Susan Meiselas New Yorken bizi den argazkilari dokumentalista bat da.
\n\nCarnival Strippers (1976), Nicaragua (1981), Kurdistan: In the Shadow of History (1997), Pandora’s Box (2001), Encounters with the Dani (2003) Prince Street Girls (2016), A Room Of Their Own (2017), Tar Beach (2020), and Carnival Strippers Revisited (2022) eta, berrikiago, 44 Irving Street (2025) lanen egilea da. Meiselas ezaguna da Latinoamerikan giza eskubideekin lotutako prozesuak dokumentatzeagatik. Bere argazkiak Ipar Amerikako eta nazioarteko bildumen parte dira. 1992an MacArthur beka lortu zuen eta 2015ean Guggenheim beka bat.
\n\nMeiselasek hainbat erakunderen sariak jaso ditu: hala nola, Henri Cartier-Bresson Lifetime Achievement Award; Sony Outstanding Contribution to Photography Award (2025); Kering and the Rencontres d´Arles-en Women in Motion Award (2019); Deutsche Börse Photography Foundation Prize (2019) eta Alemaniako Argazki Elkarteak ematen duen Erich Salomon Award (2022). Mediations, 70eko hamarkadatik gaur egunera arte bere lana biltzen duen erakusketa, Parisko Jeu de Paume Galerian aurkeztu zen lehen aldiz, eta, ondoren, Antoni Tàpies Fundaziora, San Frantziskoko Arte Modernoaren Museora eta São Pauloko Moreira Salles Institutura joan zen, besteak beste. Meiselasek Magnum Fundazioaren Lehendakari titulua du 2007tik, argazkigintza dokumentalean aniztasuna eta sormena zabaltzeko xedearekin.
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