Pertsonaia bat lan egiten duen ospitaleko korridoreetan dabil, orientazioa deriba bihurtzen duen seinaletikaz betetakoetan. Tolesten, garbitzen, pilatzen, poltsatan sartzen eta biltzen ari da. Ekintza errepikakorrak, egitura horren eguneroko jardunean sartzen direnak. Ospitalea edukiontzi gisa agertzen da: H formako eraikin bat, esperientzia barrualdetik antolatzen duen kode material eta immaterialen sare batek zeharkatua. Sistemak agerian uzten du bere ezegonkortasuna: filtrazioa dago. Eusteko zailtasunaren lekuko da pertsonaia.
Zer gertatzen da jarraibide bat errepikatzen denean bere funtzioa galdu arte. Kode-sistema batek antolatzeari uzten dionean, eta erritmo, gainazal edo forma gisa jokatzen hasten denean.
Topaketatik sortzen diren bazterkinak dira abiapuntua. Norbaitek erabili eta utzitako gauzak. Haien gainazaletan erabilera-arrastoak daude, gorputzaren eta denboraren igarotzea erregistratzen dutenak, baita jarraibideak ere, orientatu eta aurrea hartzen dutenak —bilgarri klinikoak, aurrea hartzen duten patroiak, ehun iragazgaitzak eta beste elementu kodetu batzuk—. Beren funtziotik aldenduta, kopia-, errepikapen- eta itzulpen-eragiketak egiten zaizkie.
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Egitearen arreta mota desberdinak ikertzen ditu, eta formak aurrea hartzeko bere funtzioa galtzen duen unea eta, horrekin batera, bere zentzumenen egonkortasuna galtzen duen unea interesatzen zaio. Ehunekin, gainazal inprimatuekin, patroiekin eta idazketarekin lan egiten du, kode funtzionalak eskulturara eta testuretara eramanez.
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Mendiondok gorputzaren eta euskarri dituen egituren arteko erlazioak ikertzen ditu: dispositiboak, patroiak, kodeak, bilgarriak eta sistema grafikoak, antolatzeko, eusteko edo normalizatzeko diseinatuak.
Egitearen arreta mota desberdinak ikertzen ditu, eta formak aurrea hartzeko bere funtzioa galtzen duen unea eta, horrekin batera, bere zentzumenen egonkortasuna galtzen duen unea interesatzen zaio. Ehunekin, gainazal inprimatuekin, patroiekin eta idazketarekin lan egiten du, kode funtzionalak eskulturara eta testuretara eramanez.
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"},"path":{"alias":"/kooperatiba","langcode":"eu"},"internal":{"type":"node__tbk_actividad"},"tipoEvento":"exposicion","year":null,"esPasado":false,"mostrarEnlaceAgrupacion":true,"enlaceAgrupacionTexto":null,"convocatoriaAbierta":false,"textoConvocatoria":null,"fechaInicioConvocatoria":"2026-05-03T08:00:16+02:00","fechaFinConvocatoria":"2026-05-03T08:00:16+02:00","formExterno":null,"relationships":{"formInterno":null,"basesConvocatoria":null,"autores":[{"id":13748,"title":"Carla Filipe","status":true,"descripcion":{"processed":"Carla Filipe (Oporto, 1973) diziplina anitzeko artista da, eta artearen, politikaren eta memoria kolektiboaren arteko elkarguneak modu kritikoan aztertzen ditu. Eskultura ikasi zuen Portoko Unibertsitateko Arte Ederren Fakultatean, eta Praktika Artistiko Garaikideen masterra ere lortu zuen. Filipe Salão Olímpico (2003-2005) eta Projecto Apêndice (2006) espazio artistiko independenteen sortzaileetako bat izan zen Porton.
