, zinema-eskola bat eta filmoteka nazional bat. Erakunde guztiek hiru bultzada estrategiko hauetan parte hartzen dute: zinemari buruzko prestakuntza ematea eta ezagutzak transmititzea; talentu berriak bilatzea, horiei lagun egitea eta horiek garatzea; eta zinemagintzaren gainean ikertzea eta hausnartzea, hurbilketa teoriko-akademikoa eta profesionala baliatuz.
\n
\nIkuspegi estrategiko komun horretatik sortzen eta elikatzen da Ikusmira Berriak proiektua. Zortzi asteko egonaldia aurreikusten du, bi fasetan banatuta; halaber, zazpi hilabeteko laguntza-programa jasotzen du –martxotik irailera bitartean–. Lehenbiziko fasean, egoiliarrek sei astez garatzen dituzte beren proiektuak (martxotik eta apirilera), eta adituen batzordeko kideen aholkularitza jasotzen dute. Kideok tutoretza-lanak egiten dituzte proiektuotan, eta, horretaz gainera, garapen-prozesuaren faseak premien arabera lantzen dituzte. Irailean, Donostia Zinemaldiarekin batera, itzuli egiten dira egonaldiaren azken bi asteak betetzeko. Denbora horretan, egoiliarren egitasmoetan parte hartu nahi duten profesionalekin lankidetzan aritzeko aukerak lantzen eta sustatzen dira. Egonaldiko bi faseen artean, tutoreek eta erakundeek aholkularitza eta laguntza ematen diete proiektuen garapenari.
\n
\nPrograman parte hartzen duten erakundeek talentu zinematografikoari laguntzeko sistema bat eratu dute. Halere, sistema hori proiektu bat sortu eta ikusaraztetik haratago doa; izan ere, talentuari luzaroko laguntza eta babesa eskaintzeko jomuga ere badu.
HAUTESPEN – BATZORDEA
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"},"cargo":null,"path":{"alias":"/maider-oleaga","langcode":"eu"},"relationships":{"media":{"internal":{"type":"media__image"},"relationships":{"imgSrc":{"uri":{"url":"/sites/default/files/2021-11/maider_oleaga.jpg"},"sizes":[{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":"https://cms.tabakalera.eus/sites/default/files/styles/breakpoint_1920/public/2021-11/maider_oleaga.jpg?itok=wQN8qGv1","l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":"https://cms.tabakalera.eus/sites/default/files/styles/breakpoint_31360/public/2021-11/maider_oleaga.jpg?itok=b7fhJMOQ","m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":"https://cms.tabakalera.eus/sites/default/files/styles/breakpoint_376/public/2021-11/maider_oleaga.jpg?itok=rxJntvqy","rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":"https://cms.tabakalera.eus/sites/default/files/styles/breakpoint_769/public/2021-11/maider_oleaga.jpg?itok=wk1hg9nN","s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":"https://cms.tabakalera.eus/sites/default/files/styles/thumb_rrss_large/public/2021-11/maider_oleaga.jpg?itok=7g7jF_Z5","rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":"https://cms.tabakalera.eus/sites/default/files/styles/thumb_rrss_small/public/2021-11/maider_oleaga.jpg?itok=iMf0UzoP"}]}},"imgMetas":{"alt":""}}}},{"id":740,"title":"Pablo Álvarez","status":true,"descripcion":{"processed":"
\nPablo Álvarez (Santiago, 1985). Zineman lizentziatua ARCOS Institutu Profesionalean 2013an. Karreran zehar gai politiko-sozialetan interesa agertu zuen. “Carroña” (2011) eta “De todos los santos” (2012), film laburrak zuzendu ditu, hauek Kratkofil Plus, BosniaHerzegovinako Nazioarteko 7. Jaialdiaren sekzio ofizialean eta Bilboko Zine Dokumental eta Film Laburren Nazioarteko 55. Zinemaldian partu hartuz, hurrenez hurren. 2014an “Los resentidos” fikziozko film laburra bukatu zuen, lehiaketa zinematografiko desberdinetan parte hartuz, haien artean Donostia Zinemaldian ospatzen den Zinema Ikasleen Nazioarteko XIII. Topaketan (EIECINE).
