Milagros Mumenthaler zuzendari argentinarrari eskainitako atzerabegirakoa.
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Marina, Sofía eta Violeta sofa batean eserita daude. Disko-jogailuan Bridget St. John-en Back to Stay abestia entzuten da. Kamera hiru ahizpengana hurbiltzen da poliki-poliki, zoom in baten bidez. Haietako bat abestiaren zatiren bat kantatzera animatzen da. Hirurei begiak malkoz betetzen zaizkie. Beraien amona hil berri da. Beraiek hezi eta zaindu dituena. Amona ez dago, baina beraiek etxe berean jarraitzen dute eta hutsunea nabarmena da. Abrir puertas y ventanas filmaren amaieran, sofa berera itzuliko gara: oraingoan, bi ahizpa baino ez dira geratzen, bizilagunarekin batera. Hirugarren ahizpak konposatu eta bidalitako Canción de Violeta (Fran Gayo) entzuten ari dira; hirugarren ahizpa jada ez dago haiekin. Bera ere desagertu egin da, eta absentzia bihurtu da. Oraingoan, ordea, kamerak ez du zoom in bat egiten, zoom out baizik: sofatik eta Marina, Sofía eta Violetaren bizitzatik urruntzen gaitu. Milagros Mumenthalerren lehen film luzeak, 2011n egindakoak, Urrezko Leopardo saria irabazi zuen Locarnoko Zinemaldian.
2016ko La idea de un lago filmean, telefono bidezko elkarrizketa bat entzuten dugu: «Kaixo. Kaixo, Pablo. Kaixo, Inés. Liburuaren hitzaurrea idazten amaitu dudalako deitu dizut, eta irakurri egin nahi nizulako. Orain? Telefonoz irakurri nahi didazu?. Bai. Badakizu zure iritzia garrantzitsua dela niretzat. Posible duzu?». Beranduago, bigarren zoom in batekin egiten dugu topo. Oraingoan, Inés protagonistari hurbiltzen zaio kamera: argazkilari profesionala da, haurdun dago eta liburu bat argitaratzear. Kamerari begira, udak nola gogoratzen dituen kontatzen digu. Bere aita, diktadura militar argentinarraren biktima, 1977ko martxoaren 21ean desagertu zen. Abiapuntu horretatik, Milagros Mumenthalerrek memoria eta oroimenen eraikuntzari buruzko gogoeta egiten duen filma osatzen du. Pelikula hau ere Locarnoko Zinemaldian estreinatu zen, eta Donostian, berriz, Zinemaldiko Horizontes Latinos sailean ikusi ahal izan zen.
Hirugarren filma: Las corrientes (2025). Hirugarren protagonista: Lina. Eta hirugarren zoom in-a: oraingoan, protagonistaren ile luze, ilun eta uhindura hurbiltzen da kamera, ur-lasterrak gogorarazten dizkigun ile horretara. Suitzan sari bat jaso ondoren, Linak, bere ibilbide profesionalaren gailurrean dagoen estilista argentinarrak, ustekabeko bulkada izaten du. Buenos Airesera itzultzean, zerbait aldatu egin da. Bere izena ere aldakorra dela dirudi: Lina, Cata, Catalina. Nor da emakume hori, eraiki duen bizitzan bere burua ezagutzen ez duenean? 2025eko Donostiako Zinemaldian estreinatu zen filmak RTVE Otra Mirada saria jaso zuen.
Marina, Sofía, Violeta, Inés, Lina, Cata edo Catalina. Bost protagonista, hainbat izen eta galdera bera: noraino ezagutu dezakegu beste pertsona bat? Milagros Mumenthalerren zinemak pertsonaietara hurbiltzen gaitu, haien keinuak jasotzen ditu eta haien isiltasunei entzuten die, baina ez du haiek erabat argitzeko asmorik. Agian, horixe da, hain zuzen ere, intimitatea: hurbil egotea, bestearen misterioa bereganatu gabe.
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Milagros Mumenthaler Buenos Airesen bizi den zuzendari argentirar-suitzarra da.