\n
\nBere lana erakunde garrantzitsuetan erakutsi da, besteak beste, Fundación Serralves (Oporto), MAAT – Arte, Arkitektura eta Teknologia Museoa (Lisboa), Museu Coleção Berardo (Lisboa), MNAC – Museu Nacional de Arte Contemporânea do Chiado (Lisboa), Kunsthalle Lissabon (Lisboa) eta SESC Pompeia (São Paulo). Nazioartean, São Pauloko 32. biurtekoan (2016), Istanbulgo 13. biurtekoan (2013), Uraletako Arte Garaikideko 4. Industria Biurtekoan (Errusia, 2017) eta Manifesta 8an (Murtzia - Cartagena, 2011) parte hartu du. Beste erakusketa aipagarri batzuk La Réplica Infiel CA2M-en (Madril), Les Urbaines MCBA-n (Lausana) eta Le lynx ne connaît pas de frontières Fondation Ricard-en (Paris) dira.
\n
\nFilipek hainbat beka eta egoitza jaso ditu, horien artean Calouste Gulbenkian Fundazioaren beka bat Acme Studiosen (Londres, 2009), AIR Antwerpen (Belgika, 2014), Robert Rauschenberg Fundazioaren egoitza (Florida, AEB, 2015), Krinzinger Projekte (Viena, 2017) eta Peacock & The Worm (Aberdeen, Eskozia, 2023). Bere lanak bilduma publiko garrantzitsuen parte dira
\n
\nFilipek FLAD Marrazki Saria jaso zuen 2023an eta, 2024an, arte plastikoen erakusketarik onenaren saria Serralveseko Museoan \"In My Own Language I am Independente\" lanagatik, SPAk (Portugalgo Egileen Elkarteak) emana.
Arte Ederretan lizentziaduna da Euskal Herriko Unibertsitatean, eta bere prestakuntza zabaldu egin du Julie Mehretu, Esther Ferrer, Itziar Okariz, Andrés Duque, Miroslaw Balka eta Peio Aguirre artista eta komisarioekin.
\n
\nIdeologiaren, irudikapenaren eta memoriaren artean sortzen diren tentsioen inguruan egiten du lan, eta pinturatik, instalaziotik edo argazki-artxibotik, proiektu politiko etenen arrasto fisikoak eta erresistentzia kolektiboko beste forma batzuk aztertzen ditu. Interes horrek bultzatuta, gatazkak zeharkatutako testuinguruetan lan egin du, hala nola Kurdistan Irakiarrean, Kuban, Txinan edo Mexikon.
\n
\nBere obra hainbat bilduma publiko eta pribatutan dago, eta hainbat erakundetan izan ditu erakusketak, hala nola Tabacaleran (Madril), Nafarroako Museoan, Erromako Espainiako Akademian, San Telmo Museoan (Donostia), CIAJGen (Guimarães) eta Carreras Múgican (Bilbo), Pelairesen (Palma), Nordesen (Santiago de Compostela) eta Espacio Enhorabuena (Madril) galerietan.
\n\n
Ángel Calvo Ulloa (Lalín, 1984) komisarioa eta idazlea da. Artearen Historian lizentziatua (USC) eta Arte Garaikideko Masterra: Sorkuntza eta Ikerketa UVigon. O Fantasma da Liberdade/Anozero 2024ko Coimbrako Bienaleko komisarioa izan da, Marta Mestrerekin batera.
\n
\nBere azken proiektu kuratorialen artean Jordi Teixidor nabarmentzen da. No-res, Sala Alcalá 31 (Madril); Juan Uslé. Ese barco en la montaña, Reina Sofia Museoan (Madril); ¿Adónde irá el pájaro que no vuele?, La Casa Encendidan (Madril); Humores y Espesores, Rodriguez-Mendez, CA2Men (Mostoles); El sueño de la cólcedra, Teresa Lanceta, Patio Herreriano Museoan (Valladolid); Siron Franco: Pensamento insubordinado (Trabalhos, 1961-2023), MAC Goiàsen (Brasil); Anidar en el gesto: unas estanterias de Alberto, Antonio Cerezales eta Cinia Fundazioan (Cerezales del Condado, Leon); Autoconstrucción. Piezas sueltas. Antonio Ballester Morenoren Juego y experiencia, Artiumen (Vitoria-Gasteiz); Complexo Colosso, CIAJG (Guimarães) edo, Nuria Enguitarekin batera, Habitación. El Archivo F.X., las chekas psicotécnicas de Laurencic y la función del arte,, CA2Men (Madril), MNACen (Bartzelona) eta La Nauren (ValentziHabitación.a). 2011z geroztik, hainbat erakundetan komisario lanak egin ditu, besteak beste, Caixaforumen (Bartzelona), MARCOn (Vigo), CCEMx-en (Mexiko Hiria), Luis Seoane Fundazioan (A Coruña), Tabacaleran (Madril), Centro Párragan (Murtzia) eta EACCn (Castelló).