\nNueva York, 1983
\n
\nAma, zinemagilea eta Daughters Projectsen kofundatzailea, emakumeek zineman eta komunikabideetan duten papera indartzeko produktora txikia. He’s The Best bere film laburra Clermont Ferrand Nazioarteko Film Laburren Jaialdian estreinatu zen eta nazioarteko hainbat jaialdietan proiektatua izan da. Gwendolyn Green zuzendari gisa burututako bere bigarren lana da.
\nXacio Baño (Xove Lugo, 1983). Zinema ikasten du Leóngo Unibertsitatean. Hainbat laburmetrai produzitu, idatzi eta zuzendu ditu, haien artean Estereoscopía (2011) eta Anacos (2012), nabarmentzen dira, ondorengo jaialdietan aurkeztuak: Clermont Ferrand, New directors/New Films MoMA, Telluride Film Festival, Mar del Plata, Las Palmas Jaildia, Alcine, Festival Málagako Jaialdia, Slamdance, Busan Int. Short film festival, Shnit, Aspen Shortfest...
\n
\nSer y voltar (2014), fikizozkoa ez den bere lehen filma, Locarnoko 67. Jaialdian estreinatu zen eta oraintsu Canal + saria eta ClermontFerrandeko Film Laburren Nazioarteko 37. zinemajaialdian epaimahaiaren aipamen berezia jaso ditu.
\n
\n
Ikusmira Berriak ekimenaren erresidentea den Pablo Álvarezek José Luis Sepúlveda eta Carolina Adriazolaren El destapador eta José Luis Sepúlvedaren Pejesapo fil
\n"},"path":{"alias":"/el-destapador-pejesapo","langcode":"eu"},"internal":{"type":"node__tbk_actividad"},"tipoEvento":"actividad","year":"2015","esPasado":true,"mostrarEnlaceAgrupacion":true,"enlaceAgrupacionTexto":null,"convocatoriaAbierta":false,"textoConvocatoria":null,"fechaInicioConvocatoria":"2023-03-30T00:14:46+02:00","fechaFinConvocatoria":"2023-03-30T00:14:46+02:00","formExterno":null,"relationships":{"formInterno":null,"basesConvocatoria":null,"autores":[{"id":740,"title":"Pablo Álvarez","status":true,"descripcion":{"processed":"
\nPablo Álvarez (Santiago, 1985). Zineman lizentziatua ARCOS Institutu Profesionalean 2013an. Karreran zehar gai politiko-sozialetan interesa agertu zuen. “Carroña” (2011) eta “De todos los santos” (2012), film laburrak zuzendu ditu, hauek Kratkofil Plus, BosniaHerzegovinako Nazioarteko 7. Jaialdiaren sekzio ofizialean eta Bilboko Zine Dokumental eta Film Laburren Nazioarteko 55. Zinemaldian partu hartuz, hurrenez hurren. 2014an “Los resentidos” fikziozko film laburra bukatu zuen, lehiaketa zinematografiko desberdinetan parte hartuz, haien artean Donostia Zinemaldian ospatzen den Zinema Ikasleen Nazioarteko XIII. Topaketan (EIECINE).
Xacio Bañok, -Ikusmira Berriak ekimeneko erresidenteak- Milagros Mumenthaler-en filma aukeratu du gutun zuri gisa.
\n"},"path":{"alias":"/abrir-puertas-y-ventanas","langcode":"eu"},"internal":{"type":"node__tbk_actividad"},"tipoEvento":"actividad","year":"2015","esPasado":true,"mostrarEnlaceAgrupacion":true,"enlaceAgrupacionTexto":null,"convocatoriaAbierta":false,"textoConvocatoria":null,"fechaInicioConvocatoria":"2023-03-30T00:15:09+02:00","fechaFinConvocatoria":"2023-03-30T00:15:09+02:00","formExterno":null,"relationships":{"formInterno":null,"basesConvocatoria":null,"autores":[{"id":742,"title":"Xacio Baño","status":true,"descripcion":{"processed":"
\nXacio Baño (Xove Lugo, 1983). Zinema ikasten du Leóngo Unibertsitatean. Hainbat laburmetrai produzitu, idatzi eta zuzendu ditu, haien artean Estereoscopía (2011) eta Anacos (2012), nabarmentzen dira, ondorengo jaialdietan aurkeztuak: Clermont Ferrand, New directors/New Films MoMA, Telluride Film Festival, Mar del Plata, Las Palmas Jaildia, Alcine, Festival Málagako Jaialdia, Slamdance, Busan Int. Short film festival, Shnit, Aspen Shortfest...