Abrir puertas y ventanas (2011), bere opera prima, Locarnoko jaialdian estreinatu zen. Film onenaren Urrezko Lehoinabarra eta Emakumezko Aktore Onenaren Lehoinabarra jaso zituen, besteak beste.
Milagros bere lehen film luzearekin intimitatearen irudikapenaren bilaketa bat hasten da, eta gai hori modu askeagoan aztertzen jarraituko du, muntaia asoziatiboa txertatuz, memoriari buruzko La idea de un Lago (2015) filmean.
Bere hirugarren filma, Las corrientes, 2025ean estreinatu zen TIFFeko (Torontoko Nazioarteko Zinemaldia) Platform lehian, eta Donostiako Nazioarteko Zinemaldian Urrezko Maskorra lortzeko lehiatu zen.
Gaur egun, bere hurrengo filma garatzen ari da.
Bere hiru film luzeetan subjektibotasunaren esplorazioa itxurazkoa da, baita harreman filialen konplexutasunak ere.
Milagros Mumenthaler zuzendari argentinarrari eskainitako zikloa bere hiru film luzeen proiekzioak osatzen du.
Milagros Mumenthaler Buenos Airesen bizi den zuzendari argentirar-suitzarra da.
Abrir puertas y ventanas (2011), bere opera prima, Locarnoko jaialdian estreinatu zen. Film onenaren Urrezko Lehoinabarra eta Emakumezko Aktore Onenaren Lehoinabarra jaso zituen, besteak beste.
Milagros bere lehen film luzearekin intimitatearen irudikapenaren bilaketa bat hasten da, eta gai hori modu askeagoan aztertzen jarraituko du, muntaia asoziatiboa txertatuz, memoriari buruzko La idea de un Lago (2015) filmean.
Bere hirugarren filma, Las corrientes, 2025ean estreinatu zen TIFFeko (Torontoko Nazioarteko Zinemaldia) Platform lehian, eta Donostiako Nazioarteko Zinemaldian Urrezko Maskorra lortzeko lehiatu zen.
Gaur egun, bere hurrengo filma garatzen ari da.
Bere hiru film luzeetan subjektibotasunaren esplorazioa itxurazkoa da, baita harreman filialen konplexutasunak ere.
Bere ibilbidearen gailurrean, Lina, 34 urteko modaren profesionala, bat-bateko bultzada batean murgildu da sari banaketa entzutetsu batean.
Inés prepara la edición de su libro fotográfico durante los últimos días de su embarazo.
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2002an, Urban Myths Chillers fikziozko telesailaren hainbat kapitulu zuzendu zituen (13eme rere/Universal Network).
Mateo Gilekin batera Regreso a Moira (2006) telebistarako filma idatzi zuen, eta Javier Donate eta Gabe Ibañezekin batera Autommata (2014), SSIFFeko sail ofizialean aukeratua.
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2021etik 2024ra bitartean, telebistarako hainbat kapitulu zuzendu ditu telesailetarako: Santo (Netflix) eta Operación Marea Negra (Prime Video).
2026an Inurri Itsuak estreinatuko du, Ramiro Pinillaren Las Ciegas Hormigas eleberriaren egokitzapena.
XIX. mendean, artean feudalismoaren mendeko Japonian, samurai bat herrixka batera iristen da.
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\n\nIhintzak Artearen historiako ikasketak ditu eta honen harira artearen munduarekin lotutako lan ezberdinetan egon da azken urtean. Proiektu hauetan haurrekin bisita gidatuak eta tailerrak egiten ibili da besteak beste.
\n\nMiren soinuaren munduan dabil lanean eta proieku ezberdinetan hartu du parte, tartean Belarri Bero, bai esan? seriean. Grabaketan zein edizioan egin du lan. Era berean, haurrekin ere esperientzia du hezitzaile moduan.
\n\nUxue ilustratzailea eta diseinatzailea da. Animazioko masterra egiten dabil azken urtean. Bere proiektuen artean bere lan egiteko lekua den Pakita Studion sormen tailerrak eskaintzen ditu.
\n\nOrain, bakoitzak bere ibilbidetik ikasitakoa bateratuz dabiltza Marramiau Sorkuntza Taldean lanean.
\n
Zaharberritu beharreko etxe zoragarri batean bizi den maizter talde baten istorioa kontatzen du.
