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Deialdi honen helburua da arte-pieza digitalak sortzea, eta edukiak eta formatu berriak erabiltzen dituzten sortzaileen lana babestea.

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Leonie Vidensky (1993) gizarte-zientzialaria eta datu-zientzialaria da, eta bere praktika osasunaren, elikaduraren eta ingurumenaren sistemen arteko elkargunean kokatzen da. Bere ikerketak aztertzen du nola eragiten duten azpiegitura sozial eta teknologikoek eguneroko praktiketan eta harreman-moduetan, boterearen ekologia konplexuen barruan. Genero-ikuspegitik egindako nutrizio-ikerketetan parte hartu du, eta artistekin eta zinemagileekin lankidetzan aritzen da ezagutza zientifikoa afektuarekin, narrazioarekin eta irudiarekin elkarrizketan jartzeko.

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Proiektu artistiko eta dokumentalak laguntzen ditu ikerketa testuinguratuaren, bibliografia-berrikusketaren eta datu-analisien bidez, sistema konplexuak kontakizun irisgarri bihurtuz. Halaber, esperimentuen diseinuan eta ikerketarako jokoen diseinuan esperientzia du, formatu interaktiboak erabiliz dinamika sozialak, pertzepzio-prozesuak eta gizakiaren eta makinaren arteko harremanak esploratzeko. Bere praktikak modelizazio matematikoa eta estatistikoa barne hartzen ditu, esperimentuen, interfaz parte-hartzaileen eta sistema konputazionalen ebaluazioan integratzen dituenak.

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Campo Abierto kolektiboarekin egindako lankidetza dokumentalek elikadura, lurraldea eta lana aztertzen dituzte ikuspegi feministatik eta ekologikotik. Kataluniako elikagai-ekoizpenaren inguruko gatazka sozioingurumenalak aztertzen dituen sukaldaritza-liburu baten egilea ere bada, eta hiri-elikadura sistemei buruzko hezkuntza-materialak garatzen ditu Malheur & Fortuna hirigintza-bulegoarekin lankidetzan.

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Artista eta ikertzailea Madrildarra, Donostian finkatua. Kazetaritza eta Ikus-entzunezko komunikazioa ikasi zituen Madrilgo Carlos III.a Unibertsitatean, eta ondoren, Komisariotza Elías Querejeta Zine Eskolan.

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Bere ikerketak eta praktika artistikoak gorputzaren, interneten eta komunikabide digitalen arteko elkarreraginetik sortutako esanahi berriak eta eraikuntza sinbolikoak aztertzen ditu, brumositatea eta izaera onirikoa nabarmenduz.

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Anna Halbleib (1991) zinemagilea eta artista bisuala da, irudi mugikorraren, instalazio espazialaren eta forma saiakerazkoen artean lan egiten duena. Bere praktikak aztertzen du nola eraikitzen diren esanahia eta pertzepzioa teknologiaz eta abstrakzioz gero eta gehiago bitartekatutako mundu batean. Artxiboko materiala, adimen artifizialak sortutako irudiak eta bideo behatzailea uztartzen dituen hizkuntza bisual baten bidez, analisiaren eta poesiaren artean mugitzen diren ikus-entzunezko saiakera sentsorialak sortzen ditu, ikusten duguna, ikusteko modua eta ikusezin geratzen dena zalantzan jarriz.

\n\n

Bere azken lanetan, gizakiaren eta makinaren ikusmenaren arteko espazio partekatua ikertzen du, algoritmoek ikasten duten ikusteko modua eta haien logika estetikoak iruditeria kolektiboa nola berrantolatzen duen aztertuz. Sorkuntza-prozesu esperimentalen eta ikus-entzunezko dispositibo murgiltzaileen bidez, giza desiraren, logika konputazionalaren eta kultura bisualaren azpiegituren arteko atzeraelikadura-begiztak artikulatzen ditu. Bere lana sarritan sistema analogikoen eta digitalen arteko elkarrizketa gisa hedatzen da, emozionalaren eta teknikoaren, gizatiarraren eta ez-gizatiarraren artean, ikusteko modu berriak irekitzea helburu.

\n\n

Bere filmak +Rain Film Festivalen (Bartzelona), Festival ECRAn (Rio de Janeiro), BAIFF Burano AI Film Festivalen (Venezia) eta Gijongo Nazioarteko Zinema Jaialdian, besteak beste, proiektatu dira. Bere lan bisuala Artgenèven (Geneva), Artivism Futures: Reimagining Human Rights Activism erakusketan (Londres) erakutsi da, eta DNAmag aldizkarian (Mexiko Hiria) argitaratu da

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Ángel Aso-Mollar (Monóvar, 1997) Adimen Artifizialeko ikertzailea da, eta bere lanaren ardatza plangintza automatikoa eta kontrolaren teoria dira. Bere ikerketak irudikapenaren formalizazio berriak eta egitura horiek modu eraginkorrean kudeatzeko gai diren bilaketa-algoritmoen diseinua lantzen ditu. Ikaskuntza indartua, sistema multiagenteak eta robotika uztartzen dituzten ikerketa-ildoetan ekarpenak egin ditu, bereziki erabaki diskretuak eta jarraituak integratzen dituzten erabaki-hartze ereduetan arreta jarriz. Nazioarteko ospe handiko konferentzietan argitaratu du, besteak beste, International Joint Conference on Artificial Intelligence (Montreal, Kanada, 2025), International Conference on Automated Planning and Scheduling (Banff, Kanada, 2024; Melbourne, Australia, 2025) eta International Conference on Tools with Artificial Intelligence (Washington D. C., Ameriketako Estatu Batuak, 2025). Gaur egun, irakasle da Valentziako Unibertsitate Politeknikoan eta Menéndez Pelayo Nazioarteko Unibertsitatean. Nazioarteko erakundeetan ere hitzaldiak eman ditu, hala nola Italiako Università degli Studi di Brescia unibertsitatean. Egun, Valencian Research Institute of Artificial Intelligence (VRAIN) institutuko ikertzaile atxikia da.

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Miguel Rangil (Toledo, 1998) media berrietako artista emergentea eta doktoretza aurreko ikertzailea da. Bere praktika algoritmoekin, ereduekin eta dataset-ekin lan egitean oinarritzen da, baita testuekin, irudiekin eta bideoarekin ere; horien bidez, iruditeria artifizial garaikideak aztertzen ditu eta praktika artistikoaren bidez fikzio posibleak sortzea du helburu. Gaur egun doktoretza aurreko ikertzailea da Valentziako Unibertsitate Politeknikoko (UPV) Argiaren Laborategian.

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Bere lana hainbat espazio nazional eta nazioartetan erakutsi du, besteak beste: Fundación Telefónica (Madril, 2025), Galería Rosa Santos (Valentzia, 2025), CCCC (Valentzia), Ars Electronica Jaialdia (Linz, Austria, 2023 eta 2024), The Wrong Biennale (2023), Kunsthalle (Linz, 2023), Etopia Arte eta Teknologia Zentroa (Zaragoza, 2022) eta Medialab Matadero (Madril, 2022), besteak beste.

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Emakume zuzendari berrien film luzeen proiektuak tutorizatu, babestu eta bultzatzeko programa

"},"path":{"alias":"/noka-sorkuntza-2025","langcode":"eu"},"internal":{"type":"node__tbk_actividad"},"tipoEvento":"convocatoria","year":"2025","esPasado":true,"mostrarEnlaceAgrupacion":true,"enlaceAgrupacionTexto":null,"convocatoriaAbierta":false,"textoConvocatoria":null,"fechaInicioConvocatoria":"2025-01-07T12:00:00+01:00","fechaFinConvocatoria":"2025-02-12T12:00:00+01:00","formExterno":null,"relationships":{"formInterno":{"path":{"langcode":"eu","alias":"/noka-2025"},"title":"NOKA 2025"},"basesConvocatoria":{"name":null,"relationships":{"document":{"uri":{"url":"/sites/default/files/2025-01/1_noka_2025_deialdiaren-oinarriak.docx_.pdf"}}}},"autores":[{"id":12837,"title":"Alba Lozano","status":true,"descripcion":{"processed":"

Zine Zuzendaritza ikasi zuen ECPVn eta UDDn (Txile), UPV/EHUn Ikus-entzunezko Komunikazioa ikasi bitartean. Gradu amaierako bere lana, “Plunge” (2018), Zinemakumeak Gara! film laburren erakustaldian izan zen. Zuzendaritza masterra ikasi zuen ESCn, eta bi urte geroago beka bat jaso zuen Dokumental masterrean, eskola berean.

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2022an, 50 zinemalditan baino gehiagotan hautatutako “Non Grata” idatzi eta zuzendu zuen, eta dozena bat sari lortu zituen, horien artean 2022ko Alacanteko Zinemaldiko Fikziozko Film Labur Onena. Espainiako Irrati-telebistako Film Laburren Lehiaketa Iberoamerikarrean ere parte hartu zuen.

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Bere istorioetan, Alba naturalismoan murgiltzen da. Hunkitzen duten gatazkak arakatzen ditu haietan, eta aktore profesionalen eta ez-profesionalen arteko sinergia bilatuta garatzen ditu. Bere azken film laburra, \"Utländsk\" (2024), Kimuak programaren parte da, eta 50 hautaketa baino gehiago eta 15 sari baino gehiago ditu Espainiako eta nazioarteko zinemaldietan.