\n
\nSer y voltar (2014), fikizozkoa ez den bere lehen filma, Locarnoko 67. Jaialdian estreinatu zen eta oraintsu Canal + saria eta ClermontFerrandeko Film Laburren Nazioarteko 37. zinemajaialdian epaimahaiaren aipamen berezia jaso ditu.
\n
\n
Euskadiko Filmategiak programatuko duen Zinema 2. Aretoaren irekiera izango den aurkezpen honetan, Ikusmira Berriak ekimeneko egoiliarrak diren Leo Calice, Gerh
\n"},"path":{"alias":"/ikusmira-berriak-ekimeneko-egoiliarren-laburmetraien-aurkezpena","langcode":"eu"},"internal":{"type":"node__tbk_actividad"},"tipoEvento":"actividad","year":"2016","esPasado":true,"mostrarEnlaceAgrupacion":true,"enlaceAgrupacionTexto":null,"convocatoriaAbierta":false,"textoConvocatoria":null,"fechaInicioConvocatoria":"2023-03-30T00:45:35+02:00","fechaFinConvocatoria":"2023-03-30T00:45:35+02:00","formExterno":null,"relationships":{"formInterno":null,"basesConvocatoria":null,"autores":[{"id":965,"title":"Mikel Gurrea","status":true,"descripcion":{"processed":"Mikel Gurrea 1985ean Donostian jaiotako gidoilari eta zuzendaria da. Bartzelonako Pompeu Fabra Unibertsitatean lizentziatua, «la Caixa» Gizarte Ekintzaren beka jaso zuen London Film Schoolen Master of Arts ikasketak egiteko. FOXES (2015) eta HELTZEAR (2021) film laburrak Venezia, Donostia edo Montreal bezalako jaialdietan aukeratu dituzte, eta antzerkigile gisa eszenarako egin duen lan dramatikoa Londresko Queen Elizabeth Hall edo Madrilgo Fernán-Gómez antzokietan estreinatu dute. Mikelek «Zinema habian/Cinema en curs/Moving Cinema» proiektuarekin kolaboratzen du, ikastetxe eta institutu publikoetako zinematografia-pedagogiako irabazi-asmorik gabeko proiektuarekin. Bere opera prima, SURO (2022), Donostiako Nazioarteko Zinemaldiko Sail Ofizialean aukeratua izan zen, non Euskal Gidoilarien Elkarteko Gidoi Onenaren Saria, Euskal Zinemaren Irizar Saria eta Nazioarteko Kritikak emandako FIPRESCI Saria lortu zituen.