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Disko-jogailuan Bridget St. John-en Back to Stay abestia entzuten da. Kamera hiru ahizpengana hurbiltzen da poliki-poliki, zoom in baten bidez. Haietako bat abestiaren zatiren bat kantatzera animatzen da. Hirurei begiak malkoz betetzen zaizkie. Beraien amona hil berri da. Beraiek hezi eta zaindu dituena. Amona ez dago, baina beraiek etxe berean jarraitzen dute eta hutsunea nabarmena da. Abrir puertas y ventanas filmaren amaieran, sofa berera itzuliko gara: oraingoan, bi ahizpa baino ez dira geratzen, bizilagunarekin batera. Hirugarren ahizpak konposatu eta bidalitako Canción de Violeta (Fran Gayo) entzuten ari dira; hirugarren ahizpa jada ez dago haiekin. Bera ere desagertu egin da, eta absentzia bihurtu da. Oraingoan, ordea, kamerak ez du zoom in bat egiten, zoom out baizik: sofatik eta Marina, Sofía eta Violetaren bizitzatik urruntzen gaitu. Milagros Mumenthalerren lehen film luzeak, 2011n egindakoak, Urrezko Leopardo saria irabazi zuen Locarnoko Zinemaldian.2016ko La idea de un lago filmean, telefono bidezko elkarrizketa bat entzuten dugu: «Kaixo. Kaixo, Pablo. Kaixo, Inés. Liburuaren hitzaurrea idazten amaitu dudalako deitu dizut, eta irakurri egin nahi nizulako. Orain? Telefonoz irakurri nahi didazu?. Bai. Badakizu zure iritzia garrantzitsua dela niretzat. Posible duzu?». Beranduago, bigarren zoom in batekin egiten dugu topo. Oraingoan, Inés protagonistari hurbiltzen zaio kamera: argazkilari profesionala da, haurdun dago eta liburu bat argitaratzear. Kamerari begira, udak nola gogoratzen dituen kontatzen digu. Bere aita, diktadura militar argentinarraren biktima, 1977ko martxoaren 21ean desagertu zen. Abiapuntu horretatik, Milagros Mumenthalerrek memoria eta oroimenen eraikuntzari buruzko gogoeta egiten duen filma osatzen du. Pelikula hau ere Locarnoko Zinemaldian estreinatu zen, eta Donostian, berriz, Zinemaldiko Horizontes Latinos sailean ikusi ahal izan zen.Hirugarren filma: Las corrientes (2025). Hirugarren protagonista: Lina. Eta hirugarren zoom in-a: oraingoan, protagonistaren ile luze, ilun eta uhindura hurbiltzen da kamera, ur-lasterrak gogorarazten dizkigun ile horretara. Suitzan sari bat jaso ondoren, Linak, bere ibilbide profesionalaren gailurrean dagoen estilista argentinarrak, ustekabeko bulkada izaten du. Buenos Airesera itzultzean, zerbait aldatu egin da. Bere izena ere aldakorra dela dirudi: Lina, Cata, Catalina. Nor da emakume hori, eraiki duen bizitzan bere burua ezagutzen ez duenean? 2025eko Donostiako Zinemaldian estreinatu zen filmak RTVE Otra Mirada saria jaso zuen.Marina, Sofía, Violeta, Inés, Lina, Cata edo Catalina. Bost protagonista, hainbat izen eta galdera bera: noraino ezagutu dezakegu beste pertsona bat? Milagros Mumenthalerren zinemak pertsonaietara hurbiltzen gaitu, haien keinuak jasotzen ditu eta haien isiltasunei entzuten die, baina ez du haiek erabat argitzeko asmorik. Agian, horixe da, hain zuzen ere, intimitatea: hurbil egotea, bestearen misterioa bereganatu gabe."},"tematicaTid":52,"publicoTid":0,"publico2Tid":0,"yesterday":"2026-10-19","today":"2026-10-21"}},"staticQueryHashes":["1409045280","1472977592","1549843337","1600800028","1852898869","2684269349","2736526504","3122408510","3305536543","3493939040","3649515864","4040268713","63159454","847920557"]}