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Albak, proiektuen idazketa eta sorkuntzarekin batera, Zuzendari lana egin du, Odol Ilargia eta Itxaso (Netflix) serieen bigarren unitateetan, baita Script lana ere, Sin Instrucciones, El Internado edo Balenciaga ekoizpenetan.

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Ione Ateneak (Iruñea 1985) normalean argazkilaritza eta zinemarekin egiten du lan. Bere lana, banaka zein taldeka, La Ciudadelan (Iruñea), Huarte Arte Garaikidearen Zentroan, Cámara Oscura galerian (Madril), :SKALA galerian (Poznan) eta Martadero proiektuan (Cochabamba) erakutsi da, besteak beste. Bere filmek Las Palmasko Nazioarteko Zinemaldia, Gijongo Nazioarteko Zinemaldia, Punto de Vista, Porto/Post/Doc, Bogotako Nazioarteko Dokumental Jaialdia, L'Alternativa, D'A eta Documenta Madrid bezalako jaialdietan parte hartu dute, besteak beste. Emakumeen arteko zinemagintza kolaboratiboari eskainitako Hiruki Filmak zinema ekoiztetxearen sortzailekidea da, Marina Lameiro eta Garazi Erbururekin batera.

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Saioa Miguel zinema dokumental eta esperimentalean espezializatutako artista bisuala da, Elías Querejeta Zine Eskolan (EQZE) eta Arte Eskolan (TAI) prestakuntza duena. Bere lanean, 16 mm bezalako formatu analogikoak erabiltzen ditu gai intimo eta sozialak aztertzeko. Bere film laburrek poesia bisuala eta kritika kulturala uztartzen dituzte. “Erik(a)” film laburra Zinegoak eta Márgenes zinemaldietan erakutsi da. Bere ikuspegi artistikoa narratiba bisual garaikideekiko begirada introspektibo eta kritikoagatik bereizten da.

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\nCelia Rico Ikus-entzunezko Komunikazioan lizentziatu zen Sevillako Unibertsitatean eta Literaturaren Teorian eta Literatura Konparatuan Bartzelonako Unibertsitatean. Horrez gain, ikus-entzunezko proiektuen garapenean eta script-editing delakoan espezializatutako graduondoko bat du, baita Pompeu Fabra Unibertsitateko DEA (ikasketa aurreratuen ziurtagiria) ere.
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\nOso saritua izan zen Luisa no está en casa film laburrarekin hasi zen gidoigile- eta zuzendari-lanetan. Hain zuzen, film hori izan zen 2012ko Veneziako Biennalean aurkeztu zen Espainiako lan bakarra. Asunción Balaguer eta Fernando Guillén izan ziren film labur horretako protagonistak, eta, besteak beste, obra La SEMINCIn, Sevillako Zinema Europarraren Jaialdian, Malagako Zinemaldian eta Gijóngo Zinemaldian proiektatu zen. Gainera, Cannesko Zinemaldiko Short Film Corner atalerako hautatua izan zen, eta 2013an film laburrik onenaren Gaudí Saria eta Col-legi de Directors de Catalunya elkargoak emandako saria eskuratu zituen. 
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\nEdonola ere, Viaje al cuarto de una madre da haren opera prima. 2018ko Donostiako Zinemaldian estreinatu zen, eta hiru sari jaso zituen: Epaimahaiaren Aipamen Berezia, Gazteriaren Saria eta kritikaren Fedeora Saria, hain zuzen. Gainera, gidoia Berlinale Talents-eko Script Station Lab prestigiotsuan egon zen, eta filma lau Goya saritarako izendatu zuten. Besteak beste, honako izendapen eta sari hauek dira aipatzekoak: Californiako Santa Bárbara Film Festival jaialdiko New Visions ataleko Film Onenari Saria, lau Gaudí sari, Feroz sari bat, lau Asecan sari, Círculo de Escritores Cinematográficos (CEC) elkartearen hiru sari, Sant Jordi saria (RNE) eta Opera Prima Iberoamerikar Onenaren Sarirako izendapena Platino sarietan. 
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\nClaudia Llosa zinema-zuzendariaren laguntzailea izan da Celia, eta, horrez gain, haren No llores, vuela (Berlineko Zinemaldia, 2014) filmeko bigarren unitatea zuzendu zuen. Hori gutxi balitz bezala, hamar urte baino gehiago eman ditu lanean hainbat ekoiztetxetan, besteak beste, Arcadia Motion Pictures-en (Blancanieves, Blackthorn) eta Oberon Cinematogràfican (La teta asustada, Dictado). Gainera, Pol Rodríguezen Quatretondeta luzemetraiaren (Malagako Zinemaldia, 2016) idazketan lagundu du. Bestalde, La Caixa Fundazioaren laguntzarekin antolatutako Diarios Filmados zinema autobiografikoko tailerreko zuzendaria izan da, zeina hirugarren adineko emakumeei zuzenduta dagoen. 
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\nBerriki argitaratu du Celia se aburre album irudiduna (Penguin Random House – Boolino 2017 saria) eta haurrentzako animaziozko Mironins telesaila ere idatzi du, Joan Miróren lanean oinarrituta dagoena. 2020an zuzenduko du beste zuzendari batekin lankidetzan.  
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\nGaur egun, Celiak bere bigarren film luzearen proiektua du esku artean, eta, horrez gain, zuzendaritzako eta gidoigintzako irakasle laguntzaile gisa dabil Bartzelonako ECIB  eta ESCAC zinema-eskoletan eta Pompeu Fabra Unibertsitatean. Gainera, A Bao A Qu elkarteak eskola eta institutuetan egiten duen Cinema en Curs proiektuan ere lankidetzan dabil. Zehazki, zinemagintzaren arloko pedagogia-proiektu bat da. 
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Maider Oleaga (Bilbo, 1976) Ikus-entzunezko Komunikazioan lizentziatua eta zinema-zuzendaritzan diplomatua da (ECAM), 2014an Ikasketa Feministak eta Generokoak Masterrarekin (EHU) osatu zituen bere ikasketak. Amaren ideia (2009), Esperanza (2012), Verabredung (2017) –Doc España sailaren irabazlea SEMINCIn– eta Muga deitzen da pausoa (2018) –Xixongo Zinemaldian 2018an estreinatua– dokumentalak zuzendu ditu. Azken proiektu honekin Ikusmira Berriak egonaldi artistikoaren lehen edizioan parte hartu zuen. Kuartk Valley (2021), bere azken film luze dokumentala, Donostiako Zinemaldian estreinatu zen, Euskal Gidoigileen Elkarteko Euskal Gidoi Onenaren saria eta Irizar Sariaren aipamen bereziak jaso zituelarik. Fikziozko film labur hauek idatzi eta zuzendu ditu: Neoi argiak ederrenean –Zinemiran aurkeztutako Gure Oroitzapenak (2018) film kolektiboaren parte–, eta Sitios prestados al aire (2011), IMCINEk (Mexiko) film laburren proiektuetarako abiarazitako lehiaketaren irabazle eta Kinka (2021) ZENBIn estreinatua, Euskal gidoi onenaren saria jaso zuen bertan.  Hainbat hezkuntza-proiektutan parte hartu du, hala nola Cinema en Curs, Zineleku eta Elías Querejeta Zine Eskolarekin lankidetzan aritzen da.

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\nZimbabwen jaio zen 1977an, Portugalen hazi zen, eta gaur egun Europa eta Latinoamerika artean bizi da. Duela 20 urte hasi zen egile-zinema egiten, garatzen, banatzen eta komunikatzen.
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\nIberoamerikarako programazio ordezkaria da Karlovy Varyko Nazioarteko Zinema Jaialdian eta Latinoamerikakoa Cinéma du Réel- Zinema Dokumentalaren Nazioarteko Jaialdian, Frantzian, eta baita programaziorako aholkularia ere Bildrausch FilmFest Baselen, Suitzan. Rotterdameko Hubert Bals Funtsaren eta Rio de Janeiroko Nazioarteko Zinemaldiaren hautaketa batzordeko kidea da. Doha Film Institute institutuko nazioarteko aholkularia da, eta kanpoko aditu gisa jardun du Desarollo Zinematografikoaren Funtsean (FDC), Proimágenes COLOMBIAn, eta Europar Batasuneko Media - Creative Europe programako Hezkuntza, Ikus-entzunezko eta Kulturako Agentzia Exekutiboan (EACEA).
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\nArgentina, Ekuador, Txile, Uruguai, Kolonbia, Mexiko, Brasil eta Portugaleko VAIVEM enpresa banatzaile eta ekoizle aktiboaren sortzaileetako bat da. Pedro Costaren Caballo Dinero, Jem Cohenen Museum Hours, Hermes Parallueloren No Todo Es Vigilia, Juan Schnitmanen El Incendio, eta Ana Lily Amirpourren A Girl Walks Home Alone At Night  filmen banatzaileak izan dira, besteak beste.
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\nAurretik, jaialdietako managerra izan zen Films Boutique nazioarteko salmenta agentearentzat, Madragoa Filmes ekoiztetxearentzat salmenta zuzendaria, Atalanta Filmes banatzailearentzat komunikazio aholkularia edo Keralako Nazioarteko Jaialdian gonbidatutako programatzailea, Indian.
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\n 

