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Ziklo hau Kutxa Fundazioarekin lankidetzan antolatu da, haien Harun Farocki efektua erakusketarekiko elkarrizketan.

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Aurkezpena Carles Guerrarekin , Kutxa Fundazioko El efecto Harun Farocki erakusketaren komisariokidea Antje Ehmannekin batera. Irudien sorkuntzari buruzko behaketa-dokumentalez osatutako programa da.

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An Image, Harun Farocki, Mendebaldeko Berlin, 1983, 25’

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Film hau Harun Farocki 1979tik lantzen ari zen serie baten parte da. Lana enkargatu zion telebista-kateak gaiari buruzko film kritiko bat egiten ari zela uste zuen; filmatzen ari ziren tokiko jabeak edo kudeatzaileak, berriz, iragarki bat zela pentsatzen zuen. Hala ere, Farockik ez zuen ez bata ez bestea egin nahi, ezta erdibideko zerbait ere; bietatik harago zihoan zerbait sortu nahi zuen.

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Still Life, Harun Farocki, Berlin, 1997, 56’

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Harun Farockiren arabera, gaur egungo publizitate-argazkilariek XVII. mendeko margolari flandestarren tradizioari eusten diote, nolabait, eguneroko objektuak irudikatzean: \"natura hila\". Zinemagileak hipotesi interesgarri hau hiru sekuentzia dokumentalekin argitzen du; horietan, argazkilariak lanean ageri dira gaur egungo \"bodegoi\" bat sortzen: gazta-taula bat, garagardo-basoak eta erloju garesti bat.

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Haurra zela, Aniss gnawa erritualetan izan zen, non dantzak, musikak, trantzeak eta automutilazioak sufrimendua sakratutasunarekin lotzen zuten.

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Artistaren bideogintzak begirada intimoa eskaintzen die anaidien imajinarioei, eta esparru afektibo eta kontzeptual bat proposatzen digu, non zapaldutako gizabanakoaren itoaldia eta bihozmina indar estetiko bihurtzen den, askapenaren oinarriak finkatzen dituen indar, hain justu.

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Montajista, irakasle eta artxibozaina da. Txikitatik, arteen eta gizarte-zientzien arloan trebatu zen. Esperimentazio eta Errealizazio Zinematografikoko Eskola Nazionalean (ENERC) ikasi zuen, Buenos Airesen (Argentina) eta berriki Elias Querejeta Zine Eskolan Donostian.

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Montajista gisa, hainbat proiektu dokumentaletan parte hartu du, baita esperimentaletan ere, Argentinako artista garaikideekin lankidetzan.

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2019an, dokumentala egiteko tailer bat sortu zuen, \"La Paloma\" izenekoa, Buenos Aires probintziako espetxe-unitate batean.

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2024an memorien eta artxiboen laborategi bat egin zuen, Asoc. Malen Etxearekin batera, Zumaian, bere TFMaren barruan.

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Gainera, pelikula argentinarren ikerketa eta kontserbazio proiektuetan parte hartzen du eta Operación Retorno ikerketa taldeko kide da.

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