\n\n"},"cargo":"Zuzendari eta gidoigilea","path":{"alias":"/mikel-gurrea","langcode":"eu"},"relationships":{"media":{"internal":{"type":"media__image"},"relationships":{"imgSrc":{"uri":{"url":"/sites/default/files/2025-05/13.06._mikel_gurrea_2.jpg"},"sizes":[{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":"https://cms.tabakalera.eus/sites/default/files/styles/breakpoint_1920/public/2025-05/13.06._mikel_gurrea_2.jpg?itok=PVRb-dkL","l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":"https://cms.tabakalera.eus/sites/default/files/styles/breakpoint_31360/public/2025-05/13.06._mikel_gurrea_2.jpg?itok=cJC849df","m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":"https://cms.tabakalera.eus/sites/default/files/styles/breakpoint_376/public/2025-05/13.06._mikel_gurrea_2.jpg?itok=X3ZpdxaO","rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":"https://cms.tabakalera.eus/sites/default/files/styles/breakpoint_769/public/2025-05/13.06._mikel_gurrea_2.jpg?itok=i4GnL-zw","s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":"https://cms.tabakalera.eus/sites/default/files/styles/thumb_rrss_large/public/2025-05/13.06._mikel_gurrea_2.jpg?itok=6cKnMJ6l","rrss_s":null},{"xl":null,"l":null,"m":null,"s":null,"rrss_l":null,"rrss_s":"https://cms.tabakalera.eus/sites/default/files/styles/thumb_rrss_small/public/2025-05/13.06._mikel_gurrea_2.jpg?itok=qoGqI2WT"}]}},"imgMetas":{"alt":""}}}},{"id":958,"title":"Kiro Russo","status":true,"descripcion":{"processed":"
\nKiro Russo (La Paz, 1984) zuzendari, ekoizle eta gidoilaria da. Buenos Aireseko Universidad del Cine delakoan zuzendaritza ikasi zuen. Honako film labur hauek egin zituen zuzendari eta gidoilari modura: Enterprisse (2010), Juku (2012) eta Nueva Vida (2015), Locarnoko 68. Zinemaldian estreinatu zen, epaimahaiaren aipamen berezia lortuz eta Donostia Zinemaldiako XIV. Zinema Ikasleen Nazioarteko Topaketan lehen saria eta Orona saria irabazi zituen. Aipaturiko lanek harreman zuzena dute postprodukzio fasean dagoen bere lehen film luzearekin: Viejo Calavera.
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\n\n
\nNazioarteko proiekzioa duen musikaria, lehenik Kortatu eta Negu Gorriak taldeekin, eta gero bakarka, dokumentalak egiten hasi zen 2006an. Urte horretan, TALKA RECORDS & FILMS musika- eta zinema-ekoiztetxea sortu zuen, eta bertan, jatorrizko soinu-banden zuzendari, gidoilari, ekoizle eta sortzaile gisa lan egin du.
Galiziako Amal Jaialdian dokumental onenaren saria jaso zuen Checkpoint Rock-engatik, Bartzelonako In-Edit Jaialdian dokumental onenaren saria Next Music Station seriearengatik, aipamen berezia Glasgow-ko Krafta Doc International-en NOLA? dokumentalarengatik, animaziozko filmik onenaren saria Monterreyko Nazioarteko Jaialdian Black is Beltza filmagatik, eta soinuzko diseinurik onenagatik Iberoamerikako animaziozko Quirino Jaialdian film beragatik.
\n\nFILMOGRAFIA – zuzendaria eta gidoilaria:
\n2006 Bass-que Culture (dokumentala)
\n2009 Checkpoint Rock. Música desde Palestina (dokumentala)
\n2011 Next Music Station (Arabiar musikari buruzko 11 dokumental)
\n2012 Zuloak (dokumentala-mockumentary)
\n2013 No More Tour (dokumentala), Daniel Gomezekin batera zuzendua
\n2015 NOLA? Irun meets New Orleans (dokumentala)
\n2018 Black is Beltza (animazio film luzea)
\n2019 Beltza Naiz – making of (dokumentala)
\n2022 Black is Beltza II: AINHOA (animazio film luzea)
\n2022 AINHOA – making of (dokumentala)
\n2023 BIDASOA 2018-2023 (dokumentala)
Borja Cobeagaren lehen film luzea eta labur bat. Zuzendari horrek lotura handia izan du euskal komediaren fenomenoa sortzearekin, zineman eta telebistan.
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\n\nAnissen zinemak dokumentala, poesia, artxiboko materiala eta berak hartutako irudiak ehuntzen ditu, eta bilbe horren medioz, hala, soinuen, mugimenduen, trantzeen eta automutilazioaren botere eraldatzailea aztertzen du, baztertutako gizabanakoak altxamenduaren eta liberazioaren katalizatzaile bihurtzen dituen eraldaketa; horren ondorioz, gorputz diasporiko akitu eta zatikatuek, ekintza politikorako prest, kontzientzia kolektibo batera esnatzen dira.