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Rocio Mesa zinema zuzendaritza, ekoizpena eta programazioa uztartzen duen zinemagilea da. Bere lehen fikziozko film luzea, Secaderos (2022), mundu osoan estreinatu zen Donostiako Zinemaldian, Dunia Ayaso Saria lortuz, eta SXSW (Austin, Texas) jaialdi ospetsuan estreinatu zen, non Visions Audience Award saria irabazi zuen. Bere lehen film luzea Orensanz (2013) sorkuntzako dokumentala izan zen, SEFFen estreinatua eta BAFICI bezalako nazioarteko jaialdietan hautatua, besteak beste. Mesak zinema esperimental analogikoa praktikatzen du eta bere lanak mundu osoko museo, galeria eta jaialdi espezializatuetan erakutsi dira. Ekoizle gisa, NAINOren sortzaileetako bat da, eta hainbat proiekturen ekoizpenean buru izan da, hala nola Álvaro Gurrearen Mbah Jhiwo/Alma Anciana (2021) film luzea, Berlinale Forumen estreinatua (2021), edo Elena Duqueren Atariak, Berlinale Forum Expandeden estreinaldia izan zuena (2025). Rocio Mesa LA OLA - Independent Films from Spain erakundeko zuzendaria da, eta Ipar Amerikako zinema independente garaikidea ikusaraztea du helburu. Gainera, LA Film Festival edo AEBetako Art House Theater Day bezalako zinema-jaialdietarako programatzaile gisa lan egin du.

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Tabakalerak eta EITBk \"AUDIOGILE BERRIAK\" deialdiaren bigarren edizioa antolatu dute.

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\nDonostia, 1981. Ikertzaile, idazle eta gidoilaria. Ikertzaile gisa, teknologia berrien eta narratologiaren arteko harremanen gainean hausnartzen du, kontakizun digitalak eta Transmedia arkitektura erabilita. Ikerketa-lanen artean, Gipuzkoako Foru Aldundiaren ikus-arte beka lortu zuen Transmedia-errealitateak (2013), Eusko Jaurlaritzaren IKERTU-Sormen lantegietako Intra-Media Storytelling (2015) eta Old Fashioned New Media (2019), eta CAF-Elhuyar sorkuntza-beka irabazitako Semiosi-Genesi (2023) nabarmentzen dira. Idazle bezala, 2020. urtean Eusko Jaurlaritzako \"gazteei zuzendutako euskarazko literatura testuak\" garatzeko laguntza lortu zuen Paperezko Ispilua eleberriarekin, eta 2024an, Gipuzkoako Foru Aldundiaren Egile saria eskuratu zuen Apor.I.A: hurbilketa te(kn)ologikoa heriotzara entseguarekin. 2024. urtean ere, Kutxa Fundazioa Donostia Literatura Saria lortu zuen euskarazko antzerkiaren sailean, Ez-izan idazlanarekin. Gidoilari bezala, Orlegia irratia izeneko fikziozko podcasta izan da bere azken idazlana.

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Xabin Fernandez Zubeldia naiz. 39 urte ditut eta Orendainen bizi naiz. Kazetaritzaren munduan hainbat urtez aritu ostean, Donostiako Arte Eszenikoen Tailerrean formatzen eman ditut azken urteak. Ordutik, interpretazioaren munduan ere ari naiz lanean. 

\n\n

Idaztea ere betidanik egon da interesen artean. 2023an neronek idatzitako KANPORA SARTZEN antzerki obra estreinatu genuen. Aitziber Garmendiak zuzenduta, GIB birusaren inguruko kontakizun pertsonala da protagonista. TXALO konpainiak ekoitzi du obra. 

\n\n

Horretaz gain FAMIGLIA (Donostiako Poltsiko Antzerki jaialdian saritua 2024) eta HIRURAK TELEFONOARI BEGIRA (KRESALA saria Pabellon 6n Bilbon, 2024) idatzi ditut. Azken aldian, umorezko bakarrizketak idatzi eta taularatzen ditut baita ere.

\n\n

Antzerkiaz gain, TBrako eta Irratirako ere lan ugari egindakoa naiz. Azken lanen artean: BT2025 galako zuzendaria, GAZTEA sariak galako gidoilaria edo ARDI BELTZAK saioaren gidari eta zuzendaria. 

\n\n

 

\n\n

 

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Villabonako aktorea, umoregilea eta sortzailea.  Donostiako Arte Eszenikoen Tailerrean (TAE) ikasi du. Binahi eskolan ere trebatu da bikoizketan. Egun Kalte Kolektiboa antzerki taldearen parte da eta Euskal Herritik barrena dabiltza eurek sortutako Fikziohesioa antzerkiarekin. Fikzioan, hainbat film laburretako aktore lanetan ibili da; esaterako, ‘Trabatutak’ euskarazko lehen film labur musikalean. Film luzeei dagokienez, ‘La Infiltrada’ filmeko aktore izan da, baita oraindik argia ikusi ez duen ‘Anekumen’ filmean ere. Umoregile bezala, bakarrizketak egiten dabil herrietako oholtzetan.

\n\n

 

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Villabona, 2000. Ikus-entzunezko komunikatzailea eta sortzailea. Ikus-entzunezko komunikazioan lizentziatua. Hainbat film laburren gidoiak idatzi ditu, bai eta kanpo proiektuetako aholkularitzan parte hartu ere. Egun, telebistako saioetan dabil erredakzio eta produkzio lanetan, eta esperientzia du kazetaritza idatzian eta irratian. Kultur ekintzen antolakuntzan eta kudeaketan ere ibilia da

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Ikusmira Berriak zinegileentzako egonaldi-programa bat da, talentu emergentea eta ikus-entzunezko sorkuntza babesten eta bultzatzen dituena. 

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Noka Mentoringek denbora, espazioa, testuingurua, akonpainamendu profesionala eta 4.000€-ko diru laguntza eskaintzen die zuzendari parte-hartzaileei.

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Ainize Sarasola zinemagilea eta artista da. Orain arte hiru film labur egin ditu, horietako bat 2017an Portland Underground Film Festibalean hautatutako Tarot Night. Hurrengo urtean estreinatu zen bere lehen film luzea, Killing Time (2018). Orain arte egindako lan zinematografikoak underground zinemaren esparruan garatu ditu.

\n\n

Artista gisa marrazketa, pintura, komikia, collagea eta bideo esperimentala lantzen ditu. Bere ibilbide artistikoan hainbat beka eta sari jaso ditu, hala nola Monte Hermoso Kultur Etxeak emandako sorkuntzarako laguntza, edo Eusko Jaurlaritzako Arte Plastiko eta Bisualen arloan jarduerak sustatzeko eta garatzeko dirulaguntzak. 2009az geroztik, erakusketak egiten ari da, taldeka zein banaka. Azken erakusketa Ultraviolence izan da 2022an, Gipuzkoako Foru Aldundiaren Egile programaren barruan egina. 2023an, beste egile batzuekin batera, Dating Advices for young ladies komiki-liburua argitaratu zuen. 2019az geroztik, bideoblog izeneko proiektu batean ari da lanean. Videoblog denboran zabaltzen den eguneroko moduko bat da. Proiektu honetan bere eguneroko bizitzako irudiekin egindako bideoak biltzen ditu, istorio narratiboekin eta soinuarekin nahasten dituenak.

\n\n

Egun ROSA Y VIOLETA bere bigarren film luzea garatzen ari da, NOKA Mentoring programaren barruan.

\n\n

 

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María García Marraco (Donostia, 1984) dokumentalista eta soinu-konpositorea. Publizitatean, kulturan eta ekitaldietan ikus-entzunezko errealizadore gisa lan egiten du MGMarraco proiektuarekin. 2019an, aldaketa bat egitea eta proiektu sortzaile eta pertsonalagoetan murgiltzea erabaki zuen. Orduz geroztik, irudiak eta soinuak ehuntzen ditu UYULALAn, soinuzko eta ikus-entzunezko esperimentaziorako sortutako egitasmoan. Dokumentalista gisa, besteren artean, ondoko lanak egin ditu: Memoria · Recuerdos · Souvenir/Distorsión (4 ') film labur esperimentala 2013an, ¿Recuerdas aquella vez en la que, estando juntos, bailamos esta o aquella danza? I Performance de Clara Amaral (35 ') dokumentala 2019an eta The Transhumanist (19') film labur esperimentala.

\n\n

Gaur egun, \"Soñalía, la soñadora\" haurrentzako ipuin bat argitaratzear dago, María Marraco ezizenarekin, eta bere lehen film luzea, LOS HOMBRES CABALLO, NOKA 2024 programaren barruan garatuko du.