\n
\n2020an, Desde lo curatorial. Conversaciones, experiencias y afectos, liburua argitaratu zuen Juan Canelarekin batera. Consonniren Paper Bildumaren barruan.
HU /هُو. Bailad como si nadie os viera (Egin dantza inor begira ez balego bezala) Oliver Laxeren instalazio bat da, Sirāt filmaren unibertsotik sortua.
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\n\n2016an, Kritikaren Asteko Sari Nagusia jaso zuen Cannesen Mimosas filmagatik. Atlas mendietan filmatu zuen. Galiziara itzuli ondoren, O que arde zuzendu zuen, Os Ancaresen bihotzean filmatua, eta Canneseko Zinemaldiko Un Certain Regard sailean Epaimahaiaren Saria lortu zuen 2019an. Cannesen lehen filma estreinatu eta hamabost urtera, eta sail guztietan bere lanak aurkeztu eta sariak irabazi ondoren, 2025ean Sail Ofizialean hartu zuen parte Laxek Sirāt filmarekin. Bertan, Epaimahaiaren Saria eskuratu zuen, eta nazioarteko arrakasta handitu, baita kritika zein industria zinematografikoaren aitortza zabala jaso ere, Oscar sarietarako, Urrezko Globoetarako eta Goya sarietarako izendapen ugarirekin.
\n\nZinemagile lanaz gain, Ser Elkarteko kide ere bada Laxe; Os Ancaresetik landa-eremuak biziberritzea sustatzen du ekimenak, kultura, nekazaritza eta garapen komunitarioko proiektuen bidez. Ondarea berreskuratzeari eta birpopulatzeari lotutako landa-garapeneko estrategiak ere bultzatzen ditu elkarteak, tokiko garapen-taldeekin lankidetza estuan.
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\nDebrisek 20 urte daramatza idazten, antzezten eta sortzen; 30 herrialdetan baino gehiagotan aritu da, Nottinghameko Unibertsitatean poesiako modulu akademikoak diseinatu ditu eta 300.000 libera baino gehiago bildu ditu The Mouthy Poets bere interes komunitarioko enpresaren bidez, non milaka gazteri irakatsi dien Nottinghametik mundu osora.
\n
\nPOET IN DA CORNER (Royal Court) Debrisen estreinako musikalak bira nazionala egin zuen 2020an. MY BROTHER 'S A GENIUS (Theatre Centre, Theatre Sheffield, National Youth Theatre) lanak bira bat egin zuen herrialde osoko ikastetxe eta antzokietan 2026ko udaberrian. Eta CYRANO DE BERGERACen (Royal Shakespeare Company) koegokitzapena, Simon Evansekin batera eta Adrian Lester protagonista duela, Londresko West End-era (Noël Coward Theatre) joango da uda honetan, RSCn 5 izarreko sarrerak eta balorazioak agortu diren denboraldi baten ondoren.
\n
\nGaur egun, Debris guztiz finantzatutako doktorego-beka bat osatzen ari da, Oxford Brookesko Unibertsitatean grimearen, narrazioaren eta neurodibertsitatearen arteko elkarguneari buruzko «The Write to Rave» izeneko praktikan oinarritua.
\n
\nDebris idazten, sortzen edo ikasten ari ez denean, inauterietan, festetan eta Harrotasunaren ekitaldietan dantzan aurki daiteke mundu osoan zehar, Red Bull Music Academy eta The Heatwave bezalako erakundeentzat, eta batzuetan, dibertsio hutsez.
\nwww.debrisstevenson.com
\n@debrisstevenson
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