\n\nBere jardunaren eta ikerlanaren bidez, Anissek askapen-politikak atzematen ditu anaidiak dokumentatuz, hala nola gnawa, hmadcha, jilala eta issawa anaidiak, jatorria Mendebaldeko Afrikan izanik esklabo bihurtu eta indarrez Marokora ekarri zituzten pertsonen ondorengoez osatuak.
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\n\nArtistaren bideogintzak begirada intimoa eskaintzen die anaidien imajinarioei, eta esparru afektibo eta kontzeptual bat proposatzen digu, non zapaldutako gizabanakoaren itoaldia eta bihozmina indar estetiko bihurtzen den, askapenaren oinarriak finkatzen dituen indar, hain justu.
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Montajista, irakasle eta artxibozaina da. Txikitatik, arteen eta gizarte-zientzien arloan trebatu zen. Esperimentazio eta Errealizazio Zinematografikoko Eskola Nazionalean (ENERC) ikasi zuen, Buenos Airesen (Argentina) eta berriki Elias Querejeta Zine Eskolan Donostian.
\n\nMontajista gisa, hainbat proiektu dokumentaletan parte hartu du, baita esperimentaletan ere, Argentinako artista garaikideekin lankidetzan.
\n\n2019an, dokumentala egiteko tailer bat sortu zuen, \"La Paloma\" izenekoa, Buenos Aires probintziako espetxe-unitate batean.
\n\n2024an memorien eta artxiboen laborategi bat egin zuen, Asoc. Malen Etxearekin batera, Zumaian, bere TFMaren barruan.
\n\nGainera, pelikula argentinarren ikerketa eta kontserbazio proiektuetan parte hartzen du eta Operación Retorno ikerketa taldeko kide da.
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Egonaldion bidez, lekua, testuingurua, denbora eta baliabideak eskaintzen dira, eta bi ardatzen inguruan antolatzen da programa: prestakuntza eta garapena.Ikusmira Berriak programa 2015. urtean jaio zen, Donostia Zinemaldiak, Tabakalera Kultura Garaikidearen Nazioarteko Zentroak eta Donostia 2016 Europako Kultura Hiriburuak elkarlanean antolatuta, Euskadiko Filmategiaren lankidetzarekin. 2018az geroztik, EQZE Elías Querejeta Zine Eskolarekin –prestakuntza, pentsamendu eta ikerketarako nazioarteko zentroarekin– batera antolatzen da. Gaur egun, programak bost egoitza eskaintzen ditu honako atalotan: nazioarteko zinemagileak, Espainiakoak, EAEkoak, EQZEkoak eta Nest atalekoak.Aliantza naturala da, egonaldia Tabakaleraren eraikinean bertan gauzatzen baita. Tabakalera egitasmo bakarra da munduan; izan ere, eraikin bakarrean biltzen ditu kultura garaikidearen nazioarteko zentro bat, nazioarteko zinema-jaialdi bat, zinema-eskola bat eta filmoteka nazional bat. Erakunde guztiek hiru bultzada estrategiko hauetan parte hartzen dute: zinemari buruzko prestakuntza ematea eta ezagutzak transmititzea; talentu berriak bilatzea, horiei lagun egitea eta horiek garatzea; eta zinemagintzaren gainean ikertzea eta hausnartzea, hurbilketa teoriko-akademikoa eta profesionala baliatuz.Ikuspegi estrategiko komun horretatik sortzen eta elikatzen da Ikusmira Berriak proiektua. Zortzi asteko egonaldia aurreikusten du, bi fasetan banatuta; halaber, zazpi hilabeteko laguntza-programa jasotzen du –martxotik irailera bitartean–. Lehenbiziko fasean, egoiliarrek sei astez garatzen dituzte beren proiektuak (martxotik eta apirilera), eta adituen batzordeko kideen aholkularitza jasotzen dute. Kideok tutoretza-lanak egiten dituzte proiektuotan, eta, horretaz gainera, garapen-prozesuaren faseak premien arabera lantzen dituzte. Irailean, Donostia Zinemaldiarekin batera, itzuli egiten dira egonaldiaren azken bi asteak betetzeko. 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