\n\n

 

\n\n

 

\n\n

 

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Maia Iribarne Olhagarai (Lasa, 1995) musikaria eta film egilea da. Aretxabaletako Mondragon Unibertsitatean ikus-entzunezko komunikazioa ikasi zuen. Ondotik, arte bisual eta hezkuntza ikerketa masterra burutu zuen 2018an, Bartzelonako Arte Ederren fakultatean. Sormenezko dokumentalgintzan berezitu zen berantago Frantzian, Lussas-eko zinema eskolan (Ecole documentaire de Lussas, Ardèche Images). 2023an, Paxkal Irigoyenekin zuzendu eta ekoitzitako Bañolet fikziozko filma estreinatu zuen. Gaur egun, musika eta ikus-entzunezkoak uztartzen ditu bere lan eta praktika artistikoan. Musika talde eta proiektu ezberdinetan jotzen du (Habia, Bloñ…) eta Altxaliliak dokumental luzea garatzen ari da NOKA Mentoring programaren barne.

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\nParisen bizi den zine ekoizlea. Bartzelonako Pompeu Fabra Unibertsitatean Ikus-entzunezko Komunikazioan eta Giza Zientzietan lizentziatua, 2015etik Frantziako 4 Productions elkarteko kide da. Ekoitzi zuen lehen film luzea, Maryam Goormaghtigh zuzendariaren Avant la fin de l 'été (2017), Cannesen estreinatu zen eta harrera bikaina izan zuen Frantziako zinema aretoetan eta nazioarteko jaialdietan. 2019an, Cannesko Zinemaldian epaimahaiaren Un Certain Regard saria jaso zuen Oliver Laxeren O que arde pelikula ekoitzi zuen ondoren 2 Goya eta 2 Gaudi irabazi zituena, besteak beste. Gaur egun, Santiago Fillolen lehen film luzea, Matadero, eta Oliver Laxe zuzendariaren film berria  ekoizten ari da, besteak beste.
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Ikusmira Berriak programak irailaren 1era arte zabalik egongo den hamargarren deialdia ireki du.

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Euskarazko soinuzko fikzioa sustatzea da deialdiaren helburua.

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Bilbo, 1982. Kultur kudeatzailea, itzultzailea, bertsolaria eta idazlea. Itzulpengintzan eta Interpretazioan lizentziatua, kultur arloko graduondoko hainbat ikasketa ditu. Hogei bat literatur itzulpen, antzerki-egokitzapen, gidoi, ipuin eta eleberri grafikoren egilea da, eta urte askoan aritu da zutabegile gisa prentsa idatzian eta irratian. Donostiako Europako Kultur Hiriburuaren programa zuzendu zuen 2016an.

\n\n

 

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Aktorea eta sortzailea. Bilboko Dantzerti eskolan arte dramatikoan graduatua. Hainbat proiektutan hartu du parte aktore gisa antzerkian zein zineman, esaterako: Akelarre (Pablo Agüero), Perpetua Felicidad (Isa Luengo eta Sofia Esteve), Las buenas compañías (Silvia Munt), Uda gau bateko bidegurutzea (Mireia Gabilondo), Adaptación contemporánea de los Madrigales de Monteverdi (Arriaga antzokia) eta Pelikula baten bila (Lara Izagirre). Lokuzioari dagokionez, Hodei Arrastoaren ZARATA audiogidan egin du lan, testuetako bati ahotsa jarriz.  Sormenari eta idazketari dagokionez, IRAITZ izeneko bost ipuinez osatutako bildumaren sortzailea da. Bertan haur batek egunerokotasunean bizitzen dituen abenturak kontatzen dira. Bestalde, 1,13 antzerki testua idatzi du, Lezoko lehen antzerki labur lehiaketan finalista gisa hautatua izan dena.  Horrez gain, eskoletan ere aritu da Atlantikaldia programaren barnean haurrekin ipuin sorkuntza ikastaroak egiten.

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Aktorea eta sortzailea. Bartzelonako Institut del Teatren arte dramatikoan graduatua. Profesionalki aktore bezala proiektu hauetan hartu du parte, besteak beste: Els Watson (Teatre Nacional de Catalunya), Flam (Teatre Lliure eta Festival Grec), La first casi blind date (Temporada Alta), Jusqu’ici tout va (Francesc Cuéllar) eta Protocolos de acción frente a lo desconocido (TNT eta Escena Abierta). Fikziozko bi podkast ezberdinetan egin du lan hainbat pertsonaia interpretatuz: Crema (GenCat), sexualitateari buruz libreki hitz egitea helburu duen podkasta eta L’Entresol (ICat), lau pisukide gaztek podkast bat sortzen dutenean gertatzen zaizkien abenturak azaltzen dituena. ‘El hombre que plantaba árboles’ testuan oinarritutako Umanos: Proyecto Colaborativo proiektuan ere ahotsa jartzen du. LGBTI+ kolektiboari buruz datzan ZARATA audiogidaren sortzailea da, 40 minutuko ibilbidea eginez kolektiboari buruzko kontakizunak azaltzen dituzten hamar ahots entzuten direlarik. Lokuzioari dagokionez, makina bat aldiz egin du lan museo ezberdinentzako (Bilboko Arte Ederren Museoa, MAC Empúries) hainbat audiogida sortuz. Zuzendari gisa hainbat pieza eszeniko zuzendu ditu, guzti-guztiak autoretza pertsonalekoak: Dancing bees (Sala Melmac, Sala Pangolí), Granada hazien auzia (Eztenaldia), Terapia (La Farándula), Te callas. (La Farándula) eta Ikusi arte (Zizurkilgo eliza).

\n\n

 

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\nLaikako Rapid Prototype enpresako arduraduna, Brian McLeanek Zientzia eta Teknologiaren Oscarra irabazi zuen 2016an, aurpegi-animaziorako 3D inprimagailuen teknologiaren konpainiako garapenean egindako lanagatik. Efektu bisual onenetarako Oscar sarietarako izendatua egon da, Kubo and the Two Stings-agatik, animazioan lortutako Annie sari berezia irabazi zuen Coraline pelikulan lanagatik eta Variety-k zinema industriako \"Animation Elite\" bezala izendatu zuen.
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(Argazkia: Rafa Rodrigo)

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Ainara LeGardon (Bilbo, 1976) musika eta artista da 1991tik. Rockaren, inprobisazioaren eta musika esperimentalaren alorrean lan oparoa egiten du, bai bakarka, bai hainbat talde artistikotan eta proiektu eszenikotan parte hartuta.
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\n\n

Euskal Herriko queer memoriaren inguruko sorkuntza zinematografikorako tailerra

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(Azul, Buenos Aires, 1998)

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Zinemagilea, ekoizlea, programatzailea eta zinema banatzailea.

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Buenos Aireseko Zinema Unibertsitateko Zinema Zuzendaritzan lizentziatu zen, eta film labur eta bideoklipa ugari ekoizten ditu. 2018-2020 bitartean, Buenos Aireseko Nazioarteko Zinema Independentearen Jaialdia (BAFICI), Mar del Platako Nazioarteko Zinemaldia (MDQFILMFEST), Buenos Aireseko Nazioarteko Jaialdia (FIBA) bezalako zinemaldietako ekoizpenean eta gonbidatuetan lan egiten du.

\n\n

2020an, truke bat egin zuen Belgikako KU Leuven Unibertsitatean antropologiarekin, kultur aniztasuna eta dantza garaikideari lotutako programa bati jarraituz.

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2022an, The Contraction of Waiting izeneko film labur esperimental batzuk ekoiztu zituen Buenos Airesko Teatro Colón-ekin batera eta Jornadas Ritmo en las Artes Buenos Aireseko Arteen Unibertsitate Nazionalarekin batera.

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2022-2023 bitartean Komisariotza Masterra ikasten ari da Elías Querejeta Zine Eskolan, eta Tabakalerako Kultura Garaikidearen Nazioarteko Zentroan (Donostia – ExÓrbita - Zinema, gorputzak eta espazio liminalak) zikloko programazio-taldeko partaide izan da) 2023ko apirilean.

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2023an Narciso film laburra estreinatuko du Asterisco jaialdian (Argentina); Memorias Sinavergenzas: Buenos Aires, 1979 DocsMx Zinema Dokumentalaren Nazioarteko Jaialdian (Mexiko) eta Monstruo de mi deseo MUTA Ikus-entzunezkoen Nazioarteko Jaialdian (Peru).

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Aitor Gametxo (1989, Lekeitio) 

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Zinegilea eta irakaslea naiz.

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Filmak sortuz ezezaguna zaidan horretara hurbiltzen ahalegintzen naiz, bide horretan edukiak eta formak, ikerketak eta sorkuntzak, hitzak eta irudiak nahiz ez-fikzioak eta fikzioak izan ditzaketen erlazio anitzen inguruan gogoeta egin eta esperimentatuz.

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2014tik film laburrak eta askotariko ikus-entzunezko proiektuak eginez nabil, bai bakarka bai eta beste sortzale batzuekin ere.

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2021ean Kimuak katalogoan aukeratua izan nintzen “Berak baleki” laburrarekin. Aurki “Geratzen den hori” laburmetraia lantzen ari naiz, Galapan eta Sumendi ekoiztetxeekin.

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Tamara Lucarini zientzia politikoetan lizentziaduna da, eta ikasketa feministetan masterra du. Betidanik izan du ikus-entzunezkoetan interesa, 4 urtez banaketan egin zuen lan eta horretan ari zela hasi zen gidoilari eta zuzendari lanetan 2018an \"No es coma\" filman. Hurrengo urtean Noka mentoria-programan parte hartu zuen \"El Peso\" dokumentalarekin eta bere bigarren \"Txango\" film laburra 2021eko Mendi Film Festival Bekaren emaitza da. Bi urte geroago, 2023an, lehen antzezlana idatzi zuen: \"Un 6 y un 4 y una curva parabólica\". Urte horretan bertan, bere azken film laburra, \"Prioridades\", Kimuak katalogoan aukeratua izan zen, eta zinema festibalen zirkuituan dabil geroztik. Gaur egun, gidoigintzako master bat ikasten ari da Complutense Unibertsitatean, Mediapro taldearekin batera, eta \"La gotera\" fikziozko lehen film luzea lantzen ari da.

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Ikus-entzunezko Komunikazioan graduatu zen, Madrilgo Carlos III.a Unibertsitatean, eta Segoviako Diputazioaren prentsa bulegoan egin zituen praktikak, kultura eta ondarearen arloetan. Hainbat zinema jaialdietan egon da, hala nola Donostiako Zinemaldia eta DocumentaMadrid. Zinemak eta memoria kolektiboak harengan sortutako jakin-minari jarraituta, ondare zinematografikoa ezagutzeko interesa agertu du, hainbat erakunderen lanean arreta berezia jarrita, hala nola Espainiako Filmotekan, non ohiko bisitaria baita. Haren lanaren eragile nagusietako bat zinemaren eta mamu kontzeptuaren arteko harremanaren ikerketa bat, mamu terminoaren adiera arruntenetatik hasita psikoanalisi eta irudiaren filosofiara.

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Zineman graduatu zen Helio Alonso Fakultate Integratuetan (Rio de Janeiro). Rio de Janeiroko Arte Modernoko Museoko Zinematekako artxiboak berrantolatzen lan egin du, eta, besteak beste, artxiboak José Carlos Avellar kontserbazio eraikin berrira transferitzeko lanak eta dokumentu ondarea katalogatzeko lanak egin zituen, 2019tik 2022ra. La Película Perdida film laburra egin zuen, beldurrezko generokoa, Brasilgo ikus-entzunezko kontserbazio politikei buruzkoa. Saio hauek antolatu ditu: Nuevxs Realizadores, MAM Rioko Zinematekan. Artxiboko irudiak ikertu nahi ditu, Antonio Venancio ekoizlearen laguntzaile gisa lan egin du, eta ekoizpen berri bat ere egin du, 1968, Um Ano na Vidafilm luze dokumentala.

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Tabakalerako ikus-entzunezko laborategian ikus-entzunezko pieza bat sortzeko tailerra, AAn oinarritutako tresnekin.

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Zinemagilea eta ikertzailea. Artefacto-ren sortzaileetako bat, zinema, politika eta teknologiari buruzko sorkuntza eta ikerketa ekoiztetxea. Besteak beste, CPH: DOX, SXSW, Málaga eta DocsBarcelona jaialdietan aukeratu eta saritu dituzte bere new media filmak eta proiektuak. Elkarrekin zuzentzen du +RAIN Film Festival, adimen artifizialaz sortutako filmen Europako lehen jaialdia, eta UABeko \"Zinema, Algoritmoak eta IA\" ikastaroa koordinatzen du, eta UPFko irakasle ere bada.

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Zinemagilea eta ikertzailea. Artefaktu eta GusanoFilms-en sortzaileetako bat. Besteak beste, IDFA, HotDocs, SXSW, Mar del Plata, BAFICI, Guadalajara, DocsBCN eta Málaga jaialdietan aukeratu eta saritu diren hainbat film zuzendu eta ekoitzi ditu. Zuzendaritza onenaren Zilarrezko Biznaga irabazi zuen Malagako jaialdian eta bere ekoizpenak Feroz sarietan izendatuta egon dira. Telekomunikazioen eta ikus-entzunezko komunikazioaren ingeniaritza teknikoa ikasi zuen. Bitarteko interaktiboetan masterra du eta gaur egun Zinema eta Adimen Artifizialean doktoretza egiten ari da. Bartzelonako Unibertsitate Autonomoko, Pompeu Fabra Unibertsitateko eta BAUko irakaslea da. IDFA Bertha eta IDFA Forumeko hautaketa-batzordean lan egin ohi du.

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2deo Serieak mentoretza-programak talentu berriak bultzatu nahi ditu, telesail-proiektu berritzaileen aldeko apustua egin dezaten.

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Leire Albinarrate (Vitoria-Gasteiz) gidoilaria da. Carlos III .a Unibertsitatean Kazetaritza eta Ikus-entzunezko Komunikazioan graduatua, Chapman Universityko (Kalifornia) Gidoi Master batekin osatu zuen bere prestakuntza Fulbright beka bati esker.

\n\n

Esperientzia du serieen gidoigintza taldeetan (\"Perverso\", Prime Video eta \"Ángela\", ATRESPLAYER) eta film luzeenetan ere bai (\"El molino\", Malagako Zinemaldian estreinatua eta Publikoaren Saria 2024ko Santanderreko Jaialdian).

\n\n

Ez-fikziozko proiektuen I+Gn ere lan egin du, eta lan hori ikus-entzunezkoen eta antzerkiaren arloko proiektu pertsonalekin batera jorratu du. Horien artean \"La Mala Vida en Madrid\" serie-proiektua nabarmentzen da, Zinema Akademiaren Egoitzetan garatua eta Conecta Fiction-en ALMA eta Triodos sarien irabazlea.

\n\n

 

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Gidoilari eta zuzendari gisa, Jesus is B(l)ack izeneko fikziozko lehen film laburra egin zuen 2018an, Bartzelonako U22 Film Fest jaialdian Zinemagile Gazte Onenaren saria irabazi zuena. 2019an, Infraganti bere bigarren film laburrak, Notodofilmfest jaialdian finalista eta Donosskino jaialdian ikusleen saria irabazi zuen. 2021 urtean Txoriak Txori laburmetraia idatzi eta zuzendu zuen 15 hautapen baino gehiago dituena jaialdietan. 2023an Deadly Draw (Sorteo Mortal) laburmetraia idatzi eta zuzendu zuen, Kimuak-eko Euskal Laburmetraien katalogoan aukeratua. Dagoeneko 30 jaialditan egon da eta 5 sari jaso ditu. Azkenengo urteetan sarituak izan diren hainbat bideoklip idatzi eta zuzendu ditu: Liher – Teloia, Niña Coyote eta Chica Tornado-rentzat bi bideoklipez osatutako pieza, Bele – Zerua Irabazi eta Erromintxelak – Esperoan. 2023an KZ Gunea-ren kanpainaren spot-a zuzendu zuen.

\n\n

Zinemaren ofizioa barrutik ikasteko aukera izan du film eta serietan zuzendaritza taldean lan eginez: Vitoria 3 de Marzo (Victor Cabaco), El Doble más quince (Mikel Rueda), Ane (David P. Sañudo), Ilargi Guztiak (Igor Legarreta), Descarrilados (Fer García Ruiz), Voy a Pasármelo Bien (David Serrano), ¿Es el Enemigo? (Alexis Morante), El Buen Patrón (Fernando León de Aranoa), Maixabel (Iciar Bollaín) filmetan, edota La Fortuna (Alejandro Amenabar), Intimidad (Netflix), Acoustic Home (HBO), Apagón (Movistar+) eta Balenciaga (Moriarti/Disney+) serietan.

\n\n

2024an, Koldo Almandozen Zeru Ahoak seriearen bigarren unitateak zuzendu ditu, Txintxua films-ek (Intimidad, Ondar Ahoak, Oreina, Karmele etab.).ekoiztua EiTB-ren partaidetzarekin. Duela gutxi, Sasia sutan luzemetrai proiektua Euskal Gidoigileen Elkartearen Gidoi Mentroing programan hautatu dute.

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Iñigo Alkorta (Donostia, 1985). Unibertsitate Masterra du Ikus-entzunezko Gidoien Sorkuntzan (UNIR). Lizentziatua da Giza Zientziak: Komunikazioan (Deustuko Unibertsitatea) eta Marketinean (UNIVA). Profesionalki komunikazioaren, marketinaren eta sare sozialen arloetan garatu da. 2019tik Donostia Zinemaldian lan egiten du. Gidoi-Euskal Herriko Gidoigileen Elkarteko kidea eta zuzendaritza batzordeko bokala da.

\n\n

Ikus-entzunezkoen eta zinemaren munduan ibilbidea hasi zuen Atzelariak (2021, ko-zuzendaritza, Euskal Zine Bileran hautatua) film laburrarekin. Bigarren lana, Gauero (2022), zuzendari eta gidoilari gisa lehena, Zinegoak eta Euskal Zine Bilera bezalako jaialdietan hautatutako fantasiazko eta zientzia-fikziozko generoko LGTBIQ+ film laburra izan zen. Egun, Dena ondo aterako da bere hirugarren film laburraren aurre-produkzio fasean dago (LGTBIQ+ eta fantasia generokoa hau ere), eta Larrua (Cuero) bere lehen seriearen idazketa fasean, ECAM FORUM Series eta Tabakalera 2deo SERIEAK programetan hautatua izan den fikzio seriatua, kirol profesionalean eta euskal landa-ingurunean kokatzen dena eta, besteak beste, maskulinitatea, sexu-aniztasuna, homofobia eta matxismoa bezalako gaiak jorratzen dituena.

\n\n

 

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Gidoilari gisa 20 urte baino gehiagoko ibilbidean, EITBko hainbat saio
\nmitikotan egin Du lan, besteak beste, Ondas saria irabazi zuen Vaya
\nSemanita (gidoilari eta gidoi koordinatzaile lanetan), Euskolegas sitcomean
\n(2 dendoraldi) eta Goazen telesail musikalean (Premio de la Academia de la Televisión 2010).

\n\n

2022an Gasteizko Festivalean CIMA TV saria irabazi zuen Irabazi Arte!
\ntelesailaren sortzailekidea eta gidoilaria da, eta dagoeneko seigarren
\ndenboraldia idazten ari da (ETBI 1, Primeran, DISNEY+). Telesailak 2025
\nAcademia de la Televisión-eko Iris sarietarako izendatuta dago.

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2deo SERIEAK Tabakalerako 2deo ikus-entzunezko laborategiak sustatutako programa bat da, telesailen sortzaileen proiektuak tutoretzan hartzeko eta babesteko

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Ainhoa Artetxek (Bilbo, 1993) Arte Dramatikoko ikasketak Madrilgo Estudio Corazza delakoan egin zituen (2012-2017), eta zuzendaritza, gidoigintza eta clown arloetako prestakuntza ere badu. Aktore gisa, hainbat telesailetan hartu du parte: “Patria”, “La línea invisible”, “Hondar ahoak” (“Bocas de arena”) eta “Pikuak” (webseriea). Eta, antzerkian, lan hauek egin ditu, besteak beste: “Tratando de hacer una obra que cambie el mundo”, “La maniobra Heimlich” edo “¿Qué fue de Ana García?”. Film labur, bideoklip eta performance ugaritan ere aritu da. 

\n\n

Sortzaile eta zuzendari gisa, Ainhoak Neuke Produkzioak-en “NORMALA” saila zuzendu eta idatzi zuen (genero ikuspegia duten film laburrak dira). Eta, konfinamenduan, “Miren Gotzone” online minisaila sortu zuen bere etxetik. Antzerkian, Winona&Grace Khea Ziaterren azken lanean sortzaile eta aktore da (oraindik ere 25 antzoki baino gehiagotan antzezten da lan hori).

\n\n

Bere azken lanen artean, honako hauek nabarmentzen dira: Icíar Bollaínen azken filma (“Maixabel”) edo laster estreinatuko den “Itxaso” telesaila (EITB eta Mediaprorena).

\n\n

Gaur egun, bere hurrengo estreinaldia izango den “Mother Ma” antzezlanaren idazketa-prozesu bateratuan ari da; eta bere bizipenetan eta bere belaunaldikoenetan oinarritutako EUTSI GOIARI serie-proiektua egiten ari da 2deo serieak 2023rako.

\n\n

 

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Mónica Arnanz (Madril, 1996) Zineman graduatu zen Camilo José Cela Unibertsitatean, eta, ikasketak amaitzeko, espezialitate aipamena egin zuen Zuzendaritza Artistikoan. Fashion filmaren generoko zuzendari gisa egin zituen lehen lanekin ia milioi erdik ikustea lortu zuen. 

\n\n

Geroago, fikziorako jauzia egin zuen; bere lehen film laburra —Una Historia Azul (2021)— argitaratu zuen, eta Madrilgo Erkidegoaren eta Zinematografiaren eta Ikus-entzunezko Arteen Institutuaren (ICAA) babesa lortu zuen. Proiektu horrekin hainbat jaialdi ospetsutan hartu du parte; honako hauetan, esaterako: Film Laburren Astea, FICIE, FESCIGU, IBICINE edo Sonoma International Film Festival delakoa. Era berean, 3 izendapen lortu zituen Fugaz Sarien azken edizioan, eta Ribadeoko Jaialdian film labur onenaren saria irabazi zuen. 

\n\n

 

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Xabi Ojinaga Juarez (Bermeo 1992) Arriguri kolektiboaren eskutik dabil ikusentzunezkoan murgilduta. 2010. hamarkada erdialdean autodidakta bezala batutako lagun taldea batez ere bideoklip eta bideo txikien formatuan ibili da azken urteotan, hala ere, beti izan du istorioak modu zinematografikoan kontatzeko nahia, halako ipuinkontalari konplexu bat.
\n
\nZuzendari edo gidoigile bilakaera horretan oraindik bideoaren eta experimentazioaren alorrean asko jorratzeke egonda ere, istorio txiki (edo handi) bat kontatzeko beharretik fikzioa egiterako eman beharreko pausoak ematen ari da taldea, 2DEO SERIEAK programan sartzearekin adibidez.

\n\n

 

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Sergio García-Ramos-ek (Madril, 1996) Enpresen Administrazioa eta Zuzendaritza ikasi zuen Madrilgo Unibertsitate Konplutentsean, eta, ondoren, zinearen inguruko prestakuntza osoa hasi zuen Estudio V-n. Bere ibilbidea produkzioaren eta zuzendaritza eta idazketa zinematografikoaren artean garatu zuen. 

\n\n

Bere lehen film laburrarekin (Inked) gidoi onenaren saria irabazi zuen Kalkutako Jaialdian. Fikziozko bere azken lana, Quitameriendas (2021), Navarra Tierra de Cine IX. Lehiaketan ekoizteko aukeratu zuten; aurrerago, epaimahaiaren sari berezia eta argazkigintza onenaren saria irabazi zituen lehiaketa berean, eta duela gutxi epaimahaiaren sari berezia Novembre Negre Jaialdian. 

\n\n

 

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Telesailen sortzaileen (ekoizleak eta gidoilariak) proiektuak tutoretzan hartzeko eta babesteko \"2deo serieak\" programaren hirugarren edizioa.

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Leire Albinarrate (Vitoria-Gasteiz) gidoilaria da. Carlos III .a Unibertsitatean Kazetaritza eta Ikus-entzunezko Komunikazioan graduatua, Chapman Universityko (Kalifornia) Gidoi Master batekin osatu zuen bere prestakuntza Fulbright beka bati esker.

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Esperientzia du serieen gidoigintza taldeetan (\"Perverso\", Prime Video eta \"Ángela\", ATRESPLAYER) eta film luzeenetan ere bai (\"El molino\", Malagako Zinemaldian estreinatua eta Publikoaren Saria 2024ko Santanderreko Jaialdian).

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Ez-fikziozko proiektuen I+Gn ere lan egin du, eta lan hori ikus-entzunezkoen eta antzerkiaren arloko proiektu pertsonalekin batera jorratu du. Horien artean \"La Mala Vida en Madrid\" serie-proiektua nabarmentzen da, Zinema Akademiaren Egoitzetan garatua eta Conecta Fiction-en ALMA eta Triodos sarien irabazlea.

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Gidoilari eta zuzendari gisa, Jesus is B(l)ack izeneko fikziozko lehen film laburra egin zuen 2018an, Bartzelonako U22 Film Fest jaialdian Zinemagile Gazte Onenaren saria irabazi zuena. 2019an, Infraganti bere bigarren film laburrak, Notodofilmfest jaialdian finalista eta Donosskino jaialdian ikusleen saria irabazi zuen. 2021 urtean Txoriak Txori laburmetraia idatzi eta zuzendu zuen 15 hautapen baino gehiago dituena jaialdietan. 2023an Deadly Draw (Sorteo Mortal) laburmetraia idatzi eta zuzendu zuen, Kimuak-eko Euskal Laburmetraien katalogoan aukeratua. Dagoeneko 30 jaialditan egon da eta 5 sari jaso ditu. Azkenengo urteetan sarituak izan diren hainbat bideoklip idatzi eta zuzendu ditu: Liher – Teloia, Niña Coyote eta Chica Tornado-rentzat bi bideoklipez osatutako pieza, Bele – Zerua Irabazi eta Erromintxelak – Esperoan. 2023an KZ Gunea-ren kanpainaren spot-a zuzendu zuen.

\n\n

Zinemaren ofizioa barrutik ikasteko aukera izan du film eta serietan zuzendaritza taldean lan eginez: Vitoria 3 de Marzo (Victor Cabaco), El Doble más quince (Mikel Rueda), Ane (David P. Sañudo), Ilargi Guztiak (Igor Legarreta), Descarrilados (Fer García Ruiz), Voy a Pasármelo Bien (David Serrano), ¿Es el Enemigo? (Alexis Morante), El Buen Patrón (Fernando León de Aranoa), Maixabel (Iciar Bollaín) filmetan, edota La Fortuna (Alejandro Amenabar), Intimidad (Netflix), Acoustic Home (HBO), Apagón (Movistar+) eta Balenciaga (Moriarti/Disney+) serietan.

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2024an, Koldo Almandozen Zeru Ahoak seriearen bigarren unitateak zuzendu ditu, Txintxua films-ek (Intimidad, Ondar Ahoak, Oreina, Karmele etab.).ekoiztua EiTB-ren partaidetzarekin. Duela gutxi, Sasia sutan luzemetrai proiektua Euskal Gidoigileen Elkartearen Gidoi Mentroing programan hautatu dute.

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Iñigo Alkorta (Donostia, 1985). Unibertsitate Masterra du Ikus-entzunezko Gidoien Sorkuntzan (UNIR). Lizentziatua da Giza Zientziak: Komunikazioan (Deustuko Unibertsitatea) eta Marketinean (UNIVA). Profesionalki komunikazioaren, marketinaren eta sare sozialen arloetan garatu da. 2019tik Donostia Zinemaldian lan egiten du. Gidoi-Euskal Herriko Gidoigileen Elkarteko kidea eta zuzendaritza batzordeko bokala da.

\n\n

Ikus-entzunezkoen eta zinemaren munduan ibilbidea hasi zuen Atzelariak (2021, ko-zuzendaritza, Euskal Zine Bileran hautatua) film laburrarekin. Bigarren lana, Gauero (2022), zuzendari eta gidoilari gisa lehena, Zinegoak eta Euskal Zine Bilera bezalako jaialdietan hautatutako fantasiazko eta zientzia-fikziozko generoko LGTBIQ+ film laburra izan zen. Egun, Dena ondo aterako da bere hirugarren film laburraren aurre-produkzio fasean dago (LGTBIQ+ eta fantasia generokoa hau ere), eta Larrua (Cuero) bere lehen seriearen idazketa fasean, ECAM FORUM Series eta Tabakalera 2deo SERIEAK programetan hautatua izan den fikzio seriatua, kirol profesionalean eta euskal landa-ingurunean kokatzen dena eta, besteak beste, maskulinitatea, sexu-aniztasuna, homofobia eta matxismoa bezalako gaiak jorratzen dituena.

\n\n

 

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Gidoilari gisa 20 urte baino gehiagoko ibilbidean, EITBko hainbat saio
\nmitikotan egin Du lan, besteak beste, Ondas saria irabazi zuen Vaya
\nSemanita (gidoilari eta gidoi koordinatzaile lanetan), Euskolegas sitcomean
\n(2 dendoraldi) eta Goazen telesail musikalean (Premio de la Academia de la Televisión 2010).

\n\n

2022an Gasteizko Festivalean CIMA TV saria irabazi zuen Irabazi Arte!
\ntelesailaren sortzailekidea eta gidoilaria da, eta dagoeneko seigarren
\ndenboraldia idazten ari da (ETBI 1, Primeran, DISNEY+). Telesailak 2025
\nAcademia de la Televisión-eko Iris sarietarako izendatuta dago.

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Euskarazko soinuzko fikzioa sustatzeko deialdia

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Kazetaritzan, zinema dokumentalean eta musikan lan egin duen sortzailea da. ULU Studion dihardu lanean eta azken urteetan 10 soinu fikzio baino gehiagotan parte hartu du zuzendari eta soinu diseinatzaile gisa. Artxipelagoarekin Argia Saria irabazi zuen eta 2022ko Ondas Sarietan soinu diseinu onenaren epaimahaikoaren aipamen berezia jaso zuen. 2024ko Ondas sarietan, berriz, Holobiontea lanarekin izendatua izan zen. Hainbat alditan izendatu dute Rikardo Arregi sarietan.

\n\n

 

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Kazetaria, idazlea eta soinu-artista da, eta De eso no se habla podcastaren sortzaile eta zuzendaria. Lan honek kronika, saiakera eta dokumentala uztartzen ditu, isilune intimo eta kolektiboak aztertuz. New Yorkeko Unibertsitatean Ikasketa Kulturaletan doktorea da, eta memoria historikoan, giza eskubideetan eta genero-ikuspegian espezializatua.

\n\n

De eso no se habla podcastarekin hainbat sari jaso ditu, tartean Nazioarteko Kazetaritza Saria, Colombine (2021), eta 2025eko Ondas Saria. Halaber, kronikak eta podcastak argitaratu ditu El País, Público, CTXT, Deutsche Welle, Radio Ambulante eta Carne Crudan, besteak beste. Bi poesia-libururen egilea da, baita Poética de la ausencia (Cátedra, 2019) saiakerarena ere. Soinu-dokumentala irakatsi du RNE, EITB, La Casa Encendida, NYU edo Princetonen bezalako erakundeetan.

\n\n

 

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Idazleak eta gidoilariak. Literaturaren alorrean 25 liburu argitaratuak dituzte, bai bakarka bai tandem sortzaile gisara. Komiki gidoi ugari ere idatzi dituzte AEBn eta Frantzian argitaratutako lanekin, eta zinerako eta telebistarako gidoiak ere idazten dituzte. Ulu Median gidoilari gisa dihardute lanean, “Artxipelagoa”, “Holobiontea” edo “Eden” bezalako soinu fikzioetan.

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Sondika, 1999. Ikerlari eta gidoilaria. Ikus-entzunezko Komunikazioko gradua UPV/EHUn, Gidoigintzako masterra ESCACen eta Zinema eta Ikus-entzunezko Garaikidearen Ikasketetako masterra UPFen. Gidoilari gisa, enkarguzko zein proiektu propioen garapenean aritu da, batez ere garapen-faseko lanetan eta sorkuntza-prozesuan.

\n\n

Magastiko Koplak komedia surrealista Zineuskadik antolatutako Talentuaren Gunean hautatua izan zen, eta Abycine Lanza Conexion saria irabazten. Horrez gain, bideoklipak eta video-essay formako piezak sortu eta zuzendu ditu, lengoaia zinematografikoaren eta pentsamendu kritiko eta politikoaren arteko harremanak aztertuz.

\n\n

Gaur egun, doktorego-tesia garatzen ari da, euskal zinemaren sorkuntza-prozesuaren analisia ardatz hartuta.

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Donostia, 1995. Egile eta kazetaria. Bere ibilbide profesionala nagusiki EITBn kazetari eta gidoilari gisa eman duen arren, hainbat kultur jardueretan egin du
\nlan, besteak beste, Tabakaleran ekoiztutako ¡LA CAGUÉ! podcastan.

\n\n

2023an bere lehen eleberria kaleratu zuen, MAITEMINA, ama-alaben harreman gatazkatsua ardatz duen istorio intimoa. 2024an INKOGNITA film labur dokumentalean 70. hamarkadan Errenterian eraildako Francis transformistaren irudia aztertu zuen begirada garaikide batetik. Film laburra hainbat festibaletan hautatu zen, hala nola, Bilboko 2025eko Zinegoak Festibaleko Begiradak sail ofizialean edota Lekeitioko Euskal Zine Bileran.

\n\n

2025an Irungo XX. mendeko gertakari nagusiak errepasatzen dituen MARGOLANA izeneko film luze dokumentala estrainatu zuen Irungo CBA Kulturgunean.

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Oizeder Mayo (1987)

\n\n

Kazetaria eta esataria. Ikus-entzunezko Komunikazioan lizentziatu zen Mondragon Unibertsitatean, eta irrati- eta telebista-lokuzioko prestakuntza osatu zuen Madrilen CES Irudi, Soinu eta Teknologiako Goi Eskolan. Ondoren, Komunikazio eta Marketin Digitaleko masterra egin zuen eta 2024an RTVEko Audioliburuen produkzioa ikasketak egin zituen.

\n\n

2014tik Gaztea irratian esatari lanetan aritzen da eta EITBko “El Conquistador” saioko sare sozialen eduki sortzailea eta kudeatzailea da. Horrez gain, musika animatzailea eta aurkezlea ere bada. Bere ibilbide profesionala lokuzioari lotuta egon da beti eta bikoizketetan, audiogidetan edota dokumentaletan bere ahotsa entzuteko aukera izan dugu, besteak beste. 

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Emakume zuzendari berrien film luzeen proiektuak tutorizatu, babestu eta bultzatzeko programa

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EHUn Ikus-entzunezko Komunikazioan graduatua, azken urteetan, ZINEBI eta ZINEGOAK bezalako nazioarteko film jaialdietan parte hartzailea izan da, bai boluntario gisa, bai gazte epaimahaikide moduan. Halaber, Kultura, Komunikazio eta Garapena (KCD ONGD) erakundean produkzio laguntzaile aritu da, CINE INVISIBLE jaialdia antolatzen eta ekoizpen-lanak koordinatzen. 

\n\n

2024an GIDOI MENTORING deialdian aukeratua izan zen fikziozko gidoi luze bat garatzeko. 2025an Hogeitabat dokumental laburra zuzendu zuen eta CINE INVISIBLE jaialdian aukeratua izan zen. Dokumentalak Euskarazko Lan Onenaren saria lortu zuen. Urte berberan, AUKERA mentoring programan parte hartu izan du Haziak fikziozko film laburra garatzeko. Hori dela eta, Haziak proiektuaren teaserra zuzendu zuen. ZINEBIko jaialdian bi sari lortu zituen: (H)emen saria eta Zineuskadi Nazioartekotze Saria. 2026an 2DEO Serieak deialdian bere taldea hautatua izan da Laboa seriearekin. 

\n\n

 

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Naia Arantzamendi Larrañaga gidoilari eta zuzendaria da. EHUko Ikus-entzunezko Komunikazio gradua egin ostean eta gidoigintza ikasketak burutzen ari zela Cannes Screenplay Contesteko finalista izan zen The Strait proiektuarekin eta gidoilari lanetan murgilduta dabil orduaz geroztik. Ibilbidean betidanik tartekatu izan du telebistako gidoilari lanak zinemagintzako proiektuekin, bai proiektu propioak zein beste emakume zinemagile batzuenetan lan eginez. Bere lehenengo film laburra Sutan-ekin I. Zinea Gidoi Lehiaketa irabazi zuen eta filma zuzendu zuen (ETBren Primeran Plataforman ikusgai dagoena). Koaxi bere lehenengo film luze proiektua Una habitación propia egoitza artistikoan garatu du Etxebetearen egoitzan. Luzearen garapen proiektuaren baitan Turrune bere bigarren film laburra grabatuko du aurten. 

\n\n

Horrez gain, kazetari lanetan ibiltzen da tokiko komunikabideetan zein zinema jaialdietan ere. Aurten Hamaika irakurtzeko jaioak liburua sinatu du

\n\n

Geuretik Sortuak programaren baitan hamaika sortzailerekin batera eratutako lana.

\n\n

 

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Interpretazioan eta Arte Eszenikoetan trebatutako aktorea, ibilbide sendoa osatu du zineman, telesailetan eta antzerkian. Besteak beste, ekoizpen hauetan parte hartu du: Felicidad Perfecta, Handia, Ane, Velvet Colección, La Línea Invisible, Altsasu, Nora eta La Isla de los Faisanes. Gaur egun, Estu telesaila filmatzen ari da.

\n\n

Aktore ibilbidearekin batera, zuzendari, gidoilari eta ekoizle fasetan ere aritzen da. Zinema ikasketak New Yorkeko Mono No Aware eskolan egin zituen. 2021ean Amura Films sortu zuen, eta bertatik hainbat film labur idatzi eta zuzendu ditu: Ezin (Márgenes Jaialdian estreinatua), Guardatiempos (Bellas Artes antzokian estreinatua) eta Dichoso (Notodofilmfest jaialdian saritua). Lux Bona dokumentala eta marka nahiz kultur erakundeentzako hainbat ikus-entzunezko lan ere zuzendu ditu.

\n\n

Zinema eta arte eszenikoak gizarte-tresna gisa erabiliz, Theatre For Roots elkartea sortu eta zuzentzen du, errefuxiatuei eta egoera ahulean dauden kolektiboei antzerki-tailerrak emanez. Zinemaldietan epaimahaikide, kultur ekitaldietako aurkezle eta zinema-zikloetako komisario lanetan aritu da. Gaur egun, zinema-sorkuntzako prestakuntzarekin jarraitzen du Elías Querejeta Zine Eskolan.

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2deo Serieak mentoretza-programak talentu berriak bultzatu nahi ditu, telesail-proiektu berritzaileen aldeko apustua egin dezaten.

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Gidoilaria eta zuzendaria.

\n\n

Ikus-entzunezko Komunikazioa Euskal Herriko Unibertsitatean (2023). Praktikak Consonni argitaletxean (Bilbo).
\nGidoi Masterra Salamancako Unibertsitate Pontifizian (2025).
\nOFF ESCAC-ko ikastaroak. Dokumentalaren sorkuntza eta gidoia, Almudena
\nCarracedok emana (2025). Film laburren idazketa tailerra, Haritz Zubillagak emana (2025).

\n\n

2024aren amaieran, CIMA10en hautatua, Sillas izeneko film laburreko gidoiarekin, CIMAk eta Prime Videok bultzatuta. 2025ean, Sillas filmatu zuen, Matadero Madrilen
\nestreinatutako film laburra. Urte berean, Sillas-ek Universae Sari Nagusia lortu zuen Zinemaldiaren 73. edizioan (SSIFF), Made in Spain sailean.

\n\n

Zinemaldiko epaimahai gazteko kide izan da 2022an, 2023an eta 2025ean.

\n\n

2025ean, bigarren postua lortu zuen Zinebi Expressen (Bilbo), Pisu Ederra film laburrarekin. Begira Produkzioak ekoiztetxeak EITBrentzat ekoitzitako Tamara Ta
\nMara serieko making off-aren arduraduna.

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Janire Arrizabalaga, Maialen Rekalde eta Elene Mengyu , ikusentzunezko komunikazioan graduatutako hiru gazte sortzaile dira. Unibertsitatean ezagutu zuten elkar eta ondo ezagutzen dute bertako errealitatea; hortik dator aurkezten duten proiektua bera ere. Hala ere, ez da egin duten lan bakarra, bete proiektu askotan ere hartu dute parte: Becoming Capa, Haziak, Hogeitabat, Itzal(iko) Bagina antzezlana... Ez dira geldi egoteko pertsonak.

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Danel Garay naiz, artista eta doktoregaia, eta nire lana esparru teknologikoan oinarritzen da. Instalazioak, bideoartea, soinuzko artea eta musika barne hartzen dituzten hainbat euskarritan lan egiten dut. Beti lan egiten du abstrakzio-gradu desberdinak aurkezten dituzten narratibekin, teknologia berriekin esperimentatuz. Normalean, zientzia fikzioak inspiratzen nau; izan ere, jorratzen ditudan gaiak beti dute esparru post-humanistaren bat. 

\n\n

Nire helburua da ikusleei esperientzia berriak eskainiko dizkieten eta zenbait irakurketa‑mailatan hausnarketa piztuko duten lanak sortzea. Interesgarria iruditzen zait konexioak egitea, eragile desberdinen arteko elkarrizketa sortuz, hala nola landareak ordenagailuekin, gizakiak AAekin edo organismo biziak musikariekin. 

\n\n

Gaur egun, Arte Garaikideko doktoregaia naiz, eta Adimen Artifizialak sortutako artearen esparruan ikertzen dut. Esparru liluragarria da, eta adierazteko modu ugari eskaintzen ditu; beraz, ikertzeaz eta sortzeaz gain, interes handia dut esparru horren dibulgazioan.

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Laura Barquín zinemagilea eta diseinatzaile grafikoa da. Azpian (2026) film laburra zuzendu du, FANT - Bilboko Zinemaldi Fantastikoa jaialdiko Euskal Film Labur Onenaren atalean hautatua. Diseinuaren eta ilustrazioaren arloan, Forbes, One Star eta Last Tour bezalako enpresentzat lan egin du. Ikus-entzunezkoen arloan, bideo-editore gisa lan egiten du Berde Produkzioak enpresan. Gainera, Copernika Festival jaialdiaren antolakuntzako kide da; Bizkaiko bideoklip eta musika-bideoarteari eskainitako jaialdia da, eta bertan diseinatzaile eta antolatzaile gisa aritzen da. Dagoeneko lau edizio izan ditu.

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Laborategiaren helburua ikus-entzunezko sorkuntza sustatzea da, arreta berezia jarriz talentu berriaren bilaketan, euskarazko sorkuntzan, berrikuntza edo esperimentazio formal eta teknologikoan, eta diziplinen arteko gurutzaketetan.
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Horretarako, laborategiak ikus-entzunezko proiektuak garatzeko hainbat DEIALDI bultzatzen ditu: IKUSMIRA BERRIAK proiektu zinematografikoen garapenerako egonaldi programa, SSIFF eta EQZErekin lankidetzan; NOKA deialdia, lehen film luzeetan emakumezko zuzendari berriei laguntza eta babesa emateko; 2DEO SERIEAK deialdia, banaketa-eredu berriek -hala nola plataformek- eskaintzen dituzten aukeren barne talentu zinematografiko berria sustatzeko; AUDIOGILE BERRIAK deialdia, euskarazko soinu-fikzioaren ekoizpena bultzatzeko; edo IMMATERIAL deialdia, Medialabekin lankidetzan, errealitate digitalen inguruan hausnartzen duten proiektuak garatzeko

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Halaber, laborategiak muntaketa eta postprodukzio fasean laguntza eskaintzen die ikus-entzunezko proiektu independenteei, zine eskoletako proietuei, finantzaketa mugatua duten proiektuei eta izaera esperimentaleko proiektuei, espazioa eta baliabideak lagatzeko deialdiaren bidez.

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\nLaborategiak formakuntza lantegiek, networking saioek, proiektuen aurkezpenek eta sektoreko profesionalen topaketek osatutako PROGRAMA bat ere badu. Horregatik, ikus-entzunezko laborategia sortzaileentzat zein ikus-entzunezko sektoreko komunitate eta eragileentzat sarrera atea da. Ikus-entzunezko komunitatea sortzeko espazio erreferentziala. Azken batean, talentu berrirako eta ikus-entzunezko sektorerako topagune estrategikoa.

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Tabakalerako 1. solairua

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Harremanetarako

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Sara Hernandez: shernandez@tabakalera.eus

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T. +34 943 011 311

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Espazio eta baliabide lagapenaren formularioa

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